Jon Spaihts - Prometheus

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Prometheus: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Prometheus»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

WE ADVISE NOT TO READ ANY FURTHER AS THIS COULD VERY WELL CONTAIN MASSIVE SPOILERS AND COULD RUIN YOUR EXPERIENCE COME THIS JUNE. WE AT PROMETHEUS-MOVIE.COM URGE OUR VISITORS TO ONLY READ ON IF YOU WISH TO RISK SPOILING THE SECRETS OF
. We have decided to call this one another FAKE. Though, no official word has yet been released, so the urge to avoid is still in effect. But a number of us here believe this is another fan leak. An entertaining read none the less.

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The Rover opens up and the crew exit.

VICKERS

Let’s get moving

SHAW

I don’t like this

VICKERS

Let’s just get this over with

The group of seven make their way to one of the many giant holes. SHAW stops and looks down. She finds a half buried GIANT alien body with a deep circular hole on it’s skull.

SHAW

I found another one

The group stop to look at it for several moments before continuing toward the structure. VICKERS is first to climb up into the large hole and she helps MUDOW up. After everyone but MILBURN has climbed up, MILBURN notices a body. The LARGE body has eight holes on it’s chest and a larger hole on it’s skull.

INT. DERELICT TUNNEL. NIGHT

The group walk through the narrow but tall pitch black slimy bone shaped tunnel. The group then come across a wall of misty red laser. They walk through it.

HOLLOWAY looks at SHAW.

HOLLOWAY

Leap of faith right?

HOLLOWAY takes off his helmet and breathes in the oxygen.

HOLLOWAY

It’s okay you can take off you’re helmets

The group come to a dead end but find two Tunnels leading right and left.

VICKERS

Milburn, Shaw you’re with me. Fifield you take the rest and go that way

INT. LEFT TUNNEL. NIGHT

Behind the trio led by VICKERS the distant lights of the other four can be seen. VICKERS suddenly stops and points her flash light at two large ALIEN beings standing on a small platform up against the wall.

It is obvious they aren’t alive.

VICKERS

Come take a look at this

MILBURN approaches them and examines one of them and touches the 13 foot tall Being.

MILBURN

there’s nothing inside it

SHAW

David was right. Their suits

VICKERS

Come on let’s keep moving

As the group walks past the two large suits, our view focuses and zooms onto the one that MILBURN never examined.

MILBURN and VICKERS continue to walk further up the tunnel. They stop however after coming to a dead end. SHAW places her flash light on a metallic panel and approaches them from behind.

The trio are looking at a golden wall with strange Alien murals and hieroglyphs. The Mural shows a planet with a ‘U’ shaped object above it and with two large beings kneeling at each side of the planet looking down on it. VICKERS notices a doorway to their left leading into some kind of room.

VICKERS

What’s in here. Let’s check it out

INT. RIGHT TUNNEL. NIGHT

MUDOW leads the other three to a dead end and there are two doorways at each side of them.

MUDOW

What way?

FIFIELD

Let’s go right

INT. DERELICT POWER ROOM. NIGHT

VICKERS, SHAW and MILBURN walk into the room.

This room is a miniature version of the ‘temple’ they found in the Cathedral. Fifty or so small two foot URNS are scattered around the floor while at the back of the room is a large HUMANOID head MONUMENT, identical to the one found in the ‘cathedral’ but smaller. The URNS however are different, they are metallic and have four holes. VICKERS approaches one of them. VICKERS clicks the button at the top of it and it makes a clicking noise. The top opens and a smaller six inch metallic glowing URN rises from it.

VICKERS

This is different than the one David found

SHAW

Do you think its a good idea to take that out?

VICKERS

Of course I do

VICKERS lifts it out and puts it into a bag she has around her shoulder. The tall URN with it’s missing contents suddenly descends into a small hole on the floor.

