Paul Doherty - The Midnight Man

Gascelyn never replied but plodded on, Anselm and Stephen close behind. The novice just wished they could leave. At first sight this cemetery had seemed a true place of the dead yet the longer they walked, pushing aside nettles and thorns, their feet cracking fallen twigs, the more this cemetery transformed into a living, ominous place breathing out its own malign spirit. The silence was unsettling. The desolation hung like a veil hiding darker, more sinister forces. Now and again Stephen glimpsed the forbidding church tower and the mass of its leaded roof black against the late spring sky. Stephen took a deep breath. A voice whispered to his right, though when he turned only a bush moved in the morning breeze. Stephen turned away then spluttered at the gust of corruption which caught his mouth and nostrils. He stumbled.

Anselm caught his arm. ‘Be on your guard,’ he whispered, ‘for the devil is like a prowling lion seeking whom he may devour.’ Anselm winked at Stephen and called out to Gaceslyn that they’d seen enough, though he’d like to visit the death house which stood some distance from the church, shaded by a clump of yew trees.

‘My manor,’ Gascelyn called back, ‘my fortress — come and see.’

The death house was a spacious, rather grand building of smart red brick on a grey stone base, its roof tiled with blue slate. The windows were covered in oil-strengthened linen; the framework and heavy shutters, like the door, were of sturdy wood and painted a gleaming black.

‘Sir William had this refurbished,’ Gascelyn explained. ‘He intends to renovate the church and make the cemetery worthy of the name “God’s acre”.’

‘When?’ Anselm asked.

‘Once May has come and gone. Stone masons and painters, glaziers as well as labourers by the score have been indentured.’ Gascelyn waved around. ‘Some will camp here, others in tenements Sir William has bought down near Queenhithe. That’s why he’s asked me to guard this place. So,’ he shrugged, ‘the death house is my dwelling place.’

He lifted the latch and led them inside. Stephen was surprised. The death house was unlike any he had ever seen. Its walls were smoothly plastered and painted a lovely lilac pink; the floor, of evenly cut paving stones, was ankle-deep in lush supple rushes strewn with scented herbs. Capped braziers stood beneath the two windows. The bed in the far corner was neat and compact and covered with a beautiful gold counterpane sprinkled with red shields. The long mortuary table stood against one wall with the parish coffin on top, half-hidden by a thick woollen black fleece embroidered with silver tassels, while pots of flowers ranged beneath this.

At the other end of the room stood a chancery table, a high leather-backed chair and two quilted stools. The room also had a long chest with coffers and caskets neatly stacked on top. Pegs on the back of the door were used to hang cloaks as well as Gascelyn’s gold-stitched war belt with its decorated scabbards for the finely hilted sword and dagger.

‘I sleep well.’ Gascelyn gestured round. ‘Isolda the parson’s woman brings me cooked food.’ He paused as he heard voices. ‘Indeed, I think that is Parson Smollat and his lady now. They’ll be going in for the Jesus Mass — wait here.’

Gascelyn left the death house. Anselm walked round and sat on the edge of the bed, Stephen on a stool. The novice glimpsed a book bound in calfskin, fastened by a silver chain on the chancery table. He rose, walked over and opened the book of hours. He read the first entry, a line from the introit for Easter Sunday: ‘I have risen as I said.’ Stephen admired the silver-jewelled illumination. The ‘R’, the first letter of ‘ Resurrexi ’, was covered in red-gold ivy and silver acanthus leaves. In the top of the ‘R’ a chalice, in the lower half a milk-white host above the Holy Grail. Stephen was about to read on when he heard a girl’s voice whisper, ‘Eleanora.’ He glanced at Anselm, who’d risen to his feet and was staring at the long mortuary table. The room had grown very cold; a faint perfume tickled their sense of smell. After a few heartbeats the sound of a lute could be heard, then the music faded but the rushes beneath the table shifted and a small puff of dust rose.

‘Someone is dancing!’ Stephen exclaimed. ‘Someone is dancing!’

The rushes ceased moving. No more dust whirled. A harsh sound echoed through the death house like a cry suddenly stifled.

‘Is there anything wrong?’ Gascelyn stood, blocking the doorway. He came in. ‘You heard it, didn’t you?’

Stephen glimpsed the desperate, haunted look in the man’s harsh face. Gascelyn stood hands on hips, staring down where the rushes had moved. He kicked these with the toe of his boot. ‘Perhaps,’ he confessed, ‘I don’t sleep too well. I’ve seen it, I’ve heard things. I wish Sir William would release me from this.’ He lifted his head. ‘Well, is there anything else, Brother Anselm?’

The exorcist simply sketched a blessing in the air, then he and Stephen left.

‘Magister, shouldn’t we ask what causes that?’

Anselm stopped and stared at him. The exorcist’s long, bony face was pale, the sharp, deep-set eyes like those of a falcon, lips tightly drawn, square chin set stubbornly. Stephen recognized that look. Anselm was troubled — deeply troubled — because he was confused. The exorcist had confessed as much as soon as they’d risen that morning, and apparently his mood had not changed. Anselm ran a finger down the stubble on his chin then scratched his head. He opened his mouth to speak but then shrugged and walked into the shade of a yew tree, beckoning at Stephen to follow.

‘Night-time, Stephen,’ Anselm leaned down like a magister in the schools, ‘night-time,’ he repeated, ‘is the devil’s dark book, or so authorities like Caesarius the Cistercian would have us believe. He described Satan as a tall, lank man of sooty and livid complexion, very emaciated, with protuberant fiery eyes, breathing ghastly horrors from his gloomy person. In another place Caesarius describes Satan as a blackened, disfigured angel with great bat-like wings, a bony, hairy body, with horns on his head, a hooked nose and long pointed ears, his hands and feet armed like eagle’s talons.’

‘And you, Magister?’

‘I regard that as pure nonsense — foolishness! Satan is a powerful angel. He is pure intelligence and will. He pulsates with hate against God and man. He does not creep under the cover of darkness or feast on fire. He is arrogant. Dawn or dusk makes no difference to him. Filthy dungeon or opulent palace does not exist for him, only his enemy.’

‘God, Magister?’

‘No, Stephen. Us, the children of God. Satan never accepted God’s creation and rose in rebellion, which lasts from everlasting to everlasting. Satan, Stephen, is no respecter of person or place. He waxes fat in the sombre shadows of vaulted cathedrals, behind the stout pillars and recesses of its choirs. He draws power in the silent cloisters from the secret thoughts and feelings of the good brothers. You’ll find Satan on the ramparts of castles, breathing pride into the lords of war. He can also be found in the lonely corpse where the sorcerer hums his deadly vespers and casts his foul spells. He lurks in the furrow and fans the hatred of peasants who plough the earth for those who own it. He also lurks here, Stephen, feasting on some filthy nastiness. What that is remains a mystery which must be resolved. In the end we must make him fast and drive him out. So, let us collect our satchel and panniers from the church — we will return to White Friars.’

They stepped out of the yew trees and paused. The corpse door swung open. Parson Smollat and Isolda came out. Isolda was about to walk away, then abruptly strode back and kissed the parson full on the mouth.