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Ann Cleeves: The Crow Trap

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Ann Cleeves The Crow Trap

The Crow Trap: краткое содержание, описание и аннотация

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An ingenious psychological suspense novel. At the isolated Baikie's Cottage on the North Pennines, three very different women come together. Three women who each know the meaning of betrayal… For team leader Rachael the project is the perfect opportunity to rebuild her confidence after a double-betrayal by her lover and boss, Peter Kemp. Botanist Anne, on the other hand, sees it as a chance to indulge in a little deception of her own. And then there is Grace, a strange, uncommunicative young woman with plenty of her own secrets to hide… When Rachael arrives at the cottage, however, she is horrified to discover the body of her friend Bella Furness. Bella, it appears, has committed suicide – a verdict Rachael finds impossible to accept. Only when the next death occurs does a fourth woman enter the picture – the unconventional Detective Inspector Vera Stanhope…

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“She put pressure on Bella too. The three of them kept in touch. Bella was in a difficult position. The farm was verging on bankruptcy. She’d hoped to get money from her brother to save it but that never materialized. Her only hope was to do a deal with the development company over access to the site. She wouldn’t have liked the idea but it would have been better than losing the farm. She arranged for Peter Kemp to come to Black Law to discuss possible ways forward.”

“Someone else was there that afternoon,” Rachael said. “Dougie heard someone.” “Barbara. Godfrey had told her what was going on and she came to turn the screw. Blackmail. She knew what had happened when Bella’s father had died, knew it had all been planned. That had come out at one of the group therapy sessions. She threatened to make the whole thing public. Bella was under so much pressure that she couldn’t see straight. She told Peter she couldn’t make a deal and she committed suicide.

“For a while it looked as if Barbara was safe. She thought the report would come out in her favour. After all, she’d become chummy with Anne and had indirectly nobbled Grace. Then she heard from Edmund that Grace was having cold feet. She was talking about seeing a shrink or a social worker. She couldn’t face lying any more. She knew it was making her ill. I’m not sure yet if Barbara planned to kill Grace to stop her telling the truth about the otters. She says not. She says she went to the engine room as she did on Friday night to try to move the remains of the little boy’s body and Grace surprised her.

“When he first heard about his daughter’s death Edmund was too shocked to work out what might have happened. He stayed at his flat, carried on helping in the restaurant. Then I think he probably remembered a story Barbara had told to the group, a story nobody believed because she was mad at the time and full of fantasies. This one was about a boy she had found on the hill. A boy she’d taken for her own. Her baby.

“He panicked. It had always been his style to run away. He went into hiding. First with Nancy Deakin and then in the house on the estate.

How did Barbara know he was there? A guess perhaps. He’d probably told her that he’d lived in one of those houses before he got married.

“The phone number and the back door key she got from Neville. Not directly… ” as Rachael was about to object. “She had access to the Slateburn offices through her husband and I think she regularly went through both their desks looking for anything which would help in her fight against the quarry. She phoned Edmund to check that he was there. And to frighten him. She knew him well enough to realize that if he was scared he’d probably start drinking. On the afternoon of the birthday party when the estate was overrun with strangers she let herself into the house. Edmund had already drunk himself into oblivion. It was easy enough.”

Rachael stretched her hands towards the fire. “Did Barbara ram my car on the track that night?”

“Oh, yes. She was desperate. She was trying to frighten you away.” Vera paused, pulled a face. “And one of our people stopped her. Can you believe it? She told him she was visiting her sick mother and he was taken in. The fight to stop the quarry was an obsession. Perhaps she was just trying to save herself but I think it was more than that.

She saw it as a desecration of the little boy’s grave.” Vera sighed, leant back, took a deep draught of wine. Ashworth shuffled restlessly. He’d heard all this before and he had his lass to get back to and a warm bed, and at last the baby had started to sleep through the night.

Anne asked suddenly, “What’ll happen to the quarry now?” Vera shook her head. “I wouldn’t have thought Godfrey would have much stomach for it. But you’ll have to talk to him about that.”

She left the three women talking about it, so engrossed that they hardly noticed her leaving.

Ashworth drove carefully up the track and through the ford towards the forest.

About the Author

Ann Cleeves is the author behind ITVs Vera and BBC Ones Shetland She has - фото 2

Ann Cleeves is the author behind ITV’s Vera and BBC One’s Shetland . She has written over twenty-five novels, and is the creator of detectives Vera Stanhope and Jimmy Perez – characters loved both on screen and in print. Her books have now sold over one million copies worldwide.

Ann worked as a probation officer, bird observatory cook and auxiliary coastguard before she started writing. She is a member of ‘Murder Squad’, working with other northern writers to promote crime fiction. In 2006 Ann was awarded the Duncan Lawrie Dagger (CWA Gold Dagger) for Best Crime Novel, for Raven Black , the first book in her Shetland series. In 2012 she was inducted into the CWA Crime Thriller Awards Hall of Fame. Ann lives in North Tyneside.

www.anncleeves.com

@anncleeves

facebook.com/anncleeves

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