Jill Churchill - Mulch Ado About Nothing

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When Jane and neighbor Shelley Nowack sign up for a gardening class at their local community center, they end up with a substitute, the pompous Dr. Stewart Eastman, after an unknown intruder sneaks into the home of the regular teacher, Julie Jackson, and knocks her out, leaving her in a coma. Suspects in the attack include everyone taking the gardening class: fastidious computer programmer Charles Jones, persnickety librarian Martha Winstead, lonely widower Arnie Waring and loony aging hippie Ursula Appledorn. But in this leisurely, talky tale, Jane is less concerned with crime solving than with visiting the gardens of her classmates, tending to her injured foot, worrying about her teenage son's unsuitable girlfriend and buying herself a new TV for her bedroom. Only near the end does a murder occur. Dr. Eastman is found strangled with green twine in a compost pile, after which Churchill brings the plot to a tidy conclusion, with the killer's motive turning on Dr. Eastman's patented pink marigolds.

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“I do keep it and I drink it all. I'm sure there's at least one can left," Jane said.

Just then the telephone rang. It was Mel, and Jane listened carefully for a long time before saying, "Thanks for letting us know. You didn't tell him it was Shelley and me that ratted, did you?"

“What! What?" Shelley asked when Jane hung up

“They've let Stefan go. He claimed effectively that he'd just written the note saying 'you're next' because she was the most highly qualified teacher scheduled for the next week's classes. He paid cash for the flowers because it wasn't something he could claim on his job expenses. Mel said he seemed so sincere that no one could doubt him. But there was another connection he also blabbed about without even being asked. Apparently he had been one of Julie's 'escorts' for her charity do's last year. He thought at first she was inviting him to them because she liked him, but he claimed he soon realized it wasn't romance she wanted, just a presentable man."

“Isn't that a suspicious story? Maybe he was heartbroken when he realized."

“Mel said he admitted it freely and with no sign of emotional involvement."

“Mel must be pretty naive to buy that, or maybe Stefan's a better actor than we could have guessed," Shelley said.

“Now who's being cynical and grumpy? You know Mel wouldn't turn him loose and forget all about him if he wasn't absolutely sure the guy was telling the truth. Mel's job is to not believe anything he's told until it's confirmed. He said they took him down to the florist shop for the owner to identify him. And Stefan didn't bat an eye.”

Shelley shrugged. "Okay, okay. Stefan is very good-looking and I can see him dropping Julie when he realized he was just her boy toy. Other women have probably treated him the same way and he might have even been flattered, but got bored with the hoity-toity charity gang. I've been to my share of them with Paul and they're pretty deadly.”

Mike came in the house as she was saying this. "What's deadly?" he asked.

“Me," Jane said.

Before she could launch into a few remarks about mowing the grass, Mike said, "What are all those big boxes in your car, Mrs. Nowack?"

“Your mother's new gigantic television, a VCR, and a table to put it on."

“Morn! You sprung for all this in one day? Have you gotten an inheritance you didn't tell us about? Some mysterious rich great-uncle you never told us about?" Mike asked.

“I just took it out of your inheritance," Jane said with a grin. "I deserve this stuff. I want to be a lady of leisure before it's too late. Call Scott and get him to help you carry it upstairs, would you? And I really need the lawn mowed."

“That's why I came home early. You knew I wouldn't forget. I'll even get Willard inside so he doesn't bark me to death. By the way, I brought home a couple bags of nice little river rocks so we can put them in Willard's path and make it look like it was a gardening choice."

“Mike, you are a wonder!" his mother said. "So are you going to buy me my own television?"

“No," Jane said succinctly.

Mike looked as if he was slightly put out. Jane wondered if she'd seriously spoiled her kids by always putting them first and scrimping on her own needs. It must have been a surprise to him to find her spending money on herself for a change.

But Mike did a terrific job with the yard, and the path almost looked like a good idea. To Jane, at least. Willard checked it out and decided it was a dangerous demarcation he didn't dare cross. "He'll cut a new path," Jane said dismally. "We'll end up with concentric rings of paths in the grass.”

Shelley was sitting down in the yard, examining the rocks. "This looks nice, Mike. Maybe later in the summer you can design a path for me with these rocks." She glanced at her watch and said, "I better go fetch the girls. I wonder what horror they learned to cook today.”

Mel called while Scott, Mike's best friend, and Mike were struggling to carry the television up the stairs. Jane almost didn't answer the phone. She was too busy driving the boys insane with her warnings to be careful, not to drop the TV, or let the corners make dents in the wall, or hurt themselves.

“Jane, I'm sorry to tell you this, but you'll see it on the evening news and I thought you should know in advance.”

She went cold, then hot all over. "What's happened?" she asked in a shaky voice. Her first thought was that Shelley had finally had the car accident Jane had anticipated for twenty years and she and the girls were all in a hospital.

“It's nothing personal. Don't worry. I didn't mean to scare you. It's just that we found Dr. Eastman.”

The silence that followed this was frigid. But Jane had to ask, "Is he all right?"

“No. He's dead. He'd been put in the compost pile that's hidden behind that stand of pines in his backyard. Fortunately a neighbor reported anawful smell, and the little boy and his mother weren't the ones that found him.”

Jane made a hearty sigh of relief. "I should be sorrier than I am. I hardly knew the man. I'm just glad it wasn't something awful about Shelley and Katie."

“I'm really sorry I frightened you, Janey." "How did he die?”

Mel paused. "Do you really want to know?" "I guess so."

“He was strangled to death with a tough green twine that he used to tie up plants.”

Twenty Four

“Omelettes!" Shelley said when she returnedfrom '. picking up their daughters from the cooking class. "They learned how to make omelettes today. At least it was something more reasonable than a fancy chicken dish. Jane? Are you listen‑ ing?"

“I have something to tell you, but not with kids swarming the house. Come look at my television first.”

Mike and Scott had gotten it all set up and were lounging on Jane's bed, watching a movie of highly doubtful taste. They frantically flipped to a news channel when Jane and Shelley entered the room.

Shelley clasped her hands and exclaimed, "Isn't that wonderful? Terrific reception. A huge picture. And the cabinet looks great in here. Aren't you glad you decided to do this, Jane?"

“I'm not sure. There's going to be a big temptation to never get out of bed."

“Let's go outside while Mike and Scott dispose of all the rubble. Boys, put all the instructions and warranties in the drawer of the cabinet.”

Mike rolled his eyes. "We'd have never thought of that," he said with sarcasm, softened with a smile.

Shelley was so anxious to hear what Jane had to say that she carried Jane's iced tea out to the patio for her without being asked. Held the back door open for her. Even fluffed up the patio chair cushion.

When they were settled in where their conversation couldn't be overheard, Jane said, "Mel called while you were gone. They've found Eastman. He's dead."

“No! You don't mean this!”

Jane repeated what Mel had told her.

“That's awful. And it really does point to someone in the class. I wouldn't have believed it," Shelley said.

“How do you figure that?"

“Two teachers of the same class in a row, Jane. One violently attacked, the other killed. You can't ignore the connection. And neither can the police."

“But, Shelley, all of the class are pretty normal pleasant people."

“Not exactly. You and I are normal pleasant people, but Charles Jones is an ironing board, Miss Martha Winstead had a long bitter history with Eastman and made no bones about it. And Ursula is a nutcase. And so is Arnie in a different way."

“You're right about Miss Winstead. But she's atiny thing and old. Can you see her overpowering a large man, then hoisting him bodily into a compost bin? And as far as we know, she had nothing against Julie Jackson."

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