Jeri Westerson - Troubled Bones

They made a turn and entered the cellar. The cold air smelled of must. The monks placed the bier on a long table and stepped back. One said to Alyson, “We will bring you sponges and basins of water. We have rose water, if that will do. Also a shroud.”

“That would content me, Brothers,” she said with a bow of her head.

She waited stone-faced for the monks to return and placed the basin and sponges beside the body. The monks bowed and quickly left. Alyson removed her cloak, rolled up her sleeves, and looked over her shoulder. She tucked her linen veil behind her ears. “Are you staying?” she asked.

“No. But”-he rubbed his chin-“I need to see the wounds. When you are done, if you will … will turn her over-”

She nodded. “Wait outside and I will call you.”

Crispin paced outside the cellar. Without wishing to, his ears picked up the sounds of Alyson’s work; the thump of the body as clothing was removed; a rag being rung into a basin. He imagined the water blooming with swirls of red. There were long moments of near silence before Alyson sighed and muttered a prayer.

Surely the dawn would soon break and he could view the murder scene in lighter surroundings. Leaving the sounds of Alyson’s preparations behind, he followed the cloister walk and slipped into the church, adjusting his eyes to the dark. Ahead of him lay Saint Benet’s chapel. Already monks were scrubbing away all traces of blood and death. They turned to look at him but did not stop in their task. He walked past them to the north aisle and sidestepped the scaffolds. Again, the silence struck him. Except for his boots striding up the aisle and the swish of the monks with their rags, there was not a sound. He climbed the steps to the Chapel of Saint Thomas and headed straight for Saint Thomas’s shrine. The canopy was replaced, and for all the public knew, Becket’s bones were still within. Crispin took a candle from one of the four candlesticks surrounding the shrine and walked around the stone plinth, looking carefully along the edges. He hadn’t the slightest idea what he might be looking for, but he hoped some clue to the scoundrel’s identity might turn up.

The candle glow swept over the floor several times before it caught a faint highlight between Becket’s shrine and Edward’s tomb. Crispin bent to look. At first, it had no significance for him. Just a tiny bit of stone wedged into a crevice between the stone tiles. Probably kicked up from all the work of the stone masons. But when Crispin picked it up, he knew instantly that it wasn’t a piece of stone at all.

With a rush of excitement, he examined the tiny triangular object lying in his palm. The candlelight gave it shadows, depth, texture, though it was white and bleached. He turned it. No doubt about it. A finger bone. The tip. “Saint Thomas,” he whispered.

Crispin had viewed many saint’s relics in his day. They had all been ensconced in great shrines such as Saint Thomas’s, sometimes touched, sometimes only seen through cloudy glass.

But to hold Saint Thomas, to touch the past, nearly took his breath away. Crispin stared down at the small bone in his palm for a long time and then finally raised his head and looked around somewhat sheepishly. Gawking like a schoolboy! He shook his head at himself and carefully placed the bone in his money pouch, sorry he did not have a cloth in which to wrap it.

He continued his search along the floor for more remains. Before he had been struck, he remembered hearing a door bang, but the nature of the cathedral made the placement of sounds nearly impossible to fathom. Where was the nearest door?

The transept doors were far away. The closest to the shrine was behind him: the stairs to the roof of the Corona tower. Crispin hurried to the door and pulled. Locked. But it might not have been locked before. After all, the killer certainly had his own set of keys. Perhaps the murderer waited behind the door for the church to empty before he slipped from his lair to dispatch the Prioress and plunder the bones. But he hadn’t counted on Crispin being there. Had the killer crept past him while he slept? Could the killer have counted on Crispin’s sleeping? Or was he prepared to dispatch Crispin as well? But if so, why am I still alive?

He held the candle high and searched every recess and dim corner. A dark patch appeared at the foot of the doorpost. Crispin bent to look. Stuck between the door and the jamb was a small square of cloth. Grasping it, he pulled it free. Someone had caught their gown or cloak in the door and tore this bit, leaving it behind. Scarlet material. Most likely a gown. He examined it a moment longer before he tucked that within his pouch, too, and gave one last look around the quiet chapel before descending beneath the church to the cellar door once more.

Alyson was waiting for him. “Ready,” she said.

He gave a quick nod and stepped into the room. The Prioress lay covered with a sheet. “I will dress her with a shroud when you are done,” said Alyson solemnly.

Beside the body sat a basin, water clouded with red. It looked like a bowl of blood.

Alyson grasped the edge of the sheet and slowly peeled it down to the small of the Prioress’s naked back.

Crispin bent over the thin white body. He felt a tinge of shame peering at so chaste a woman.

The scent of rose water wafted from the newly bathed skin. With wounds cleansed he could plainly see how each blow cut and how deeply.

“The assailant used the sword to chop at her vertically, with little side to side movement,” said Crispin mostly to himself. He pointed to the wounds from the neck down. “See how this chop goes this way, then this one the other way, thus.” He demonstrated the chopping motions with an invisible sword. “A sword is easier to use this way. I might make a guess that this stroke to the shoulder was first. It is a timid stroke. After blood is spilled, bloodlust takes over. She was kneeling, I think, and this last stroke at her shoulder blade was taken when she was completely prone. They came in quick succession.” He pictured it in his mind. Of course he’d been in many a battle himself. A sword was not an elegant weapon. Not like a dagger. A dagger was for stabbing or slashing. But a sword could be employed as a chopping weapon with slightly more finesse than a battle-ax, perhaps, but used with the same accuracy.

He glanced at Alyson to confirm his hypothesis. Her face had gone white. He cursed himself, pulled the sheet over the body again, and took Alyson’s hand. “Forgive me. Fatigue must be to blame for my thoughtlessness.”

She squeezed his hand once before releasing it. “I am only a woman and not used to violence.”

“My words may seem casual, Mistress Alyson, but I am far from used to this.” He turned to look at the cloth-covered Prioress.

A pause. “I will finish quickly, Master Crispin. And then I hope to go back to the inn.”

“Of course. I thank you, mistress, for your kind service.” He bowed and left the room again.

He stood, hands behind his back, and stared blankly at the carved arch of the cloister walk. Few sights troubled him more than that of a dead woman. Heinous, heinous . Murder of any kind was unacceptable, but this murder of a holy woman … He ran his hand over his eyes. Jesu, but I am weary! Getting back to the inn sounded like a good idea. He’d drop into his bed and wouldn’t mind if he didn’t wake till next Sunday.

At the sound of steps he looked up. The young monk, Brother Wilfrid, approached, and by the look on his face he was as agitated as his step. He greeted Crispin and then looked back over his shoulder.

“Brother Wilfrid. Is there something-”

“Master Guest, I-”

Alyson emerged from the door and shook her mantle over her shoulders.