Anne Perry - Rutland Place

"Afraid?" She seemed surprised. "I'm not afraid," She lifted her head to look at Pitt. "But I don't think I can tell you anything that is of value."

Tormod glanced at him warningly, then back at Eloise.

"Do you remember I left you for a while?" he asked her, his voice very soft, almost as if encouraging a child. "You had been speaking of little things until then-fashion and gossip. Did she confide any other matter to you when you were alone? Anything of the heart? A love, or a fear? Perhaps someone she was becoming fond of?"

Eloise's mouth moved in a fraction of a smile. "If you mean did she love someone other than her husband," she said without expression in her voice, "I have no reason to think so. She certainly did not speak of it to me-then or at any other time. I'm not sure if she believed in love of the storybook kind. She believed in passions-lust and pity, and loneliness-but they are quite different things, not really love. They pass when the hun shy;ger is satisfied, or the need for pity removed-or.when one grows exhausted with loneliness. These things are not love."

"Eloise!" Tormod's arm tightened around her and his hand held the flesh of her arm so hard it made white marks on her skin that Pitt could see even through the muslin of her dress. "I'm so sorry!" His voice was soft, a whisper. "I had no idea Mina would speak of such things to you or I would never have left you alone with her." He swung around to stare at Pitt. "There's your answer, Inspector! Mrs. Spencer-Brown was a woman who was disillusioned in some tragic way, and she wished to unburden herself of it to someone. Unfortunately she chose my sister, an unmarried girl-which I find hard to forgive, except that she must have been desperate! God have pity on her!

"Now I think you have learned enough from us. I'm taking Eloise away from here, away from Rutland Place, until the worst of the shock is over, and she can rest in the country and put this from her mind. I don't know what Mrs. Spencer-Brown indi shy;cated to her about her private agonies, but I will not permit you to press her any further. It is obviously a-an intimate and extremely painful subject. I trust you are gentleman sufficient to understand that?"

"Tormod-" Eloise began.

"No, my dear, the Inspector can discover whatever else he needs to know in some other fashion. Poor Mina seems unques shy;tionably to have taken her own life. There was nothing you could have done about it, and I will not have, you blame yourself in any way at all! We may never know what it was that she could no longer bear, and perhaps it is better that we should not. A person's most terrible griefs should be buried decently with them. There are things that lie so close to the heart of a person, every decency of man or God demands they remain private!" He lifted his head and glared at Pitt, defying him to contend.

Pitt looked at them sitting side by side on the sofa. He would get nothing more from Eloise, and in truth he was inclined to agree that Mina's suffering, whatever it was, deserved to be buried with her, not turned over, weighed, and measured by other hands, even the impersonal ones of the police.

He stood up. ''Quite," he said succinctly. "Once I am sure that it was simply a tragedy and there has been no crime, even of negligence, then it would be far better if we all left the matter to be forgotten in kinder memories."

Tormod relaxed, his shoulders easing, the fabric of his coat falling back to its natural lines. He stood up also and extended his hand, holding Pitt's in a hard grip.

"I'm glad you see it so. Good day to you, Inspector.",

"Good day, Mr. Lagarde." Pitt turned a little. "Miss Lagarde. I hope your stay in the country is pleasant."

She smiled at him with uncertainty, something that struck her with doubt, even a presage of fear.

"Thank you," she said in a little more than a whisper.

Outside in the street Pitt walked slowly along, trying to com shy;pose his thoughts. Everything so far indicated some private grief, nursed to herself, that had finally overwhelmed Mina Spencer-Brown and driven her to take, quite deliberately, an overdose of something she already possessed. Probably it would prove to be her husband's medicine containing the belladonna, which Dr. Mulgrew had spoken of.

But before he allowed it to rest, he must ask the other women who had known her. If anyone was aware of her secret, it would be one of them, either from some imparted confidence or merely from observation. He had learned how much a relatively idle woman could perceive in others simply because she had no business and few duties to occupy her. People were her whole concern: relationships, secrets, those to be told and those to be kept.

He called on Ambrosine Charrington first, because she was the farthest away and he wanted to walk. In spite of the thicken shy;ing rain he was not yet ready to face anyone else. Once, he even stopped altogether as a ginger cat stalked across the footpath in front of him, shook himself in disgust at the wet, and slipped into the shelter of the shrubbery. Perhaps, Pitt thought, he should not disturb the slow settling of grief. Maybe it was no subject for police, and he should go now, turn and walk away, catch the omnibus back to the police station, and deal with some theft or forgery until Mulgrew and the police surgeon put in their reports.

Still thinking about it, without having consciously made any decision, he began to walk again. The rain was gathering in vehemence and ran in cold streaks inside his collar and down his flesh, making him shudder. He was glad to reach the Charringtons' doorstep.

The butler received him with faint displeasure, as if he were a stray driven in by the inclement weather rather than a person who had any place there. Pitt considered the hair plastered over his forehead, the wet trousers flapping around his ankles, and the one bootlace broken, and decided that the butler's look of disap shy;proval was not unwarranted.

Pitt forced himself to smile. "Inspector Pitt, from the police," he announced.

"Indeed!" The butler's look of polite patience vanished like sun behind a cloud.

"I would like to see Mrs. Charrington, if you please," Pitt continued. "It is with regard to the death of Mrs. Spencer-Brown."

"I don't believe-" the butler began, then looked more closely at Pitt's face and realized protestations were only going to pro shy;long the interview, not end it. "If you come into the morning room, I will see if Mrs. Charrington is at home." It was a fiction Pitt was well used to. It would be discourteous to say, "I will ask her if she will see you," although he had been told so bluntly often enough.

He had barely sat down when the butler returned to escort him to the withdrawing room, where there was a fine fire dancing in the grate and three bowls of flowers in jardinieres by the wall. k Ambrosine sat bolt upright on the green brocade love seat and looked Pitt over from hair to boots with interest.

"Good morning, Inspector. Do be good enough to sit down and remove your coat. You seem more than a little wet." '

He obeyed with pleasure, handing the offending garment to the butler, then arranging himself in an armchair so as to absorb the full benefit of the fire.

"Thank you, ma'am," he said with feeling.

The butler retired, closing the door behind him, and Ambrosine raised her fine eyebrows.

"I am told you are inquiring into poor Mrs. Spencer-Brown's death," she said. "I am afraid I know nothing whatsoever of interest. In fact, how little I know is quite amazing in itself. I would have expected to hear something. One has to be remarka shy;bly clever to keep a secret in Society, you know. There are many things that are not spoken of which would be in unforgivable taste to mention, but you will usually find that people know, all the same. There is a certain smugness in the face!" She looked at him to see if he understood, and was evidently satisfied that he did. "It is infinitely pleasing to know secrets, especially when others are aware that you do-and they do not."