Gilly MacMillan - What She Knew

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***Previously published as BURNT PAPER SKY***
THE NEW YORK TIMES BESTSELLER
In her enthralling debut, Gilly Macmillan explores a mother's search for her missing son, weaving a taut psychological thriller as gripping and skilful as The Girl on the Train and I Let You Go. Will also appeal to fans of The Missing.
Rachel Jenner turned her back for a moment. Now her eight-year-old son Ben is missing.
But what really happened that fateful afternoon?
Caught between her personal tragedy and a public who have turned against her, there is nobody left who Rachel can trust. But can the nation trust Rachel?
The clock is ticking to find Ben alive.
WHOSE SIDE ARE YOU ON?
Praise for WHAT SHE KNEW:
'What an amazing, gripping, beautifully written debut. Kept me up late into the night (and scared the life out of me)' Liane Moriarty, bestselling author of The Husband's Secret
'Every parent's nightmare, handled with intelligence and sensitivity, the novel is also deceptively clever. I found myself racing through to find out what happened' Rosamund Lupton, international bestselling author of Sister
'A nail-biting, sleep-depriving, brilliant read' Saskia Sarginson, Richard and Judy bestselling author ofThe Twins
'Heart-in-the-mouth excitement from the start of this electrifyingly good debut…an absolute firecracker of a thriller that convinces and captivates from the word go. A must read' Sunday Mirror
'One of the brightest debuts I have read this year' Daily Mail

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He was dirty. His body odour was powerful even before we stepped into his squalid bedroom, which had only one small window through which you could see a small section of the back yard: all concrete and the winter carcasses of rampant self-seeded buddleia plants.

The bed was a single, with bedding on it that had probably never visited a launderette. A desk, roughly constructed from bits of MDF, was the centrepiece of the room. It had a PC on it, and a dusty iPod dock, which cradled his phone. Music was playing: Celtic sounding, the lyrics in German. It wasn’t mainstream. The walls were covered with posters and artworks depicting dark and bloody fantasy worlds.

Edward Fount sat down on the side of his bed and was unafraid to study us intently from behind his fringe. Fraser took the computer chair, adjusting it for wobble before she settled on it, crossing her legs. I saw Fount’s eyes run down her calves and linger on her shoes, which were a dark maroon patent leather. Woodley and I stood against the wall. There weren’t more than a few feet between us all.

‘Does that window open?’ said Fraser.

Fount shook his head. ‘It’s painted shut. Doesn’t matter, it’s always cold down here anyway.’

‘You need ventilation,’ she said, ‘or you’ll get sick.’

‘I take vitamins,’ he said. A feeble gesture indicated a tube of Vitamin C tablets on his desk, beside a warped black plastic tray with the remains of a microwaved meal in it.

‘Well that’s good,’ said Fraser. ‘It’s important to take care of yourself.’

Fount nodded.

‘Especially, I’d say,’ she continued, ‘when you are out doing battle every weekend. Would I be right?’

‘Not every weekend,’ he said. ‘Once a month. And it’s not always a battle. It’s a narrative, a storyline we enact.’

Narrative ’s a very grown-up word Mr Fount and so is enact . I’m impressed. So tell me, what character do you play in these “narratives”? I understand you all develop roles for yourselves, would that be right?’

‘I’m an Assassin,’ he said. He knew she was toying with him now, there was nothing stupid behind those furtive eyes, but still he couldn’t disguise the pride in his words.

‘Uh-huh. And would Assassin be an important role in the game?’

‘Very. It’s very, very important. The Assassins lie in the shadows, they watch, they wait, they know secrets.’

‘Do they now?’

He nodded, his chin up, trying to assert confidence.

‘And would an Assassin have a lot of power?’ Her voice lingered mockingly on the sibilants.

‘Yes.’

‘Would an Assassin be a match for a big man like, say, DI Clemo here?’

‘Assassins have their methods. They’re afraid of nobody and everybody fears them.’

‘That’s very clever. Good for you. By the way, are you not curious to know why we’re here?’

‘Is it because of the boy who went missing?’

‘You’ve shown a remarkable lack of interest. Why is that?’

‘It’s nothing to do with me. I didn’t see anything.’

