Donald Westlake - Get Real

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In Donald E. Westlake's classic caper novels, the bad get better, the good slide a bit, and Lord help anyone caught between a thief named John Dortmunder and the current object of his attention.
However, being caught red-handed is inevitable in Dortmunder's next production, when a TV producer convinces this thief and his merry gang to do a reality show that captures their next score. The producer guarantees to find a way to keep the show from being used in evidence against them. They're dubious, but the pay is good, so they take him up on his offer.
A mock-up of the OJ bar is built in a warehouse down on Varick Street. The ground floor of that building is a big open space jumbled with vehicles used in TV world, everything from a news truck and a fire engine to a hansom cab (without the horse).
As the gang plans their next move with the cameras rolling, Dortmunder and Kelp sneak onto the roof of their new studio to organize a private enterprise. It will take an ingenious plan to outwit viewers glued to their television sets, but Dortmunder is nothing if not persistent, and he's determined to end this shoot with money in his pockets.

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Kelp had seen street out there. My Nephew’s in a business conversation, he gets a phone call, he says one word, he leaves the building. This sequence suggested to Kelp that it could be some previous purveyor of irregular goods, not unlike Andy Kelp himself, had been a bit sloppy and had led police attention to this building, giving My Nephew the motivation to vacate. Probably it would be Kelp’s smart move now to follow My Nephew’s lead.

The door My Nephew had taken, which Kelp now took, led to a side street of warehouses across the way from the blank rear of the big-box store. Trucks of various sizes and descriptions were parked on this side only. My Nephew was nowhere to be seen. In a minute, neither was Kelp.

Three blocks from My Nephew—the building, not the man—and very close to the subway station that was his current goal, Kelp felt the cell phone in his jacket pocket vibrate against his heart. (He much preferred, in all situations, silence to noise.) Unpocketing it, opening it, he said, “Yeah.”

“Maybe a conversation.” The voice, Kelp recognized, belonged to a frequent associate of his named John Dortmunder.

“I’m very open,” Kelp said, which was more true now than it had been ten minutes ago.

“Where are you?”

“Outer rings of Saturn.”

“Brooklyn, huh? How long to get here?”

“Forty minutes,” Kelp said, and was exactly right.

5

DORTMUNDER FINISHED DESCRIBING the situation and waited to hear what Kelp had to say, but Kelp just sat there, nodding slowly, looking at Dortmunder as though he were a rerun on that turned-off television set over there. They were seated together in Dortmunder’s living room on East Nineteenth Street, with its view of the airshaft, Dortmunder in his usual armchair and Kelp on the sagging sofa. Kelp wouldn’t take the other armchair because it was the exclusive property of Dortmunder’s faithful companion May, who at the moment was still at her supermarket checkout job at the Safeway, bringing in the more or less honest part of their joint income.

Dortmunder nudged a little. “Well? Whadaya think?”

“I think,” Kelp said judiciously, “I think I need another beer.”

Dortmunder hefted the can in his own fist, found it empty, and said, “Yeah, me too.”

Rising, Kelp said, “You stay there, John, I’ll get it. The exercise will do me good. Give me a chance to think about this.”

“I know, it’s a little different.”

Heading for the hall, Kelp said, “The twenty G I kinda understand. It’s the other parts.”

“I know.”

“I’ll be back,” Kelp said, but as he stepped through the doorway Dortmunder heard the sound of the apartment door open, down at the end of the hall. Kelp looked to his right, smiled in a way that suggested he now felt no ambivalence at all, and said, “Hey, May.”

She appeared in the doorway, a tall slender woman, her neat black hair with gray highlights. She was lugging a grocery sack, her daily self-bestowal bonus for working at that place. “I just have to take this stuff to the kitchen,” she said.

Kelp said, “I was on my way to get us both a beer. You want one?”

“I’ll bring them,” she said. “You sit down.” And she headed on down the hall toward the kitchen.

