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Jill Churchill: A Groom With a View

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Jill Churchill A Groom With a View

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Looking to earn some extra money because her car is always having problems, widowed mom Jane takes on a job as wedding consultant to Livvy Thatcher, a young businesswoman. Jane then enlists her best friend and neighbor, Shelley Nowack, to help her. The wedding is to be held at an old family hunting lodge that was once a monastery, and it proves to be a somewhat spooky venue for the nuptials. After Jane and Shelley arrive at the lodge, the eccentric cast of characters (and eventual murder suspects) begins to gather: a mysterious, laconic caretaker whom Livvy calls "Uncle Joe"; Mrs. Crossthwait, a cranky, elderly seamstress; three bridesmaids; a caterer; and a florist named Larkspur, not to mention Livvy's elderly aunts. Add the bride and her father, an arrogant captain of industry, and the groom, his mother and brother, and the stage is well set for shenanigans. Larkspur tells Jane the story of a hidden family treasure, and later it is Larkspur who discovers Mrs. Crossthwait dead at the foot of the stairs. Did she fall, or was she pushed? To find out, Jane enlists the aid of her lover, Chicago cop Mel Van Dyne, who comes along to help the local police.

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“Is this room, huge as it is, going to hold everybody?" Shelley asked.

Jane sat down on a big leather sofa that enveloped her like a grandmother's hug, and said, "That's the odd thing, Shelley. There aren't that many guests. I only sent out seventy-five invitations and a great many of them were out-of-town-ers who sent gifts but aren't coming. Business associates, I assume. There are only about forty people coming — plus the staff that will be staying here. You, me, the seamstress, caterer, and florist. And the immediate family members, of course."

“Don't forget Uncle Joe," Shelley said. "Doesn't it seem a bit odd to go to such trouble and expense for such a small wedding?"

“It's what Livvy wanted," Jane said. "Who am I to argue with a bride?"

“Where are the rest of the guests staying?"

“There's a smallish motel quite close. I've reserved the whole place. And most of the family will stay here. Let's look at the bedrooms. If we can find them.”

They groped their way through the big main room, and found a passageway opening off the left side. Along it were twelve tiny rooms on each side of a long hallway. "These must have been the monks' rooms," Shelley said, opening the closest door with considerable trepidation.

It was a very small room with a single bed, a nightstand with a kerosene lamp, a wardrobe closet, and a chair and small rickety table by the window, which was square, but hardly larger than a porthole. The furniture was old, solid, and plain. The bed had a rather flat pillow and a noticeably dusty quilt on it. Its colors were drab; it was the sort of quilt people used to make out of old dress suits. A second door led to a bathroom the same size as the bedroom, which had ugly, but clean, workable fixtures that looked as though they'd been installed in the 1950s. It had slightly peeling wallpaper with faded roses and a pink linoleum floor. The opposite door in the bath led to another identical bedroom.

Shelley stepped out into the hall and opened a few other doors and came back. "They're all exactly the same," she said. "I'll bet these were themonks' rooms and one out of every three was turned into a bathroom."

“They're certainly…" Jane sought the right word."… serviceable."

“It was meant for hunters, Jane, and whatever few misguided wives who might occasionally come along. It's a 'guy' place. They'd go out killing things all day, come back, and eat and drink all evening and tell fabulous stories of the woolly mammoth that got away, then fall into bed half-soused. A great-uncle of mine had a place like this when I was a kid. Not as big as this, but pretty much the same. My dad took me on one of the hunting trips when I was about seven. I had to sit around with my dad and uncles in a cold, wet duck blind all day. Worst trip of my life, but the men seemed to love it."

“I want to make a quick sketch of the rooms and assign them to the people who are staying here instead of the motel. Then let's go see what's upstairs," Jane said.

“Ghosts of monks, I'll bet," Shelley said cheerfully.

Jane glared at her. "If you try to tell me a ghost story in this spooky old place, I'll go home and stick you with the job of putting on this wedding!”

