Cath Staincliffe - Letters To My Daughter's Killer

Isn’t that the point?

‘… drowsiness, and a dry mouth.’

Do I want to feel detached? If I muffle the emotions, won’t they just grow in intensity, waiting to ambush me when I stop taking the medicine? ‘I’m not sure I want it,’ I tell him.

‘Entirely up to you; the script is valid for six months, anyway. And if there’s anything else you need, do ring the surgery.’

Marian and Alan bring Florence back; she’s clutching a pile of picture books that threaten to overbalance her. They plan to do some shopping for us. Marian is brisk and practical and talks too much, a running commentary. She’s probably afraid that she’ll fall to pieces if she stops. Alan’s reserved, speaks only to agree with her comments or echo her thoughts. We’ve only met them a handful of times, at the wedding, once before that and then at Florence’s first birthday party. I watch Marian heating the soup and talking about allotments and gardens. And home-cooked vegetables. She manages to talk about soup for a good five minutes.

Living in East Anglia, they see much less of Jack and Lizzie and Florence than Tony or I do. What will happen now? Would Jack think of leaving, go and live there, take Florence? The thought sends panic swirling through me, and I grip the table. When they’re ready to leave for the shops, I ask Marian if she will fill the prescription for me.

I can’t cope with all the people calling at my house to comfort us. It seems heartless to turn them away, but Kay suggests she act as gatekeeper and will explain that we are grateful for their good wishes but too distressed to meet anyone.

Cards arrive, from neighbours and colleagues and friends. It takes me ten minutes and several tours of the house to find my reading glasses. I keep losing things. As if now that I have lost Lizzie, I can’t keep hold of anything else.

I open a batch of cards at the table.

‘Is it your birthday?’ Florence says, her head cocked to one side.

‘No. These cards are for us because of Mummy dying. People know we’re sad. They’re thinking about us.’ Her face closes down and she slips from the chair. I go after her into the lounge.

‘Where’s Daddy?’ she says.

‘Gone for a shower. It’s all right to be sad,’ I say. ‘Everyone’s sad.’

‘I’m not,’ she says. ‘This book.’ She pulls out a battered copy of Each Peach Pear Plum, still doing the rounds. I remember reading it to Lizzie.

‘Okay.’ I sit on the sofa and she clambers on to my lap.

We say the words together, and she tilts her head from side to side as she chants, pointing with her finger at the characters hidden in the pages. Mother Hubbard, Cinderella, Robin Hood.

And for a few minutes Florence and I escape, float down the river with Baby Bunting, tumble down the hill with Jack and Jill and climb through the branches of the great tree.

17 Brinks Avenue

Manchester

M19 6FX

DI Ferguson takes my hand in both of hers when we meet, her grasp firm. She looks me in the eyes and says, ‘I’m so sorry. We are doing everything possible to establish what happened to Lizzie and bring whoever is responsible to justice.’ She glances around. ‘Is Mr Tennyson here?’ she says to Kay.

‘I’ll get him. Tony, Mr Sutton, will be here any time.’

We go in the dining room. I call it that but no one ever eats in here. I use it for overspill, for hobbies and storage. The inspector takes her jacket off and drapes it over the back of an armchair. She’s small next to Kay, close to my height though slimmer than me. A black woman, her clothes stylish, her hair pulled up away from her face in a topknot. Specs, red and white and brown patterned frames, on a chain round her neck. A touch of pinky-red lipstick.

She has a pent-up energy to her as though she’s idling and ready to take off at speed. It’s there in the intensity of her gaze, eyes bright, and the pace of her speech. In repose there is a hint of a smile about her mouth, as though life is everything she hoped it would be. She stands and greets Jack and Tony.

When everyone is settled, DI Ferguson says, ‘I’m the senior investigating officer, and that means I’m in charge of the inquiry into Lizzie’s murder. Kay will remain your liaison officer and she’ll pass on to you any significant information, but I want you to know that if you ever need to speak to me directly, if you’ve any concerns or questions that Kay can’t answer, please get in touch. I’ll leave my card before I go. What happened to Lizzie,’ she says, ‘is simply unforgivable.’

I try not to weep, because I need to hear what she has to say.

‘No one should lose a wife, a daughter, a mother, a friend in that way. From your position you may feel as though there is little news, as if things are not moving quickly enough but I want to reassure you that we are making steady progress. The results of the post-mortem, which Kay related to you, have given us the cause of death but also flagged up a number of forensic items of interest which we are now examining. The same goes for the evidence recovered from the scene at the house. But it’s not like on television. Some of the forensic tests we need to do will take several days to be completed, sometimes weeks. They can’t be rushed. They have to be done to an exacting standard, robust enough for prosecution.’

‘Lizzie’s phone,’ I say, thinking of that text she sent me. ‘Did she try and call for help?’

‘No. Her phone was recovered from the house. There was no activity from her after the text she sent to you,’ says DI Ferguson.

No chance to use her phone, perhaps she was oblivious to the danger. Perhaps she never knew what was coming. I think of Florence asleep as the carnage unfolded downstairs. Kay has asked her if she saw or heard anything the night Mummy was hurt but Florence simply shook her head.

‘Our door-to-door inquiries are continuing as well, and calls from the general public are being fed into the investigation and followed up. Officers are examining footage from CCTV cameras in the vicinity to see if the perpetrator can be identified.’

‘Broderick Litton?’ I say.

‘We’ve not found him yet,’ says DI Ferguson.

‘He’s out there,’ Tony says hotly, ‘and…’ He crumples.

‘I can assure you we are making every effort to find him, and as soon as we do, you will know about it.’ She turns to Jack. ‘We have traced and interviewed the man who broke into your neighbour’s property on the Tuesday night. He admits to also having entered your garden on Wednesday.’

I hold my breath.

‘But we have eliminated him from our inquiries.’

‘How come?’ Jack says.

‘He has a watertight alibi for the Saturday evening.’

‘Are you sure?’ Jack says.

‘Yes,’ says DI Ferguson.

Questions toll in my head again: who, why, how?

‘Is there anything we can do?’ Tony says.

DI Ferguson gives a nod. ‘There are two ways you might help, but I want to stress that there is no obligation on any of you to do so. Different families react very differently, and what is right for someone else may not be right for you.’

‘What are they?’ Jack says.

‘We would like your help with a fresh appeal to the general public. A quote from you about Lizzie, saying what sort of person she was, would be very helpful. We want to keep the public involved in assisting us, we want to make her as real as possible to people who have never met her. There is already a high degree of interest because of the circumstances of Lizzie’s murder, because she was an ordinary young woman, a mother, expecting to be safe in her own home.’

Like we all do.

‘Also, well-wishers have been leaving flowers outside the house. If this is something you would like to do, we can arrange that, and if you are willing, we’d like to film your visit and that would form part of a new press release. Again, that’s entirely up to you.’