Ann Cleeves - Harbour Street

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Harbour Street is the next spellbinding installment in Ann Cleeves' series of crime novels about Vera Stanhope, played in the TV detective drama VERA by Brenda Blethyn.
As the snow falls thickly on Newcastle, the shouts and laughter of Christmas revelers break the muffled silence. Detective Joe Ashworth and his daughter Jessie are swept along in the jostling crowd onto the Metro.
But when the train is stopped due to the bad weather, and the other passengers fade into the swirling snow, Jessie notices that one lady hasn't left the train: Margaret Krukowski has been fatally stabbed.
Arriving at the scene, DI Vera Stanhope is relieved to have an excuse to escape the holiday festivities. As she stands on the silent, snow-covered station platform, Vera feels a familiar buzz of anticipation, sensing that this will be a complex and unusual case.
Then, just days later, a second woman is murdered. Vera knows that to find the key to this new killing she needs to understand what had been troubling Margaret so deeply before she died – before another life is lost. She can feel in her bones that there's a link. Retracing Margaret's final steps, Vera finds herself searching deep into the hidden past of this seemingly innocent neighborhood, led by clues that keep revolving around one street…
Why are the residents of Harbour Street so reluctant to speak?
Told with piercing prose and a forensic eye, Ann Cleeves' gripping new novel explores what happens when a community closes ranks to protect their own-and at what point silent witnesses become complicit.

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‘Oh, it’s you.’ Kate’s voice was a mixture of irritation and relief.

‘Why, who did you think it might have been?’

‘I’ve had the press on the phone. The Newcastle papers.’

Of course , Vera thought, the death of an elderly woman wouldn’t be sufficiently glamorous for the nationals .

‘I’ve switched off the phone, but that’s not brilliant for business.’ She seemed close to tears, the petty inconveniences pushing her near the edge.

‘Of course,’ Vera said. ‘It’s about business that I’m here. Your business. I wonder if you have a bed for the night? Full rate, of course. I’d need an early breakfast. Only I live halfway up Cheviot and I don’t fancy trying to get home in this. It’s always ten times worse away from the coast. I’d be very grateful.’

And suddenly Kate clicked into professional mode. ‘Of course. Come on in. Room six is free. Can I get you some tea in the lounge?’ Talking just a little too quickly and glancing at Vera every now and again, thinking there might be something more sinister behind the apparently simple request.

Vera didn’t answer immediately. She leaned against the door and stretched out her hand round Kate towards the man. ‘I’m Vera Stanhope. Good to meet you.’

‘This is Stuart Booth, my fiancé.’ The woman’s face lit up with a huge beam. She looked like a teenager in love for the first time. Vera tried to think if she’d ever felt like that.

‘Then good to meet you, Stuart.’ Vera smiled. His handshake was dry and firm. ‘You know what I’d really love? It’s been a bugger of a day. A real drink. Don’t suppose you’ve got a licence?’

‘A residents’ licence? Of course.’

Vera beamed at her. ‘Then I’ll have a large Scotch. And why don’t you two come and join me. I expect you could use a drink – the day that you’ve had.’ She pulled off her wellingtons and padded into the lounge in her stockinged feet, leaving Kate and Stuart no choice but to follow. She sat in one of the leather chairs, waited for Kate to pour the drinks and then held her glass in both hands and looked at them. ‘How long have you been together then?’

They looked at each other. ‘About a year.’ Stuart’s voice was northern, but not local. Yorkshire?

‘Stuart teaches at the kids’ school.’ Kate looked at him as if he was some sort of miracle, as if she could hardly believe that he was real.

‘How does that work? Must be a nightmare to have your teacher turning up and telling tales to your mam.’ Vera set the glass on the arm of the chair.

‘None of us finds it easy. And, really, I’d never tell tales.’ He had a way of speaking slowly that was very precise, as if he was considering every word. He took Kate’s hand.

My God , Vera thought, they are like a pair of teenagers .

‘You knew Margaret Krukowski?’

‘Of course,’ Stuart said. ‘She was like one of the family.’ He gave a shy smile. ‘She was going to give Kate away at the wedding.’

‘You’ve planned your wedding then?’ Vera was tempted to ask why they’d bother, but held her tongue.

