Ann Cleeves - Telling Tales

Back on the pavement she saw at once that there was now no light in the forge. She thought there had been when she’d left the pub, but she’d not heard a car leaving when she’d been talking to James. Standing just inside the hall, the door still open, she’d have heard, might even have heard the big doors being shut to, the snap of the padlock. She remembered what Dan’s young neighbour had said about his unloading after the trade fair. Perhaps there’d been a van parked in the yard in the back. Perhaps they’d left in that. But where would he take her?

All this she was thinking as she hurried across to the pottery, and then came the fanciful thought that she was like a piece of rubbish, blown backwards and forwards across the square.

The doors were bolted inside, but not padlocked. She banged on them with the flat of her hand, rattling them until her palms were stinging, but there was no reply and she moved on down the street, looking for a way into the yard at the back.

Access was through a tunnel, which cut through a terrace of houses. It led to an alley where domestic cars were parked. At the end of the alley was a set of wooden gates, now propped open, and the yard at the back of the pottery. There were no street lights in the alley, but it was lit from the windows at the back of the houses. This was considered private space and many hadn’t bothered to shut curtains. She had brief glimpses of ordinary lives: a mother hanging nappies on a radiator, an elderly man washing-up. In another room a young couple sat after a late supper, the kitchen table transformed for romance with a paper tablecloth, a candle and a bottle of wine.

The yard behind the pottery was empty. If Dan had been there with a van, he’d already gone. He must have Emma with him, unless he’d left her inside. Vera had a picture of her in the dusty storeroom, tied perhaps, scared, but she couldn’t bring herself to believe it. Was she dead already? Strangled like her brother and her best friend? Vera shook her head, trying to clear away the nightmare. She wiped dust and cobwebs from the narrow windowpane with her sleeve and peered in, but it was dark inside and impossible to see. There was a small back door. She tried that, but it was locked. The paint was peeling from it, but the wood was sound and she wasn’t sure she’d have the strength to break in. She leaned her shoulder against it and shoved. Nothing moved. She thumped on the door then put her ear to it and listened. There was no sound. She gave up.

James was watching from his window. As she approached the house the curtain fell back into place but she’d seen his white face pressed against the glass and the door opened before she knocked.

“She’s not there, is she? I can tell the place is all locked up.”

“Has she got a mobile phone?”

She watched panic flash across his face. “Like Christopher, you mean? You think there’s some connection?”

“No,” she said. “Not like Christopher. You could call her. Find out where she’s gone.”

He gave an embarrassed laugh, lifted the phone in the hall and dialled. Vera realized they were both holding their breath, that she was straining to hear Emma’s voice. From the kitchen came an electronic tune. Something lively which she recognized. Something from an old film. The Entertainer. Slowly James replaced the receiver. “That’s her mobile,” he said. “She must have left it here. Probably thought she wouldn’t need it in the pub. She knew I had mine with me.” He paused, made an effort to hold himself together. “She’ll be all right with Dan, though. He used to be a policeman.”

“Yes,” Vera said. “I know.”

She left him in the house. Someone had to be there, she said. Emma couldn’t come home and find the place empty. Besides, Dan might talk some sense into her. She would probably phone.

She sat in the car, knowing that James would be watching and expecting immediate action. People were coming out of the pub though it wasn’t quite closing time. Every time the door opened, there was a blast of music like cold air. She didn’t know where to go or what to do. There was the baby to think of too. It wasn’t like her to be indecisive and the lack of direction made her anxious, the first stage of panic. Her phone rang and she punched the button, glad to be distracted for the moment at least.

It was Ashworth. “You were right,” he said. “But then you always are.”

No, she thought. Not any more. My judgement’s worth nothing these days. I thought I was sure about Dan Greenwood. Once.

“Where are you?” she asked.

“On my way to the house. That’s what you want, is it?”

Is it? “Yes.”

“I’ll see you there, shall I?”

“Yes,” she said again, more quickly, glad that the decision had been made for her.

“Are you all right?”

“Of course,” she said. “Of course.”

Ashworth was sitting in his car at the end of the drive to Springhead. Vera pulled into a gateway leading into a small patch of woodland and walked down the road to join him. There was a smell of wet leaves and cows. She felt better, though anxiety about Emma had settled at the pit of her stomach, a dull ache. She couldn’t cope with breaking more bad news. And she couldn’t cope with being wrong about what had happened here. She climbed into the passenger seat. Joe was listening to the radio. Classic FM. He was doing an evening class in music appreciation. She reached over and switched it off.

“Well?” she said.

“I did as you suggested, talked to the neighbours. It wasn’t very useful at first. Most of them had moved in since the Winters left. It’s one of those classy areas where everyone’s too busy to wonder what’s going on behind closed doors. Big houses, lots of garden. Then I tracked down one elderly woman who remembered them. “A lovely family,” she said. “Such a shame when they moved.” He put on an old lady’s voice, high pitched, with a BBC accent. Vera thought he’d be good in the local pan to He could play the dame.

Joe went on. “She was a widow even then and she used to babysit for the Winters when the kids were small. Until they stopped asking. She’d been upset by that, wondered if she’d done something wrong, if the children had taken against her for some reason. It troubled her so much that she went to see Mary. “Of course I was worrying quite unnecessarily. One of Robert’s colleagues had a daughter who needed the money. It was only natural that they should ask her instead.”

“Ah,” Vera said. A sigh of relief and satisfaction.

“The colleague’s name is Maggie Sullivan. There’d only been four of them working together. Three architects and someone to run the office. Two of them an architect and the office manager had been close to retirement, a bit old to have teenage daughters, so it wasn’t hard to work out she was the most likely. She’s still working in York. When I explained what I was there for, she was only too pleased to see me. She felt guilty because she hadn’t gone to the police when it happened.”

And what, exactly, did happen?”

“Robert Winter became obsessed with the daughter. He followed her around, waited for her outside school. Made a real nuisance of himself.” Ashworth paused. “How did you know?”

“I didn’t. Not really. But there had to be something to make them change their lives so dramatically.” And there was something about him, something that made my flesh crawl. And the psychiatrist said someone sufficiently controlled could get away with it.

“To make him turn to God?”

Aye, I suppose…” She nodded towards the house. “What’s happening in there?”

“I don’t know. It’s been quiet while I’ve been here.”