Блейк Пирс - Before He Needs

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In A TRACE OF VICE, Keri Locke, Missing Persons Detective in the Homicide division of the LAPD, follows a fresh lead for her abducted daughter. It leads to a violent confrontation with The Collector—which, in turn, offers more clues that may, after all this time, reunite her with her daughter.
Yet at the same time, Keri is assigned a new case, one with a frantic ticking clock. A teenage girl has gone missing in Los Angeles, a girl from a good family was who duped into drugs and abducted into a sex trafficking ring. Keri is hot on her trail—but the trail is moving fast, with the girl being constantly moved and with her abductors’ single, nefarious goal: to cross her over the border with Mexico.
In an epic, breathtaking, cat and mouse chase that takes them through the seedy underworld of trafficking, Keri and Ray will be pushed to their limits to save the girl—and her own daughter—before it is all too late.

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“One of them, yeah.”

“Any of your friends into burglary and assault, too?”

“No,” he spat. “One of the guys has a breaking and entering charge on him from when he was a teenager, but no…they wouldn’t kill anyone. Neither would I.”

“But breaking and entering and beating someone is A-OK?”

“I never killed anyone,” he said again. He was clearly frustrated and showing great restraint to not lash out at her. And that’s exactly what she had been looking for. If he were guilty of the murders, the chance of him growing instantly defensive and angry would be much higher. The fact that he was doing his best to stay out of trouble, even from lashing out verbally at an FBI agent, showed that he likely had no connection to the murders.

“Okay, so let’s say you’re not connected with these murders. What are you guilty of? I’m assuming you’re doing something you shouldn’t. Why else would you push me, an FBI agent, and try to run?”

“I’m not talking,” he said. “Not until I see a lawyer.”

“Ah, I forget you’re a pro at this game by now. So yeah, fine…we’ll get you your lawyer. But I assume you also know how the police work. We know you’re guilty of something. And we’re going to find out what it is. So tell me now and save everyone some trouble.”

His five straight seconds of silence indicated that he intended to do no such thing.

“I’m going to need the names and the numbers of the men you claim to have been with two nights ago. Give me those and if your alibi checks out, you’re free to go.”

“Fine,” Nell grunted.

His reaction to this was yet another sign that he was likely innocent of the murders. There was no instant relief on his face, just a sort of annoyed irritation that he had somehow once again found himself back in an interrogation room.

Mackenzie took the names of the men down and noted for Dagney or whoever was in charge of such things to scroll through Nell’s cell phone for their numbers. She left the interrogation room and headed back into observation.

“Well?” Rodriguez said.

“He’s not our guy,” Mackenzie said. “But just for protocol, here’s a list of his friends he says he was with on the night the Kurtzes were murdered.”

“You’re sure of that?”

She nodded.

“There was no real relief when I told him he could likely leave after his alibi checked out. And I tried to get a rise out of him, to trip him up. His behavior simply is not indicative of a guilty party. But like I said, we should check the accomplices just to be sure. Nell is sure as hell guilty of something. I’ve got a sore backside from falling down to prove it. Think your guys can figure out what it is?”

“You got it.”

She left the station, confident that Mike Nell was not their man. Somewhere beyond that, though, she started to think of her father.

She supposed it was bound to happen. There were a few similarities between his case and the current case she was on. Someone had come into the couples’ homes with no signs of forced entry, insinuating that the couples knew the killer and let him in willingly. She caught flashes of her father, sprawled bloody on the bed, as she recalled the images she’d seen of the Kurtzes and Sterlings in the case files.

Thinking of a deceased parent made her feel more strongly for Harrison’s situation. She got to the motel as quickly as she could, yet when she knocked on his door, he did not answer. Mackenzie walked to the front desk and found a bored-looking receptionist thumbing through a Star magazine.

“Excuse me, but did my partner leave?”

“Yes, he left about five minutes ago. I called him a cab to take him to the airport.”

“Thank you,” Mackenzie said, deflated.

She left the front office feeling strangely alienated. Sure, she’d been on a few cases alone before, especially when working as a detective in Nebraska. But being in a strange city without a partner made her feel particularly alone. It made her feel slightly uneasy but there was no use in trying to ignore it.

With that sense of displacement growing by the second, Mackenzie figured she’d put a stop to it the only way she knew how: by drowning herself in work. She got back into her car and went directly back to the station, thinking that while pursuing the case alone might be a bit depressing, it could also be just the motivation she needed to find the killer before the day came to a close.

CHAPTER EIGHT

Her motivation to bring the killer in on her own was quickly muted by a lack of answers and several hours that felt absolutely wasted back at the station. She sat in a small spare office provided by Rodriguez as the few scant updates came in. The first update was that after less than three hours, every single one of Mike Nell’s accomplices had panned out. There was now evidence from multiple sources that Nell had been nowhere near the Kurtz townhouse on the night of the murders.

However, those same three hours also had Miami PD locate two pounds of heroin hiding in a small secret compartment of his truck. A few calls also proved that he had meetings to sell it, one of which was to a customer who was only fifteen years of age.

The second update was a bit more useful but really provided very little to go on. Two of the initialed entries within the Sterlings’ checkbook that Mackenzie had not recognized were accounted for. One was a local animal shelter, to which they had made contributions twice a year. Another had been a small grassroots political campaign, and the other was still a mystery.

With the other two eliminated, Mackenzie was able to focus on the remaining one. The initials in question were DCM. Joey Nestler was the officer who brought her the results of the first two, and before he could leave her tiny working space, Mackenzie stopped him.

“Officer Nestler, do you have any idea what these initials might mean? Are there any businesses, organizations, or even individuals in the city that these might apply to?”

“I’ve been wondering that myself ever since we got the results,” he said. “But I’m coming up with nothing. We’ve got some guys working on it, though. We’re also looking over the Kurtzes’ financial records to see if there’s any sort of connection.”

“Great work,” she said.

Nestler left her alone after that. She then turned her attention back to the crime scene photos. It was weird, but the vast amount of blood in both photos was not what unsettled her the most. There was something even more gruesome about the way the bodies had been arranged. As far as she was concerned, there was no question that the bodies had been moved and staged to be lying on their backs. With the evidence of a struggle of some sort having occurred at the Sterling residence, it was all but a given that the scenes had been purposefully set up.

But why?

She kept looking at the posturing of the hands. What’s he trying to tell us? That the couples are linked somehow? Is he highlighting the couples’ need for one another?

She was fairly certain that there was some sort of symbolism in the posing of the hands in both photos: in the Kurtz photo, Julie’s hand was touching her husband’s thigh, almost draped lovingly over it; in the Sterling photo, it was Gerald Sterling’s hand draped over his wife’s thigh.

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