Anne Perry - Cardington Crescent

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“Yes, Thomas,” she said with wide eyes. “I don’t think I know anybody in Bloomsbury, anyway.”

2

Emily was indeed profoundly unhappy, in spite of the fact that she looked magnificent in a shimmering aquamarine gown of daring and elegant cut and was sitting in the Marches’ private box at the Savoy. On stage, in all its delicious, lyrical charm, was Messrs. Gilbert and Sullivan’s opera Iolanthe, of which she was particularly fond. The very idea of a youth half human and half fairy, divided at the waist, normally appealed to her sense of the absurd. Tonight it passed her by.

The cause of her distress was that for several days now her husband, George, had taken no pains at all to hide the fact that he very evidently preferred Sybilla March’s company to Emily’s. He was perfectly civil, in an automatic kind of way, which was worse than rudeness. Rudeness would at least have meant he was sharply aware of her, not dimly, as of something blurred at the edge of his vision. It was Sybilla’s presence that brought the light to his face, it was she his eyes followed, she whose words held his attention, whose wit made him laugh.

Now he was sitting behind her, and to Emily she looked as gaudy as some overblown flower, in her flame-colored gown, with her white skin and peat-water-dark eyes and all that opulent mass of hair. In spite of the hurt and the foolishness of it, Emily glanced sideways at him often enough to know that George barely looked at the stage. The hero’s plight did not move him in the slightest, nor the heroine’s winsome flirtations, nor the fairy Queen nor Iolanthe herself. He did smile and move his fingers gently in time to “The Peers’ Song,” which surely would move anyone at all, and his attention was caught for a moment’s sheer pleasure in the dancing trio, with the Lord High Chancellor kicking his legs in the air with abandoned glee.

Emily could feel the misery and panic growing inside her. Everything around was color, gaiety, and sound; every face she could see was smiling-George at Sybilla, Uncle Eustace March at himself, Sybilla’s husband, William, at the fantasy on stage. His youngest sister, Tassie, only nineteen, thin as her mother had been and with a shock of hair the color of sunlight on apricots, was definitely smiling at the principal tenor. Old Mrs. March, her grandmother, was twitching the corner of her tight lips upward in spite of herself; she did not care to be amused. Great-aunt Vespasia, Tassie’s maternal grandmother, on the other hand, was delighted. She had a marked sense of the ridiculous and had long ago ceased to care a jot what anyone else thought of her.

That left only Jack Radley, the single nonfamily guest of the evening, currently also staying at Cardington Crescent. He was a ravishingly handsome young man with excellent connections, but unfortunately, no money worth mentioning, and a highly dubious reputation with women. He was another outsider, and for that alone Emily could have liked him, regardless of his grace or his humor. It was fairly obvious that he had been invited with a view to arranging a marriage for Tassie, the only one of the ten March daughters still unmarried. The purpose of this liaison was not yet plain, since Tassie did not appear to be fond of him and had considerably more substantial expectations than he; although his family was related to those who held power he himself had no prospects. William had said unkindly that Eustace hungered for a knighthood-and in time, perhaps, a peerage-as the ultimate accolade to his family’s rise from trade to respectability. But that was surely an observation more malicious than truthful. There was a tension between father and son, a sharpness that intruded like a sudden splinter of glass every now and then, small but surprisingly painful.

At present William was behind Emily’s chair, and he was the only one she could not see.

During the interval it was he who brought her wine and a chocolate bonbon, not George; George was standing in the corner laughing at something Sybilla had said. Emily forced herself to make some sort of conversation, knowing it was a failure even as the words fell into hot silence, and the minute after she wished she had not said them. She was relieved when the curtain went up again.

“I cannot think where Mr. Gilbert gets such ridiculous plots!” Old Mrs. March drummed her fingers irritably when the final applause had died. “There is absolutely no sense in it at all!”

“There is not meant to be, Grandmama,” Sybilla said with a dreamy smile.

Mrs. March stared at her over her pince-nez, the black velvet ribbon dangling down her cheek. “Someone who is foolish because nature has so designed them, I pity; someone who is foolish by intention it is beyond me to understand,” she said coldly.

“That I can well believe,” Jack Radley murmured behind Emily’s ear. “And I’d swear Mr. Gilbert would find her equally incomprehensible-only he wouldn’t care.”

“My dear Lavinia, he is no more foolish than some of the romances by Madam Ouida, which I see you reading under brown paper covers.”

Mrs. March’s face froze, but there were pink spots in her cheeks where rouge would have been on a younger woman. She deplored the vulgarity of painting one’s face; women who did that were “of a certain sort.”

“You are quite mistaken, Vespasia,” she snapped. “It is a pity your vanity prevents you obtaining a pair of spectacles. One of these days you will fall downstairs or otherwise make an unfortunate exhibition of yourself. William! You had better give your grandmama your arm. I don’t wish to be the center of attention as we leave.” She rose to her feet and turned to the door. “Especially of that kind!”

“You won’t be,” Vespasia retorted. “Not as long as Sybilla insists upon wearing scarlet.”

“Very suitable for her,” Emily said, before she thought. She had intended it to be inaudible, but just at the precise moment everyone around them stopped speaking and her voice came clearly into the pause.

There was a touch of color in George’s face, and she looked away instantly, wishing she had bitten her tongue till it bled rather than betray herself so nakedly.

“I’m so glad you like it,” Sybilla answered quite calmly, rising also. There seemed no end to her aplomb. “We all have colors which flatter us, and those which don’t. I doubt I should look as well as you do in that shade of blue.”

That made it worse. Instead of spitting back she had been charming. Even now, George was smiling at her. Almost as if some invisible current had designed it, they were swept out of the box into the eddy of people pressing to reach the foyer, George next to Sybilla, offering his arm as if anything less would have been uncivil.

Emily found herself, hot-faced and stumbling, being pushed and jostled forward with Jack Radley’s arm about her and Great-aunt Vespasia’s beautiful silver head in front.

Once they reached the foyer it was inescapable that they should meet with people they knew, and be obliged to exchange opinions and inquiries as to health, and all the other chitchat of such an occasion. It swam over her head in a senseless bedlam. She nodded and smiled and agreed with everything that penetrated into her mind. Someone asked after her son, Edward, and she replied that he was at home and very well. Then George nudged her sharply, and she remembered to inquire after the family of the speaker. It all babbled on around her:

“Delightful performance!”

“Have you seen Pinafore?”

“How does that piece go again?”

“Shall you be at Henley? I do love regattas. Such a delightful thing for a hot day, don’t you agree?”

“I prefer Goodwood. There is something about the races-all the silks, don’t you know!”

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