‘Well, we’ve fixed a date.’

‘When did you last see Margaret?’

‘At the weekend.’ He looked at Kate for confirmation and she nodded. ‘The kids were out and we invited her down for supper.’

‘You don’t live here then?’

‘No,’ he said. ‘I stay over sometimes, but as you said, Chloe and Ryan find it awkward. We think they’ll find it easier to accept when we’re married.’

There was a silence. Stuart slid his arm around Kate’s shoulder. Vera felt uncomfortable, as if she were intruding, and thought the kids must feel like this all the time.

‘What do you teach, Stuart?’ Small talk had never come easily to her. It was one of the few things that she and Hector had had in common. She thought the man sitting opposite might struggle with it too.

‘Music,’ he said. Then, as she made no comment, he added, ‘I run the county youth orchestra too. And the jazz band.’

Vera gave a bright little smile. ‘That’ll be one of the things the two of you have in common – the music.’ She turned to Kate. ‘My sergeant said you were a star at one time. What made you give it up?’

‘Oh, you know. Family commitments. Kids.’ Kate shook her head as if she was embarrassed to talk about it.

‘But I’m persuading her to rebuild her career.’ The man’s voice was earnest and it was almost as if he wanted Vera’s approval for the new venture. He stroked Kate’s hair, and the charge of intimacy made Vera feel awkward again. She said she’d take a second drink and some tea to her room.

The bedroom was well furnished and comfortable and looked out over the street. Vera sat at the window with her tea and her whisky, and when the glass was empty she topped it up from the bottle she kept in her bag. Also for emergencies, like the toothbrush and the clean knickers.

She thought about Margaret Krukowski, who had lived in this house for years. What had kept her in Mardle? Poverty, or a kind of lethargy? Perhaps she’d got used to the place and couldn’t face a change. And she’d liked this family, Vera decided. Liked watching the kids grow up and feeling that she was part of Kate Dewar’s life. A part of something. She might have been a self-contained woman, essentially private, but she hadn’t wanted to be completely alone. So what had Margaret made of Stuart Booth, who was closer in age to her than to Kate? Had she thought her life would change when Kate married?

Why had she been killed? Why now, on a snowy afternoon, when everyone was full of Christmas spirit? Why had she been stabbed? Vera was reminded of an old news story: a spy or a dissident stabbed with the end of an umbrella, the tip containing some lethal and secret poison. She’d thought at the time that the incident was ludicrous. There were easier ways to kill people, and this had smacked of little boys playing adventure games. Then she remembered George Enderby’s fantasy that Margaret Krukowski was a spy left over from the Cold War, and she thought she could see what had triggered his imagination. The exotic Eastern European name, of course, but also the sense that this was a private woman who carried secrets with her.

Share your secrets with me, Margaret Krukowski. Help me to find your killer.

Vera stood up to go to the bathroom. Looking at her watch, she saw that it was eleven o’clock. She’d been sitting here for more than an hour. She pulled back the curtain and looked outside. Closing time at the Coble, and a scattering of drinkers were making their way back to the town centre. There was a light on in the church. As she watched, the lights went out and the door opened. The priest emerged, still clothed in his black robes.

What have you been praying for, Father? Margaret Krukowski’s immortal soul? Or your own?

The police station at Kimmerston was freezing. The snow had brought down the power lines and cut off the electricity overnight. The power was back on now, but the timer was out and the heating had only just come on. They sat in their jackets, wrapped up in scarves and gloves. A good night’s sleep and a full English breakfast had Vera feeling on top form.

She stood before the whiteboard. There was a recent photo of Margaret Krukowski, donated by Kate. It had been taken when the woman hadn’t been expecting it. She was standing at the table in the basement kitchen, a biscuit cutter in one hand, and she’d looked up at the camera at the last minute. Her expression was startled and amused. Vera had also brought Margaret’s wedding photo from the guest house. Sometimes she thought that the younger members of her team considered older people a different species. Close to death anyway, so not worth the same effort. Not like a child or a teenager. They would never say that, probably would not even think it consciously, but Vera hoped this picture of a young and beautiful woman would jerk them out of that mindset. Once she was young and just like you.

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