So Kelp came back and settled once more onto the sofa, putting his empty on the coffee table as he said, “I tell you what. When May comes in, tell her the story. Maybe I’ll get a better read on it if I look at it from the side, like.”

“Good idea.”

So, a minute later, when May reappeared, unencumbered except for three beer cans that she distributed, Dortmunder said, “I got a very strange proposition today.”

She didn’t quite know how to take that word. Settling into her chair, she said, “A proposition?”

“A job, kind of. But weird.”

“John’s gonna describe it to you now,” Kelp said, and looked at Dortmunder, as alert as a sparrow on a branch.

Dortmunder took a breath. “It’s reality TV,” he said, and went on to describe how Murch’s Mom had introduced Doug Fairkeep into their lives and what Doug Fairkeep had proposed, including the payoff.

Somehow, every time he told that story he got the same kind of dead-air silent reaction. Now May and Kelp both gave him the glassy-eye treatment, so he said, “That’s the story, May, that’s all there is.”

She said, “Except the next day, when they drag you all off to jail.”

“Doug Fairkeep says we’ll work around that.”

“How?”

“He doesn’t say.”

May squinted, much the way she used to squint back when she chain-smoked. “I’ll tell you another question,” she said. “What is it you’re supposed to steal?”

“We didn’t go into that.”

“It might make a difference,” she said.

Dortmunder didn’t get it. “How?”

“Well,” she said, “if they were going for laughs, like. Like if you hijacked a diaper service truck, something like that.”

Kelp said, “ I’m not gonna hijack any diaper service truck.”

Like that,” she said.

Dortmunder said, “May, I don’t think so. What they do is, they find people got some sort of interesting lifestyle or background or something, and they film the people doing what they do, and then they shape it, to make it entertainment. I don’t think they’re goin for jokes, I think they’re goin for real.”

“Jail is real,” she said.

Dortmunder nodded, but said, “The problem is, so is twenty G.”

“Looks to me,” Kelp said, “as though you oughta go back and see this guy and ask him a lot more questions.”

“I’m realizing that,” Dortmunder admitted. “You wanna come along?”

“Oh, I don’t think so,” Kelp said, as casual as an aluminum siding salesman. “No need for me to poke my face in at this point. Murch’s Mom didn’t rat me out to the guy.”

“No, she didn’t,” Dortmunder said.

“But I tell you what I’ll do,” Kelp said. “Come home with me and I’ll Google him.”

Dortmunder frowned. “Is that a good thing?”

“Oh, yeah,” Kelp said.

6

DOUG FAIRKEEP’S IMMEDIATE BOSS at Get Real was a barrel-bodied bald sixty-year-old named Babe Tuck, who had come over from the news side after thirty years as a foreign correspondent. In the company bio online, a hair-raising read, were listed the times he’d been gassed, kidnapped, shot, abandoned in mid-ocean, set fire to, poisoned, dropped from a helicopter, and tied to the railroad tracks. “I’ve had enough of the real world,” he’d announced, when making the transfer to Get Real. “Time to retire to reality.”

Everybody was a little afraid of Babe Tuck, partly because of his history and reputation, but also because his mind was seriously twisted. He not only came up with the most outrageous ideas for reality series, he then went on to make them work. The One-Legged Race, for instance. All those wheelchairs, all those colostomy bags, all that bitching and complaint. Apparently, the fewer the limbs you had, the bigger the ego, to compensate.

So Doug had been pretty sure Babe wouldn’t immediately reject the idea of filming professional criminals performing a professional crime. All it needed was for Babe to see how the idea could be made practical. Therefore, all he said was, “We’ll have to run this by legal,” when Doug finished describing the layout of the show.

Doug smiled. “We’ll have to run this by legal,” was obviously a way to say, “Yes, if…” That was fine. The if would work itself out; all Doug had needed was the yes.

“I’ll talk to them over there,” he offered, “or you can. Whatever you want.”

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