Karin Fossum: I Can See in the Dark

I thank Janson for his encouragement, and Ebba for the many good times. I walk quietly out of my cell, look over my shoulder at the sanatorium.

I take my clumsy farewells.

The Russian wishes me luck. Margareth doesn’t seem particularly affected, but I know her well enough to guess the reason. She’s just shy. I manage to stammer something about wanting to stay in contact. She doesn’t react to this either, but thanks me for my help throughout the year, thanks me in her dour, bashful way. Janson, too, wishes me luck. ‘Watch yourself, now,’ he says. ‘I don’t want to see you in here again. Get a drawing pad and pencil, get a proper life!’ I present him with all my drawings, a thick wad of them. I walk slowly out through the prison gate. Down the road and over to the bus stop, I don’t turn to look back, because now I’m free. I take a seat in the bus and lean my head against the window. I can feel the engine’s vibration through the glass, a droning at my temple, it reminds me of swarming insects. Familiar, but new all the same, I’m used to my teeming head, I’m sensitive by nature. Now the day has arrived, and the hour, when I’m to begin a new chapter, and I ought to succeed. I enjoy the long bus ride through the streets, the driver’s solid presence, the reassuring hum of the engine, and a scattering of raindrops on the window, like mournful tears.

I get off the bus at the Dixie Café, I want to do the last bit on foot. I hesitate as I pass the door of the café, with its two plastic palms in blue pots, a pathetic sight all things considered, why doesn’t someone mention that the decor in front of the premises is cheap and ridiculous? I have a sudden whim and give in to it. I go up to the door, open it and peer inside. And there they are, the two of them, in the far corner. Miranda and Lill Anita, each with a Coke. Miranda’s hair is loose, it reaches to her shoulders. No hairbands, no brightly coloured plastic clips. She’s got older. She’s wearing trousers with roomy legs, you can’t see the leg braces, but I sense their presence, because I know they’re there. Her legs are stretched out under the table. I retreat before they catch sight of me, and I stroll on. I return to my house. I stand for a moment in the drive taking everything in, the cherished and the familiar, all that’s mine. I hear my neighbour’s children shouting and screeching, they’re on the trampoline. Then I take a quick look round the back of the house to see the grave. The rhododendron bush has grown enormous. It’s benefitted from the sun and rain and is really impressive now. I regard it as a good omen. But one thing troubles me. A narrow path has been trodden from the front steps and round to the grave, as if someone has been walking to and fro, checking the terrain. I can’t understand it. Perhaps fate is playing a trick on me. Perhaps there’s a badger about, or a feral cat. But the path is obvious. A telltale little track from the steps to the grave. A narrow, paler outline in the grass. I dragged a corpse along here. It was heavy. But now that’s behind me for ever. I let myself in, walk to the window and look out on the road. I switch the coffee machine on, see the small red lamp illuminate, hear the water grumble as it heats up, smell the aroma of newly filtered coffee. I have a large cupful and phone the owner of the Shell service station, where the prison has found me work. He’s terse and brusque and rather sullen, but I don’t have to like him, I like hardly anyone, except Margareth. And Janson. And Anna Otterlei, even though she lured me into a trap. I tell him that I can start whenever he wants, I’m as free as a bird. We agree on the following Monday. He knows something of my history, but was chiefly concerned that my sentence didn’t have anything to do with a financial misdemeanour. Once reassured on that point, he felt satisfied and offered me a job on the till at the service station. I’m perfectly happy about this. I’ll have to deal with people all day long, but only on a superficial level, only ‘yes please’ and ‘there you are’ and ‘see you again’. No whingeing and whining, no cares and carping and complaint. Just fleeting nods and quick smiles across the counter. I’ll be serving freshly baked items plus hot dogs, and taking the money for newspapers and petrol. Now I can only think about one thing. My first payday. As soon as it arrives I’ll ring up the prison and ask for Margareth. I’ll finally find the courage to ask her out.

Three days of freedom.

Reading the death notices in the paper, I see that Barbro Zanussi has finally died. It says that she passed away peacefully, but I have my doubts on that score. No one talks about the unpleasant aspects. The rattling and gasping, the disgusting metallic smell from deep within the lungs as they empty for the last time. But at least now she’s at peace, the pain and despair are over, I almost feel relieved for her.

Poor, unfortunate Barbro. A myriad of emotions well up, and for a brief moment I’m filled with compassion. It’s dreadful that things can turn out so badly, that life can be so unbearable.

I like reading death notices. I relish them like I would a sweet. And Barbro’s relatives have chosen a moving poem.

All is bestowed on mankind

Merely as a loan.

All that’s mine is owed, soon to be withdrawn again.

For everything is subject to reclaim:

The trees, the clouds, the earth on which I pace.

And then I’ll wander lonely, without trace.

I start my new job, and manage really well. I’m not especially friendly, but then I don’t have to be. I do my job and no one complains. People come in and out; it’s a busy place. One day, Eddie and Janne come into the shop, hand in hand, as if conjoined like Siamese twins. Inseparable from the waist down. They look just as happy as ever, and this surprises me greatly. Because I’d imagined that, like Romeo and Juliet, they’d suffer some terrible death in each other’s arms. I’d thought that Janne would find another man sooner or later, better-looking, stronger. And that Eddie would kill her with his bare hands. Throttle her with a vice-like grip, and crush her larynx. Only to take his own miserable life afterwards, because things like that do happen. But I seem to have been wrong. They’re still together, and they buy a bag of buns, before wandering out into the sunshine again, ensconced in their bubble of contentment.

It really worries me the way things are going so well for them. Because I can’t understand what they’ve found, that I’ve never found. But I’m working on it, and I’m moving in the right direction. I count the days just as I did when I was inside, I’m counting down to payday. August is glorious in all its verdant beauty. One day I go to the park by Lake Mester. An unknown woman has taken my bench, and for an instant I’m indignant. She obviously doesn’t know the rules, and she makes no attempt to move when I arrive. She sits rocking a pram. She’s about my own age, probably a grandmother, I think, and find another seat. I perch on the bench that Arnfinn always used. It’s good to sit here again, by the fountain, I sit for an hour listening to the tinkling water. The dolphins are so familiar, so smooth and lithe and wet. On my way home I stop by Woman Weeping . I place my hand on one of the rounded breasts, and think about Margareth. Margareth occupies my thoughts entirely, everything else is blotted out by these dreams, and the castle I’ve built in my mind. I go back to the house. I potter about, gradually adjusting to my new existence as a free man, working for Shell with a regular wage and pleasant workmates. They know nothing about why I was in prison. In fact, they don’t seem interested in me very much anyway, and I feel relieved about that. I can hardly expect everyone to see what’s unusual about me.