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Donald Westlake: Bank Shot

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Donald Westlake Bank Shot

Bank Shot: краткое содержание, описание и аннотация

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When John Dortmunder sets out to rob a bank, he really means it. He steals the whole thing. With the help of his usual crew, as well as a sophomoric ex-FBI man and a militant safecracker, Dortmunder puts a set of wheels under a trailer that just happens to be the temporary site of the Capitalists' & Immigrants' Trust Corp. When the safe won't open and the cops close in, Dortmunder realizes he's got to find a place — somewhere in suburban Long Island — to hide a bank. "One of the funniest conceptions you're going to come across…the ending is hilarious." (The New York Times)

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“I think you skipped over a few spots,” Dortmunder said.

“Oh, well,” Kelp said airily, “there’s details to be worked out.”

“One or two,” Dortmunder said.

“But we have the general outline. And what I figure, we here can handle it, plus Stan to do the driving and a good lockman to get into the safe.”

“We here?” Dortmunder asked. He gave Kelp a meaningful look, glanced at Victor, looked back at Kelp again.

Kelp patted the air in a secretive way, hiding it from Victor. “We can talk about all that,” he said. “The question now is the lockman. We know we’ll need one.”

“How about Chefwick? The model-train nut.”

Kelp shook his head. “No,” he said, “he isn’t around any more. He hijacked a subway car to Cuba.”

Dortmunder looked at him. “Don’t start,” he said.

“Start what? I didn’t do anything; Chefwick did. He got to run that locomotive in that job with us, and he must’ve flipped out or something.”

“All right,” Dortmunder said.

“So he and his wife went to Mexico on vacation, and at Vera Cruz there were these used subway cars that were going on a boat to Cuba, and Chefwick —”

“I said all right.”

“Don’t blame me,” Kelp said. “I’m just telling you what happened.” He brightened suddenly, saying, “That reminds me, did you hear what happened to Greenwood?”

“Leave me alone,” Dortmunder said.

“He got his own television series.”

“I said leave me alone!”

Victor said, “You know someone with his own television series.”

“Sure,” Kelp said. “He was on a job with Dortmunder and me one time.”

“You wanted to talk about a lockman,” Dortmunder said. Somehow his glass was empty. He splashed in some more of the Amsterdam Liquor Store’s Own Brand of bourbon.

“I have a suggestion,” Kelp said. He sounded doubtful. “He’s a good man, but I don’t know…”

“Who is it?” Dortmunder asked.

“I don’t think you know him.”

“What’s his name?” When dealing with Kelp, Dortmunder just got more and more patient as time went along.

“Herman X.”

“Herman X?”

“The only thing,” Kelp said, “he’s a spade. I don’t know if you’re prejudiced or not.”

“Herman X?”

Victor said primly, “Sounds like a Black Muslim.”

“Not exactly,” Kelp said. “He’s like in an offshoot. I don’t know what they call themselves. His bunch is mad at the people that were mad at the people that were mad at the people that went off with Malcolm X. I think that’s right.”

Victor frowned into space. “I haven’t kept up with that area of subversion,” he said. “It wouldn’t be the Pan-African Panthers, would it?”

“Doesn’t ring a bell.”

“The Sons Of Marcus Garvey?”

“No, that’s not right.”

“The Black Barons?”

“The Sam Spades?”

Kelp frowned for a second, then shook his head. “No.”

“Probably a new splinter,” Victor said. “They keep fractionalizing, makes it extremely difficult to maintain proper surveillance. No cooperation at all. I can remember how upset the agents used to get about that.”

A little silence fell. Dortmunder sat there holding the glass and looking at Kelp, who was mooning away at the opposite wall. Dortmunder’s expression was patient, but not pleased. Eventually, Kelp sighed and shifted and glanced at Dortmunder and then frowned, obviously trying to figure out what Dortmunder was staring at him for. Then all at once he cried, “Oh! The lockman!”

“The lockman,” Dortmunder agreed.

“Herman X.”

Dortmunder nodded. “That’s the one.”

“Well,” Kelp said, “do you care about him being black?”

Patiently Dortmunder shook his head. He said, “Why should I care about him being black? All I want him to do is open a safe.”

“It’s just you never know about people,” Kelp explained. “Herman says so himself.”

Dortmunder poured more bourbon.

“Should I give him a call?”

“Why not?”

Kelp nodded. “I’ll give him a call,” he said, and the door opened and Murch came in, followed by his Mom, wearing her neck brace. They were both carrying glasses of beer, and Murch was also carrying a salt shaker. “Hey, Stan!” Kelp said. “Come on in.”

“Sorry we’re late,” Murch said. “Usually, coming back from the Island, I’d take the Northern State and Grand Central and Queens Boulevard to the Fifty-ninth Street Bridge, but figuring the time of day it was, and I was coming uptown — sit down, Mom.”

“Victor,” Kelp said, “this is Stan Murch, and this is Murch’s Mom.”

“What happened to your neck, Mrs. Murch?”

“A lawyer,” she said. She was in a bad mood.

“So I figured,” Murch said, once he and his Mom were both seated, “I’d just stick with Grand Central and take the Triborough Bridge to a hundred and twenty-fifth Street and over to Columbus Avenue and straight down. Only what happened —” His Mom said, “Can I take this damn thing off anyway in here?”

“Mom, if you’d leave it on you’d get used to it. You take it off all the time, that’s why you don’t like it.”

“Wrong,” she said. “I have to put it on all the time. That’s why I don’t like it.”

“Well, Stan, did you go take a look at the bank?”

“Let me tell you what happened,” Murch said. “Just leave it on, okay, Mom? So we came across Grand Central, and there was a mess this side of La Guardia. Some kind of collision.”

“We got there just too late to see it,” his Mom said. She was keeping the neck brace on.

“So I had to go along the shoulder and push a cop car out of the way at one point, so I could get off at Thirty-first Street and go down to Jackson Avenue and then Queens Boulevard and the bridge and the regular way after that. So that’s why We’re late.”

“No problem,” Kelp said.

“If I’d done my regular route, it wouldn’t have happened.”

Dortmunder sighed. “You’re here now,” he said. “That’s the important thing. Did you look at the bank?” He wanted to know the worst and get it over with.

Murch’s Mom said, “It was a beautiful day for a drive.”

“I looked at it,” Murch said. He was being very businesslike all of a sudden. “I looked it over very carefully, and I’ve got some good news and some bad news.”

Dortmunder said, “The bad news first.”

“No,” Kelp said. “The good news first.”

“Okay,” Murch said. “The good news is it has a trailer hitch.”

Dortmunder said, “What’s the bad news?”

“It doesn’t have any wheels.”

“Been nice talking to you,” Dortmunder said.

“Wait a minute,” said Kelp. “Wait a minute, wait a minute. What do you mean it doesn’t have any wheels?”

“Underneath,” Murch said.

“But it’s a trailer, it’s a mobile home. It’s got to have wheels.”

“What they did,” Murch said, “they put it in position, and jacked it up, and took the wheels off. Wheels and axles both.”

“But it had wheels,” Kelp said.

“Oh, sure,” Murch said. “Every trailer has wheels.”

“So what the hell did they do with them?”

“I don’t know. Maybe the company that owns the trailer has them.”

Victor suddenly snapped his fingers and said, “Of course! I’ve seen the same thing at construction sites. They use trailers for field offices, and if it’s a long-term job they build foundation walls underneath and remove the wheels.”

“What the hell for?” Kelp asked. He sounded affronted.

“Maybe save strain on the tires. Maybe give it more stability.”

Murch said, “The point is, it doesn’t have wheels.”

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