‘What happened to Benedict Finch wouldn’t be one of your secrets then?’

‘I never tell my secrets.’

‘And why’s that?’

‘Because they’re secret.’ He laughed, a quick, high-pitched sound, a fish gulping air.

‘Or is it perhaps because you’re ashamed of them? You have a previous conviction for exposing yourself, don’t you? I can understand why you’d like to keep something like that under your hat, or should I say under your Assassin’s cape? Probably wise.’

‘I never did it.’

‘That’s not what two little girls who were trying to play a nice game of tennis said. How old do you think they were? I’ll tell you. They were eleven years old, and their nice game was interrupted by you sticking your wee tadger through the netting around the court, was it not?’

‘It’s not how it was. I promise.’

Fraser leaned forward, fixing her gaze on Fount. ‘Did you see Benedict Finch in the woods on Sunday afternoon?’

Fount shuffled his backside across the bed until he was sitting with his back against the wall. He had a sharp Adam’s apple and angry ingrown hairs along his jawline. He said nothing, but there was defiance in his expression.

‘So did you?’ asked Fraser. ‘See Benedict Finch in the woods on Sunday afternoon?’ She hadn’t looked away from him.

Fount crossed his arms. ‘I only answer to the authorities of my kingdom,’ he said.

Fraser snorted. ‘You’ve got three authorities in the room with you now, how much more authority do you want?’

‘I only answer to the authorities of my kingdom.’

‘How about: how did you get home from the woods on Sunday? Nobody saw you after three o’clock.’

‘You don’t understand. I inhabit the Kingdom of Isthcar. I recognise the Isthcarian authorities only. Assassins answer only to the Knights of Isthcar, the Holders of the Hammer of Hisuth.’

‘What? What nonsense is that? You’ll answer to us. Let me tell you something, you’d better grow up, young man, and you’d better do it quickly. We’re investigating the disappearance of a child here. There are two facts we can’t ignore: you were there, and you’ve got previous.’

She stared at him until his eyes dropped. He picked at a frayed hole on the knee of his jeans.

‘Can you tell us anything about what you saw?’ I asked, inserting my words carefully into the stalemate that was brewing, although I felt like wringing his scrawny neck. ‘It would be very helpful.’

Fount closed down his face. He wasn’t going to talk.

‘If I find out later that you know something that could help in the investigation, and you’re not telling us, then you’ll pay for that,’ said Fraser. She got to her feet. ‘Have no doubt about that. Right, we’re finished here for now, but we’re certainly not finished with you.’

‘You can see yourselves out,’ said Fount, to Fraser’s back. There was a hint of a smirk on his face. We paused at the bottom of the stairs when we realised Woodley wasn’t behind us. He’d waited in the doorway of the room.

‘Isthcar,’ he said to Fount. ‘Isn’t that an ancient tribe? From Nordic mythology?’

‘The finest tribe,’ said Fount. ‘The most noble.’

‘It sounds fascinating. Is the game very complex?’ Woodley sounded impressed.

‘To play properly, there’s a lot you have to understand.’

‘Awesome,’ said Woodley. He said it simply, his voice light. ‘See you again maybe.’ He nodded at Fount, a man-to-man gesture.

‘Bye,’ Fount said to him.

‘What a prick,’ said Fraser. ‘It’s meeting pricks like that that makes me actually look forward to getting back to my desk.’

I knew that wasn’t true. However high she’d climbed, at heart she was a street cop through and through.

We were in the car. Woodley and I had pulled on our seat belts, we were ready to leave; Fraser was taking a few moments to rage. ‘I bet he wishes he was still sucking at his mammy’s breast. What do you reckon?’

‘I think we need to be careful. He’s almost too much of a cliché, he looks so good for it on paper. Young, single male, all of that. But I think we need to be careful not to make assumptions about him.’

She ignored me. ‘You know as well as I do that if there’s a cliché there’s usually a good reason for it. Christ! That little prick’s given me a headache with his skanky flat and his self-obsessed, smug little bucket and spade ideology. He needs to get out of the sandpit and get into the real world. Knights of Isthcar, what’s that about when it’s at home?’

She sighed. She looked tired. She was putting in the hours this week, just like everyone else.

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