TWO·;,

when they explored the upstairs, they discovered that the area over the main room on the ground floor had been divided into three good-sized bedrooms. Two were merely larger versions of the monks' cells. But one of them, presumably that of the original Thatcher, was more furnished — not better furnished, just more. There were hunting prints and more animal heads on the walls and a large, molting bearskin rug on the floor next to the double bed. There were also two leather easy chairs and a desk that sat before a large window with a wonderful view out over the woods.

“I guess I'll put Livvy in here since the bride should have the best room," Jane said, "and move Dwayne in after the wedding. I'll put Mrs. Crossthwait in the middle one so she has plenty of room for her sewing and fittings. She's deaf enough that she won't be offended by sleeping next door to newlyweds. And I'll put Livvy's father at the far end, since he's the Big Cheese who's paying for everything. The other relatives and the bridal party can stay in the broom-closetsized rooms."

“I wonder where that dear Uncle Joe lives?" Shelley said.

“Probably in a cave somewhere," Jane said. "I was hoping he'd be enthusiastic, maybe even have the urge to be helpful. He is, after all, employed by the father of the bride and apparently has nothing to do most of the time."

“Then you'll have to just insist that he make himself useful," Shelley said. "What's over the monks' rooms?”

They crossed the landing at the top of the stairs and found a room that was a gigantic attic. It had a long row of dormers along the front side, so it could have been made into more sleeping quarters, but apparently there had been no need and it had become the catchall. There was a whole floor down, but nothing but the studs on the walls.

There were old hunting rifles, heavy wool jackets, a box full of warm hats, some traps, hardware, cleaning utensils — all of this visible from the doorway. Jane could only guess what else was stashed here. At least most of the stuff was along the walls and there was an aisle through the middle. Someone had once put down a pretty rag rug near the doorway, but the colors were dulled by a long accumulation of dust.

“We ought to take those quilts downstairs out‑ side to shake and air," Shelley said. "Maybe we could persuade Joe to string up a clothesline somewhere.”

Jane went out to the landing and bellowed, "Joe! Joe! Where are you? We need some help here.”

There was no reply, so she kept shouting periodically as she and Shelley made their way back to the small guest rooms. When they took the first quilt off the bed, they realized there was no other bedding. No sheets or pillowcases. Jane stared at the naked mattress. "Oh, no! Now what do we do? There must be linens somewhere.”

Shelley went to the door and shouted for Joe, and jumped when he appeared in the doorway of the next room. "I ain't deaf, lady.”

Shelley considered asking him what he was doing eavesdropping on them from the next room in that case, but instead said mildly, "Where are the linens for the beds?"

“I sent 'em all out to the laundry last week. Ought to be back today.”

Jane nearly collapsed in relief. She'd had visions of ransacking the countryside for an ungodly number of sets of sheets and pillowcases. "I'd like for you to rig up a clothesline and put these quilts out to air, please," she said. The "please" was only a nicety. She'd hoped the request sounded more like an order.

“Gonna rain," he said.

“If and when it does, you can bring them back in." Jane was starting to get a little testy. Livvy had led her to believe that Uncle Joe, while a bitcrusty, was something of a workhorse around the place, which obviously wasn't true. "There's a car pulling up outside. I hope it's Mrs. Crossthwait.”

And so it turned out to be. She drove, somewhat surprisingly, a very sporty Jeep which was full of sewing paraphernalia. Her sewing machine, an ironing board, various ironing objects that Jane believed were called "hams," boxes of thread and fabric, pins and bias tape, envelopes full of tissue pattern pieces, and a lot of assorted items Jane couldn't begin to identify. There was also the enormous box containing the wedding dress and three smaller boxes housing the partially completed bridesmaids' apparel. "I'm so glad you're here, Mrs. Crossthwait!" Jane said.

“What's that, dear?”

Jane repeated herself, shouting a bit. "We'll help you get this all to your room. I'll have the handyman take your sewing machine when he finishes another job.”

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