Donald Westlake - What's The Worst That Could Happen?

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When Max Fairbanks, a vastly wealthy and powerful magnate, catches John Dortmunder breaking into his Long Island mansion, he thinks he is dealing with some regular loser. It amuses him to deprive Dortmund of his lucky ring. In Westlake's ingenious and dazzling comic thriller, Fairbanks lives to regret that gratuitous humiliation. The engaging Dortmund gathers a band of cronies, and exacts revenge at a series of the rich man's fancy palaces, from a penthouse on Broadway to a fantasy retreat in Las Vegas.

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Herman looked until he realized he was about to become as mesmerized as Dortmunder and Kelp, and then he backed away from it, shook his head, grinned at the other two, and said, “What are you trying to see out there, anyway?”

“Trouble,” Dortmunder said.

Kelp explained, “If anything goes wrong in the caper, we’ll know it from up here.”

“And,” Anne Marie said, “they’ll get out of here.”

“Absolutely,” Kelp assured her.

Dortmunder said, “Red lights coming from out there,” and waved in the general direction of employee parking and Paradise Road, the parallel street behind the Strip.

Kelp showed a walkie-talkie. “Any problem,” he said, “I warn the guys, and John goes to get his ring.”

“And I turn off the light,” Anne Marie said, “and I was asleep in bed here, all by myself, the whole time.”

“Poor you,” Herman said, with a little smile.

She gave him an oh-come-on look.

“Plan two,” Dortmunder explained.

“Plan six or seven, actually,” Kelp said. “And how are you doing, Herman?”

“Just fine,” Herman assured them. “John,” he said, “you got that rich man extremely worried. He’s like a cat on a hot tin pan alley.”

Dortmunder, interested, said, “You got in there all right?”

Herman did his big toothy yassuh-boss smile: “Jess as easy,” he said, “as fallin off a scaffold.” Reverting to his former persona, he said, “I rigged one kitchen window and one bedroom window so they look locked but you just give them a tug. I sussed out the circuit breaker box; it’s in the kitchen, the line goes straight down. There’s no basement under those buildings, just concrete slabs, so the line must go through conduit inside the slab. Give me pen and paper and I’ll do you a drawing of the layout inside there.”

“Good,” Dortmunder said.

The room’s furnishings included a round fake-wood table under a hanging swag lamp—some styles are so good, they never go away—which Dortmunder and Kelp had moved to make it easier for them to see out the window and hit their heads on the lamp. Now, while Kelp turned his chair and pushed it close to that table, Anne Marie produced sheets of hotel stationery and a hotel pen. Herman sat at the table, hit his head on the lamp, stood up, moved the chair, sat at the table, and did a very good schematic drawing of the cottage, using the proper architectural symbols for door, window, closet, and built-in furniture pieces, like toilet and stove.

As he drew, Herman described the look of the place, and as he finished he said, “There’s four uniformed guards inside, four outside, but they’re not from the hotel, they’re imported.”

“Extra security,” Dortmunder commented.

“Extra, yeah, but they don’t know the lay of the land.” Herman put down his pen. “I got cottage three ready,” he said. “Door’s open, one little light in the kitchen so’s you can find your way around.”

“I should go there now,” Dortmunder decided. “You John the Baptist me,” meaning Herman, looking more presentable, should go first, to be sure the coast was clear.

“Fine,” Herman said, and got to his feet, not hitting his head.

“And I’ll keep watch here,” Kelp said. “Anne Marie and me.”

Dortmunder looked one last time out the window. “Gonna get exciting out there,” he said.

Herman grinned at the outer darkness. “I’d like to be here to watch it,” he said.

“No way,” said Anne Marie.

56

There are no actual slow times in Las Vegas, not even in August, when the climate in and around the Las Vegas desert is similar to that of the planet Mercury, but the closest the city and its casinos come to a slow period is very late on a Monday night, into Tuesday morning. The weekenders have gotten back into their pickup trucks and campers and station wagons and vans and gone home. The people who’d spent a week or two weeks left the hotel last night. The people who are just starting their week or two weeks in funland didn’t get here until late this afternoon and they’re exhausted; not even extra oxygen in the air will keep them up their first night in town. Conventions and business conferences, which last three or four days, start in midweek and end by Sunday.

So on Monday night, particularly into Tuesday morning, is when the casinos are at their emptiest, with the fewest tables open, the fewest dealers and croupiers and security people around, the fewest players. On this particular Monday night, Tuesday morning, by 3:00 A.M., there were barely a hundred people in the whole casino area of the Gaiety Hotel, Battle-Lake and Casino, and they were all giggling.

None of the Dortmunder crew were in with the gigglers, not yet. Tiny Bulcher and Jim O’Hara and Gus Brock, cause of the giggling, remained on duty near the air room. Not inside it; the air room was also on the sweetened air line. Tiny and Jim and Gus hung around the basement corridors, keeping out of other people’s way—not that many other people wandered around down here late at night—and from time to time checked on the equipment in the air room, where the technicians were now all fast asleep, with smiles on their faces.

In cottage three, Dortmunder sat in the dark living room, looking out at the lights behind drapes of cottage one; Max Fairbanks hadn’t gone to bed yet. In their fourteenth-floor crow’s nest, Kelp and Anne Marie looked out the window at the night and discussed the future. Herman Jones, now in chauffeur’s cap, sat at the wheel of a borrowed stretch limo near the front entrance of the Gaiety, ready to be part of the general exodus should trouble arise.

Across town, on a dark industrial street near the railroad tracks, Stan Murch napped in the cab of the big garbage truck borrowed from Southern Nevada Disposal Service. Out of town, up by Apex, in a wilderness area off a dirt road leading up into the mountainous desert, Fred and Thelma Lartz had parked the Invidia, in which at the moment Thelma was asleep in the main bedroom, lockman Wally Whistler was asleep in another bedroom, and Fred and the other lockman, Ralph Winslow, and the four other guys aboard were playing poker in the living room, for markers; they’d settle up after the caper.

Who else? Ralph Demrovsky, in guard gear, patrolled the dark paths in the general vicinity of the cottages. And three other guys, dressed all in black and holding pistols in their hands, stood in the shrubbery at the rear of the main building, near an unmarked door that opened out onto a small parking area. This parking area held an ambulance, a small fire truck, and two white Ford station wagons bearing the logo of the Gaiety security staff. The unmarked door beside them led into the security offices, where at this moment five uniformed guards were yawning and giggling and trying to keep their eyes open. “Jeez,” one of them said. “I don’t know what’s the matter with me tonight.”

“Same thing’s the matter with you every night,” another one told him, and giggled.

The guy who was supposed to be watching the monitors—fed by cameras pointed at the front entrance, at the side entrance, at various spots within and without the hotel, a whole bank of monitor screens to watch for stray movement—that guy gently lowered his head to the table in front of him and closed his eyes. His breathing became deep and regular.

“Jeez,” said the first guy again. “I need some air.”

That made all the others, except the sleeper, laugh and chortle and roll their heads around.

The first guy lunged to his feet, staggered, said, “Jeez, what’s the matter with me?” and moved, tottering, to the door. “I’ll be back,” he told the others, and opened the door, and then, true to his word, backed directly into the room, blinking, coming somewhat more awake, as the three guys dressed in black pushed their way inside, guns first, one of them saying, “I was beginning to wonder when one of you birds would come out.”

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