Jill Churchill - A Midsummer Night's Scream

"Let me know what you find out, if you can," Jane asked as Mel practically fled to his car.

"Who was that man who just ran through our kitchen?" Mike called out to his mother.

Mel went back to his office and did some research on the Internet before going to meet the Roths. He

was standing at the door of their hotel, holding a sign that said "Roth," when a taxi pulled up and unloaded a ton of luggage. An excruciatingly thin middle-aged woman emerged and said harshly, "Who are you?"

"I'm Detective VanDyne. I'm in charge of your son's case. Your room is confirmed. You don't need to check in and your luggage will be delivered."

"Who killed him, and why?" she demanded.

"We're not sure yet. I'm sorry for your loss, ma'am. I know you've had a very long, hard day, I'll take you or your husband to officially identify him first thing in the morning, and then we'll have to talk about him."

"I can't imagine why we weren't told sooner. My aunt in Portland, Oregon, had our schedule with telephone numbers, and my brother in Nebraska had them, too."

Mel was dumbfounded by this remark, but merely said, "Mrs. Roth, we didn't know you had an aunt in Oregon or a brother in Nebraska. How could we have reached them? I made several calls a day and your answering machine refused to record them. Is that all of your luggage?"

Her husband approached, lugging some of the bags. Mel introduced himself again and said, repeating himself, "I'm very sorry for your loss, Mr. Roth. I know you've had a long day. Unfortunately, I'll need one or both of you to identify

your son in the morning and then be interviewed."

The man, his eyes red and downcast, said quietly, "Yes. I see. What time in the morning?"

"Let's say ten o'clock?" Mel suggested. "I'll meet you right here. I'm sincerely sorry that you have to go through this, and will try to make this as easy on you as I'm able."

He had to tip the taxi driver, who was still standing by his vehicle with the trunk open. And then Mel tipped the valet who was loading up the luggage. Mel seldom let himself make snap judgments, but it was clear that Mrs. Roth was a type of woman he'd met before. An angry woman. One of those women who wanted full control of the lives of her family. And when she and women like her lost that control, they placed the blame on someone — almost anyone — who crossed their paths. Mrs. Roth was angry that the police hadn't solved the murder of her son. She was angry at Mel in particular. She was probably mad at her husband for no reason. Mel wasn't looking forward to dealing with her tomorrow. He wished he could deal with her husband, who was obviously grieving. He was more likely to want to talk about his son.

Twenty-one

The needlepoint group was really making progress. Sam had taken out all his sections that were too tight and redone them. Shelley's sampler was more than halfway done and looked gorgeous. Jane was only slightly behind Shelley. Jane, like Sam, had been forced to remove one section that hadn't worked out, and discovered that it was harder to work with canvas that was slightly limp from already being used. Jane and Sam sympathized with each other over this unpleasant surprise.

"Next time I do a sampler, I'll remember to do it right to begin with," Jane said.

"I hope I will, too," Sam agreed.

Again, Tazz hadn't turned up, which was a relief to Jane. She wondered whether Tazz was embarrassed or furious or both that Jane had bluntly turned down the idea of writing Tazz's costume book for her. Or maybe Tazz's absence had nothing to do with Jane.

Elizabeth, who apparently had more time than most of the group to work on her sampler, had only four sections to finish. Jane was still doubtful about Elizabeth's choices of colors, but apparently Elizabeth had an eye for contrasts that really did look good.

After they had all complimented each other, Elizabeth asked Ms. Bunting what her husband was doing today while Ms. Bunting was at the meeting.

"The old fool is looking for his missing golf club at secondhand stores," she said with a laugh. "Nobody but an idiot, or a rich person wanting a receipt for an antique to reduce his taxes, would turn it over to a secondhand store. If I were looking for it, I'd go to pawnshops. Or order a duplicate on eBay."

"What's eBay?" Elizabeth asked.

The rest of them looked at her with astonishment. "It's a place on the Internet that holds thousands of auctions," Shelley said.

"There are also lots of golf club sites in other places on the Internet," Sam put in. "Some sell restored antique golf clubs. My son-in-law is an avid collector of them. It makes it really easy to buy him birthday and Christmas presents."

"What will we do when we're all through with our samplers?" Elizabeth asked Martha, clearly not interested in the subject at hand. She had no interest in the Internet. Jane suspected that Elizabeth had never, and probably never would, own or operate a computer. And was undoubtedly proud of herself for it.

"We're going to master basket-weave patterns," Martha said. "I've noticed that none of you seem to have used this valuable stitch. It's the most durable of all of them. We'll be making a pillow, blocking it, adding special stitches around the edging, mastering trim for the surround, and stuffing the pillow properly when that's done. If you want to take the second level of classes later, those deal with creating your own designs. Mazes, animals, Christmas stockings, using beading and ornaments."

Shelley's eyes lit up like beacons. "I can't wait to take that class."

Only Jane knew of Shelley's vast collection of pretty beads, little buttons, and tiny ornaments. Shelley never had figured out what to do with them. Now she knew.

The worst part of Mel's job used to be taking people to the morgue to identify their nearest and dearest. For one thing, it was fiercely cold there and stank of formaldehyde and antiseptic. Thank goodness, eight years ago they'd changed this. Now the body, with only the face showing, was wheeled into a room with a glass partition. No odor. No hint of the stem-to-stern autopsy. There was a curtain behind the glass that would open

when the people responsible for identifying the body were in place.

Still, it was shocking.

When the curtain opened, Mr. Roth looked as if he was about to faint. Mel led him to a chair nearby. "I'm sorry I have to ask, but is this your son?"

Mr. Roth had bent forward, hands over his eyes, and was trying gulp back his urge to cry.

"Of course it's our son," Mrs. Roth said. "Harry, get a grip. We have to face up to this."

As if Harry had to be told this, Mel thought.

Mrs. Roth frowned at Mel and demanded, "Close those curtains. We've seen enough."

"Come along when you're both ready," Mel told them. "I'll be waiting in the hall for you. There are questions I need to ask. Take all the time you need."

Mel sat down by the door, simmering. He should try to see this from Mrs. Roth's viewpoint. She'd lost her only child. But why did she have to be so rude? Not only to him, but to her husband.

He only had to sit there for a few minutes before the couple emerged.

Mrs. Roth was pale, but composed. Mr. Roth was still mopping at his eyes.

"I'm taking you to my office in an unmarked police car. You'll be more comfortable there," Mel said. "I'd like to interview you and find out what your son was like." As they entered the elevator, Mel added, "I'd like to speak to each of you separately. Mrs. Roth, could I order you some coffee or tea while you wait?"

"I'm not waiting. We'll be interviewed together."

"I'm sorry, but you will have to wait," Mel said firmly.

"Then orange pekoe tea with sugar," she snapped.

When she'd settled irritably in the outer office, Mel offered Mr. Roth coffee, which Roth accepted numbly. Mel waited for the man to speak.