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Jill Churchill: Fear of Frying

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Jill Churchill Fear of Frying

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Jane Jeffry and Shelly Nowack set off for some relaxation in the Wisconsin woods while scouting summer camp sites for suburban high-school students. Jane isn't exactly thrilled at the idea: any form of camping is an anathema at the best of times, and in damp midwinter it seems especially grim. Matters do not improve when this pair of amateur detectives discover one of their fellow campers smacked with a frying pan-seemingly with fatal consequences. But they suspect their own eyes (and everyone else suspects their sanity) when the body disappears along with any evidence of foul play. To make matters worse (or better) a surprisingly healthy victim resurfaces. With a mix of resentment at not being believed and amazement at the turn of events, the would-be campers are determined to discover what is really going on at their apparently secure haven in the wilderness.

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“Liz Flowers?" John Claypool asked. He'd shoveled down everything on his plate and was taking seconds. "Sold her a car once. Lady drives a hard bargain. Hope it's not that car that's broken down."

“Liz is the president of the school board," Bob Rycraft explained to Benson. "I gotta warn you, she's expressed some doubts about this plan.”

Benson nodded. "I thought so. She was pretty cool on the phone.”

Jane realized for the first time that this was more than a vacation. She, like the rest of them, had a job to do. So far, she'd just accepted that a summer-school session here was a good idea. "What kind of doubts?" she asked Bob.

“Oh, real practical things. Liability insurance, transportation costs, the availability of medical help because of the isolation," Bob said. "Important to consider, of course, but I'm sure it can all be worked out. The important thing is to get the kids out of their easy, comfortable suburban life for a while. Away from drugs, rap music, television, video games — all of that. I really believe you can do any child a world of good by bringing them back to nature — the real world — if only for a week or two. Gives them a sense of their own history, their place in the whole scheme—" He broke off and grinned. "Sorry. I'm lecturing."

“That's okay," Shelley said. "It's why we’re here. To share viewpoints, as well as learn about the facility."

“I think you've got something there," John Claypool said to Bob. "When Sam and I were kids, our folks sent us to camp for a couple summers and it was great!”

Sam, precise and tidy in his blazer, tie, and city-neat hair, just cocked an eyebrow.

John caught the look and said, "Yeah, I know you didn't like it as well as I did, but you were always a brainy kid, more interested in schoolwork than a good tussle with the boys."

“The 'boys' were savages," Sam said coldly.

Sam's wife, Marge, leaped in to avert controversy, as if by long habit. "This camp plan isn't just for boys, is it?" she asked too brightly.

Bob Rycraft answered. "We're hoping for two sessions. Either one for boys and one for girls, or possibly two mixed sessions — depending on a lot of factors."

“Like what?" Eileen Claypool said with a suggestion of a leer.

“Like the room arrangements," Bob said, apparently missing the leer. "You can't physically lock the kids up to keep the boys and girls apart. I'm sure there are fire regulations about that, and if there aren't, there should be. If the boys and the girls came at the same time, we'd have to pay for extra staff just to make sure they weren't sneaking out and meeting in the woods at night."

“On the other hand, how many of the girls are going to want to go camping if boys aren't involved?" Shelley asked.

Jane was on the point of echoing this sentiment when she realized she'd somehow slopped some gravy on her sleeve when she passed it to John Claypool. Since she'd brought a minimum of clothes, she thought she'd better wash it out. "Where's the rest room?" she said quietly to Benson, who was sitting at her end of the table.

“Next to the front desk," he replied.

She excused herself and went to wash out the cuff of her blouse. When she returned through the main lobby area, she noticed an older woman sitting by the fireplace. Wondering if this was Liz Flowers and not particularly eager to rejoin the group wrangling over sexual separation of teens, Jane approached the other woman and introduced herself.

“I'm Edna Titus, Benson's mother," the woman said. "You look chilled, Jane. Sit here with me for a minute."

“Gladly," Jane said, putting her hands out to the fire.

“Are you enjoying yourself?" Edna Titus asked.

“Oh, yes. But I'd underestimated my responsibility. I guess the word 'Wisconsin' has always meant `vacation' to me. This is a lovely place."

“It is. We've been here about ten years, and I still wonder at the beauty. You're not a smoker, are you?"

“I'm afraid I am," Jane admitted. "I've been trying to stop for years and I can manage on about five cigarettes a day, but go berserk on any fewer."

“Oh, good! Somebody to be sinful with," Edna said. "This fireplace has such a nice draw that the smoke goes right up if you sit close enough.”

She rose from her chair, sat on the raised flagstone hearth, and drew a battered pack of cigarettes from her sweater pocket. Jane studied her as Edna searched for a lighter. She was a tall, rangy woman who had probably never been pretty, but had an air of handsome dignity. Her gray hair was pulled into a casual knot on top of her head, her slacks and striped shirt were well worn and well kept. She was a woman who cared about her appearance, but not excessively so. She finally found her old-fashioned wick lighter, lit Jane's cigarette, then her own, and said, "So. .? What do you think?"

“Of what?"

“Of the chances the school board and city council will contract with Benson.”

Jane felt instinctively this wasn't a person who could be tactfully lied to. "I have no idea. I really haven't been involved in the discussion until tonight: I assumed it was all but a done deal and we were just here to give a final approval, but now I'm not so sure.”

Edna nodded. "Thanks for your honesty. Oh, it looks like our stragglers have arrived," she said as headlights swept across the front door. "I need to get their dinners ready. Would you mind greeting them?”

She hurried back to the kitchen. Jane put out her cigarette and went to the door. A tall, stately black woman with very short hair and a red, fringed poncho was coming across the parking lot with long, determined strides. She stepped onto the porch and took Jane's hand in an almost painfully firm grasp. "I'm Liz Flowers," she said. "You must be Jane Jeffry. And this is my husband—" She turned around and realized she was alone. "Al? Have you lost yourself in the woods already? Where are you?"

“Just coming, hon." Al emerged from the darkness. He was taller and much darker skinned than Liz, and considerably heavier. Jane thought he looked like a Masai warrior who'd let his weight get out of hand.

“The owner's mother is warming up your dinner," Jane said. "Come on inside."

“See, Al? I told you that you wouldn't have to starve," Liz said. "You didn't need to stop and get that packet of Oreos. Everyone else is here, I guess?" she added to Jane, who was holding the door open. "Thanks.”

Jane trailed along, bemused by the couple. Liz headed straight for the dining room without a moment's hesitation, as if she had an internal compass. She greeted those she knew, introduced herself to everyone else, told Al where to sit, and took Benson's now vacant place at the end of the table. Liz was forceful, energetic, and brisk.

Al Flowers appeared to be a mellow man happily caught in her force field. He gazed around the room, shaking his head slowly in approval. "Nice place," he said, smiling vaguely.

“Well, of course it's nice," Liz said. "We knew that from the brochures. Now, what's the plan?" she demanded of the others. She hauled a large tote bag out from under her colorful poncho and plunged her hand into it. "I've made some notes of things we need to look at, and propose that at least two people, working independently, evaluate each.""Now, Lizzie," Al said softly.

Amazingly, she stopped talking for a second, and stashed the notebook. "Okay, okay. But we have limited time and shouldn't be wasting it."

“There's plenty of time, Liz." He had a deep, rumbly voice.

Benson came through the kitchen doors with a tray of desserts just as Marge Claypool screamed.

Four

"There There was a face at the window!”

Marge was white with fear and embarrassment at having made a scene.

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