Paul Doherty - The Treason of the Ghosts

‘My man,’ Sorrel said over her shoulder, ‘always claimed owls were the souls of priests who never sung their Masses.’

‘In which case,’ Corbett replied, ‘the woods should be full of such birds!’

Sorrel laughed and walked on.

‘What can you tell me about the people of Melford?’

‘Oh, I could tell you a lot, clerk, but then they’d realise you’d been talking to me. I think it’s best if you found out yourself. I’ll show you what I have and let you think. However,’ she paused and waited for Corbett to draw level with her, ‘you said you were in a maze so let me help you. Blidscote is fat and corrupt. Deverell the carpenter has a lot to hide and Repton the reeve is cold and hard. That’s the problem, master clerk, isn’t it? If these men were here, or their wives or sweethearts, they’d tell similar tales about me.’

‘Old Mother Crauford?’ Corbett asked. ‘Melford’s Jeremiah?’

‘Oh, she and that Peterkin! Let me put it this way, clerk: there may be a Mummer’s Man who wears a mask but the likes of Crauford and Peterkin also wear masks. They are not what they seem to be, but what they truly are escapes me. She mutters and moans. He acts fey-witted, runs errands for this person or that and spends his coins on sweetmeats.’

‘And Melford’s history?’

The woman stopped and tapped her stick on the ground. ‘As you can guess, I am not from Melford. I wandered here twelve years ago and met Furrell. He was kind and taught me the ways of the countryside. I thought, what’s so bad about this? Better God’s trees and meadows than the piss-washed alleyways of-’

Corbett was sure she was about to add ‘Norwich’ but she bit her lip.

‘Furrell claimed Melford was a strange place. A settlement stood here even before the Romans came. Do you know who they were, clerk? Weren’t they led by William the King?’

Corbett laughed and shook his head. ‘No, no, different people, different times.’

‘Anyway,’ Sorrel continued, eager to show her knowledge, ‘Furrell believed wild tribes lived here: they sacrificed people — ’ she pointed to a distant copse — ‘on great slabs of stone or hanged them from the oak trees.’

‘Do you think that’s why Old Mother Crauford believes Melford is a place of blood?’

‘Perhaps,’ Sorrel murmured. ‘I’ll show you something tonight. You can also meet my friends.’

‘Friends?’ Corbett queried.

‘Moon People,’ she explained. ‘They have tales which might interest you. But I want to show you something, clerk, something which intrigues me.’

She walked on more purposefully. They were now going downhill. Corbett glimpsed the river and the dark mass of Beauchamp Place, its jagged walls and empty windows clear against a patch of starlit sky. Corbett recalled memories of a haunted house near his own village when he was a boy. He remembered being challenged to spend a night there and his mother’s anger when she found his empty bed.

At last they reached a makeshift bridge which crossed a narrow, evil-smelling moat.

‘Sometimes, when the river becomes full, it’s drained,’ Sorrel explained.

Corbett was more concerned with his horse, nervous and skittish as its hoofs clattered on the wooden slats. At last they were across under the old gatehouse and into the cobbled inner bailey. By some coincidence — perhaps the builder had planned it — the bailey seemed to trap the moonlight, increasing the manor’s ghostly appearance.

‘A haunted place!’ Corbett exclaimed. ‘Don’t its ghosts trouble you?’

‘Oh, people say there are ghosts,’ Sorrel grinned. ‘And I embroider the stories to keep them away.’

‘Aren’t you nervous?’

‘Of the ghosts!’ she exclaimed. ‘True, strange sounds can be heard at night. I often wonder if Furrell comes looking for me but it’s the living who concern me. And, before you ask, clerk, I am not really frightened of strangers or outlaws. Why should they hurt the likes of me? Especially,’ she called out as she crossed the yard, ‘as I have a cudgel, a dagger, not to mention a crossbow and bolts.’

She led Corbett into the ruined hall. Most of its roof had gone, leaving the beams open to the elements. Sorrel lit sconce torches and, in their flickering dance, Corbett glimpsed faded paintings on the far wall. The dais at the top had once been tiled but most of the stone had been ripped away.

‘You can hobble your horse here,’ Sorrel explained.

Corbett did so and followed her across the dais. The door in the wall at the back had been repaired and rehung on leather hinges. The large room inside must have once been the solar, or family room, for the manor lord and family. Its roof was still sound; the plaster had been refurbished. Corbett was surprised how clean and neat it was. There were stools, a bench, trestle table, two large chests, an aumbry and, in the far corner, a four-poster bed shrouded by faded red curtains. Candlesticks in iron spigots were placed round the room as well as sconce torches which Sorrel immediately lit.

‘Take your ease,’ Sorrel offered.

Corbett looked around and whistled under his breath. ‘It’s very comfortable.’

‘Of course it is,’ Sorrel called.

She went into a small adjoining room and wheeled back a metal-capped brazier. Corbett watched as she expertly fired the coals and, taking a small pouch of ground herbs, sprinkled some powder across the top. A warm sweet perfume pervaded the room.

‘Who did all this?’ Corbett asked.

‘Why, Furrell. You see, sir, no one owns Beauchamp Place. People are terrified of the ghosts and, if the river spills, it can be dangerous but, the hall, solar and my buttery are safe.’ She added proudly, ‘Furrell was a good poacher. I was in Melford earlier with three pheasants for the Golden Fleece. People pay well for good, fresh meat, finely gutted and cleaned. Furrell bought the bed from a merchant who was leaving for London. The other sticks of furniture came from the likes of Deverell. That’s how people paid him.’

Corbett noticed the paintings on the far wall. He got up and went across. They had been done in charcoal, filled in with rough paints, small scenes from country life; most of them depicted a man or woman netting a hare or catching conys in the hay. Others were more vigorous: a pheasant burst up from the gorse, its head going back as it was hit by a slingshot; a roe deer, antlers high, knees buckling as an arrow dug deep into its neck.

‘Who did these?’ Corbett asked.

‘Furrell. Don’t forget, you may work by day but my man worked at night.’

Corbett continued to study the rough paintings. Sorrel brought in two pewter cups. She filled these with wine and, grasping a small poker, thrust it into a now fiery brazier. She then took it out, warmed the wine and sprinkled each with nutmeg. She wrapped a rag round one cup and handed it to Corbett.

‘It’s good wine, isn’t it?’ she said, sitting down on the bench opposite, her eyes bright and expectant.

Corbett felt a little uncomfortable.

‘Tell me,’ he said. ‘Do you really believe that I can discover the truth?’

‘You must do.’ Sorrel pointed across to a small niche containing a statue of the Virgin, a candle fixed in wax before it. ‘Every day I pray to her. You’re God’s answer.’

Corbett sipped at the wine. It was warm and mellow. He felt relaxed, slightly flattered. Most strangers couldn’t stand the sight of him. A royal clerk, particularly the keeper of the Secret Seal, was regarded as dangerous: a man who had the ear of the King.

‘Right.’ Corbett sipped again. ‘Five years ago Sir Roger Chapeleys was hanged. Furrell went before the justices and pleaded on his behalf?’

‘I’ve told you all that.’