Paul Doherty - Corpse Candle

‘Come with me! Come with me!’

They went down the side of the infirmary and almost bumped into Chanson who, helped by Perditus, was carrying some books.

‘Brother Aelfric sent these,’ Chanson gasped.

‘We don’t need them now,’ Corbett declared. ‘Master Taverner has other things to show us. Chanson, Brother Perditus, I would be grateful if you would take the books to my chamber in the guesthouse.’

He walked by them. Taverner was trotting ahead, beckoning them to follow as if they were playing some childish game. They crossed the empty cloisters, going past the main door of the abbey church and towards the refectory: a long, oblong building of grey ragstone with a red tiled roof. Taverner led them down the outside steps and pushed open the door. They stepped into a hollow, cavernous chamber. Taverner took a tinder and lit a sconce torch. Corbett realised they were in the cellars of the abbey. There was a long, dark gallery with open store chambers on one side which contained tuns of wine, sacks of grain, boxes of fruits and vegetables, some now shrivelled as winter approached. The air was flavoured with different fragrances and smells. Taverner hurried on, pausing now and again to light a sconce torch. Corbett felt as if he was in the underworld. He was aware of the passageway stretching before him, the hard cobbled ground and the yawning chambers to his left. At last they reached the end and went down some steps. Taverner pushed open a door and they stepped into a chamber. Corbett was aware of barrels and pallets of wood, shelves with pots on. One corner was completely empty except for a canvas cloth stretched over the ground. Taverner lit another sconce torch and pulled away the sheeting. At first Corbett couldn’t understand what it was until he grasped the torch and knelt down.

He exclaimed, marvelling at the different colours, the reds, greens, golds and blues. He studied it more carefully.

‘Abbot Stephen said it was very old,’ Taverner explained.

Corbett stroked its shiny smoothness.

‘It’s a mosaic,’ he explained. ‘I’ve seen similar both in this country and abroad. Beautiful isn’t it, Ranulf?’

‘The work of the monks?’ his manservant asked.

‘No, no, this is Roman.’ Corbett glanced up at the ceiling. ‘Of course it makes sense. This land must have always been cleared. I suspect the abbey was founded on an ancient Roman settlement, perhaps a farmhouse, or a temple, or both?’

‘How did Abbot Stephen find this?’

‘Years ago when he was Sub-prior,’ Taverner explained, ‘work was carried out on the foundations. The floor to this chamber was raised. When the paving stones were lifted, Abbot Stephen discovered this and kept it free. He always liked to come here. He’d sit and kneel before it as if it was a shrine.’

Corbett, his eyes now accustomed to the dark and the flickering torchlight, could admire the beauty of the mosaic. It was a square, probably part of a floor, of which only this section had been preserved, and depicted a huge wheel: its hub was of gold with red spokes and blue rim. Between the spokes were different colours, and in each corner were small figures dressed in tunics, carrying grapes and what resembled jugs of wine.

‘Why did Abbot Stephen love it so much?’

‘I don’t know. He said it was beautiful. He used to place his hand on the centre of the wheel as if it was something sacred. Ask the brothers, particularly Cuthbert. Abbot Stephen would often disappear down here and just kneel. Sometimes he’d bring a cushion. Sometimes. .’

‘Sometimes what?’ Ranulf demanded harshly.

‘One day, two weeks before his death,’ Taverner explained, ‘I went to see Father Abbot. He was not in his chamber so I came here. I reached the door to the steps. I could hear him praying, weeping, and the lash of a whip.’

‘What?’ Corbett exclaimed.

‘Abbot Stephen was leaning over the mosaic. He’d pulled his robe down to his waist. In one hand he held his ave beads, in the other a whip which he was using to lash his shoulders. “Father Abbot!” I exclaimed. He turned and stared at me, tears rolling down his cheeks. “I’m doing penance, Master Taverner,” he declared. “And you must never tell anyone what you have seen today. This is my secret”.’

Corbett stared down at the mosaic: the more he studied it the more intrigued he became. He recalled the pieces of parchment he had seen in the Abbot’s lodgings. He had dismissed these but now he remembered the doodles and etchings, which were always the same, a wheel with its rim, spokes and hub. What did that mean to the Abbot? And why had he to inflict such terrible penance on himself? Sins he had to atone for? And why here? Many monks would dismiss this mosaic as a pagan symbol. True, the abbot had liked all things Roman but he seemed to have revered this as he would a shrine or reliquary. This mosaic obviously symbolised something for Abbot Stephen. He’d confessed as much to Taverner whilst his obssession with the wheel explained his constant sketches. Wheels? Hidden sins? The dead Abbot did indeed have secrets but they were buried deep and hidden well. Corbett got to his feet and ordered Taverner to cover the mosaic.

‘I’ve told you all I could, Master.’ Taverner’s voice rose to a wail.

‘Don’t worry,’ Corbett reassured him, tapping him on the shoulder. ‘You are not going to be turned out in your shift on the highway. We have other people to visit.’ He walked to the steps and then turned. ‘Tell me, Master Taverner, last night, as I was walking back to the guesthouse, I tried to open a door but it held fast. I heard a voice hissing at me through the grille. It was muffled, disguised. It told me that the Abbey of St Martin’s was a house of demons, a place of Cain?’

‘You didn’t tell me of this!’ Ranulf exclaimed.

‘Hush!’ Corbett gazed round. ‘Was that you, Master Taverner?’

‘Oh no!’

‘Then which monk do you think wanders the corridors and passageways? I know it wasn’t Brother Perditus. He was in his shift when I left him. So, which monk is known for his wanderings?’

‘They all are, Sir Hugh, especially members of the Concilium, Prior Cuthbert in particular. The night Abbot Stephen was killed some of the brothers claimed he visited Bloody Meadow, staring at that burial mound.’

Corbett sighed. ‘Very well.’

Ranulf and Taverner doused the lights. They went back along the corridor and out into the abbey grounds. Perditus, carrying a basket to the kitchens, shouted a greeting. Corbett raised his hand in reply.

‘Where to now, Master?’

‘The guesthouse, Ranulf. Perhaps we should have something to eat? Master Taverner, I thank you. Stay where you are and tell no one what has happened.’

The cunning man needed no second urging. He bobbed in gratitude, profuse in his thanks and assurances before he hastened off into the mist. Taverner was pleased to be free of Corbett. He had told that harsh-faced clerk a great deal so perhaps he would be safe for a while. He paused and looked up at the tower of the abbey church looming above the mist. This was a good place to live. Perhaps even to die? He reached the path leading down past the infirmary. He heard a sound and stopped. A cowled figure had stepped out from behind a bush. He was holding something in his hands. Taverner, eyes popping, mouth gaping, realised it was a longbow. He could see the string pulled right back, the cruel barbed arrow — aimed directly at him. He could glimpse no face.

‘What do you want? What is it?’

He was about to sink to his knees but the arrow was already loosed. At such close range it thudded into Taverner’s body, thrusting deep into his chest. Taverner staggered forward, the blood already bubbling in his throat. He sank to his knees and, with a gasp, fell on his side.