VICKERS

Let’s get out of here

SHAW

Finally

INT. DERELICT SICKBAY. NIGHT

MUDOW, FIFIELD, CHANCE and HOLLOWAY enter this very strange and eerie room. The walls, ceiling and floor and even the tables seem to be moving and slivering as if it were alive. HOLLOWAY approaches an organic type device on the floor which resembles a ‘cannon’ As he kneels down to look at it MUDOW immediately puts on her helmet.

MUDOW

Put you’re helmets on. God knows what kind of diseases are in this place

After putting his helmet on but keeping the front part of his helmet open, HOLLOWAY squeezes the small ‘Penis’ sized ‘cannon’ and immediately afterwards several pints of greenish yellow fluids explode from it and splashes at HOLLOWAY’S face. As HOLLOWAY stands up yelling the front of his helmet falls down trapping the steamy liquid inside. Steam pours from his helmets vents and he screams out before falling backwards on to the ground. FIFIELD rushes over and takes the helmet off from him. HOLLOWAY’S face looks almost burnt and deformed.

INT. LEFT TUNNEL. NIGHT

The trio can hear the screams and immediately runs down the tunnel. VICKERS leads with MILBURN not far behind. As the pair run past the two SUITS, on of the giant SUITS steps off the platform and confronts SHAW blocking her path. SHAW stops and screams.

VICKERS and MILBURN turn back but only MILBURN runs over to help her. SHAW is on her knees with her hands on her ears and she screams in pain as she stares into the BEINGS eye’s. The BEING turns and grabs MILBURN by his hair and lifts him off his feet ripping out most of MILBURNS hair.

VICKERS immediately turns and runs away from them.

INT. DERELICT TUNNEL. NIGHT

VICKERS meets up with the four others. A groaning and whimpering wounded HOLLOWAY is helped by MUDOW and CHANCE.

VICKERS

We have to get out now!

MUDOW

Where’s the others?

VICKERS

They’re dead. Something killed them. Let’s go!

The group of five then make their way through the tunnel.

EXT. DERELICT. NIGHT

The group hastily makes their way toward the Rover.

INT. DERELICT SICKBAY. NIGHT

SHAW awakes and finds herself drawn and naked.

Four Long tongue like wires are attached to her two hands and feet and she is drawn out in an X position.

She looks out around the dark room and finds her clothes, Chrysler suit and helmet at a corner of the room along with MILBURN’S clothes, Suit and helmet.

MILBURN lays on the floor unconscious.

SHAW studies and scans the room and her sight focuses on a really DARK part of the room. The tall large BEING steps out of the shadows. SHAW begins shaking and whimpering in fear. The BEING walks past her; staring down at her as it does. It then walks over to MILBURN and picks him up with ease.

It carries his body over to an open Sarcophagus and places him inside. The BEING looks up at the ceiling and brings down the top of the Sarcophagus and locks MILBURN inside. It hovers it’s hand over the Sarcophagus and the Sarcophagus begins to light up and shake and a loud generator noise gets louder and louder. The BEING then turns it’s head and stares at SHAW. It walks over to the frightened whimpering SHAW and produces a small thin knife like object and cuts her arm. As her blood drips down, the BEING holds the small organic blade to her flesh till the blade is covered in her blood. It then makes it’s way to an organic table where a small saucer shaped device sits. It drops the blood onto it and within seconds a Hologram rises from the device and shows the blueprints of SHAW’S DNA. A startled muffle comes from the BEING and it turns to face SHAW. The BEING takes off it’s helmet and rests it on the table.

It then walks over to SHAW and stares at her.

SHAW’S expression tightens with fear and she begins crying. The BEING has a humanoid face and head but at the same time looks nothing like Human. The BEING then backs away to the doorway and watches SHAW as snake like wires sliver down from the ceiling and rise from the floor. SHAW looks up and down at these seemingly intelligent snake like wires with panic and then looks over at the BEING who doesn’t move and watches her with an emotionless sinister glare.

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