Jon Talton: The Pain Nurse

Then the chair creaked and Dodds crossed the room, turned out the lights and closed the door. Will was in darkness again, realizing that he didn’t even know if the door might have a dead-bolt that could keep him from getting out again. Will had never been fearful or superstitious on murder scenes, but something about this was different. The darkness seemed almost to have mass and substance and to be narrowing in on him. He felt along the wall, and when it seemed safe, turned on the lights. Yet the sinister presence still weighed against him. He shook his head, adding to his pain, but somehow snapping the spell.

The room wasn’t much. It looked as if it might have been an exam room once, and it still had a wall of white cabinets and shelves, a sink, and a red box on the wall labeled “biohazard,” presumably for disposing of used needles. Otherwise, a desk, chair, and filing cabinet had been added. He looked more closely. The phone cord had been pulled from the wall. It now sat wound up on the top of the doctor’s desk. The Slasher always disabled the phones. A Tiffany lamp sat unmolested on the desk. It would have seemed a natural casualty of a fight to the death, even by a woman who was paralyzed by fear. Indeed, the main evidence of trouble was dried blood on the Persian rug before the desk, the tile floor, the drawers of the desk, the wall.

That had been the case with every Slasher scene: the most violent crime, accompanied by little or no damage to the physical environment aside from the blood. The exception was Theresa Chambers, who was clutching a framed photograph of her daughter, the glass shattered into a spider’s web. Had the Slasher taken his victims by such surprise, or had he somehow put them at ease? The arrest and conviction of Craig Factor had never really provided an answer. Aside from the semen evidence, they had found nothing linking him to the crime scenes, especially any of the missing ring fingers.

The walls told him that Christine Lustig was a graduate of Tufts Medical School and a fellow in the American College of Surgeons. The desk had a computer and beside it, thick notebooks labeled Med-Interface and SoftChartZ. What was her job? Did she see patients? Will used a tissue to shield his hand as he opened desk drawers. Pens, pencils, more files with obscure names. There were no family photographs. He rolled around, seeing the office from the desk’s perspective. How could you sit with your back to that empty hallway late at night? The newspaper story said a nurse had discovered the doctor’s body, so the door might have been open. There was no sign of a broken lock. The Slasher never broke a lock, a door, or a window. Will pushed the drawer back in and by habit reached under it, sweeping the metal with his hand.

He felt duct tape and then the unmistakable outlines of a knife.

“Damn.”

The doorknob shook. Will started and drew back from his discovery. He backed the wheelchair against the wall, hoping it would be in the safe place when the door opened. But no key was inserted into the lock. The knob rattled again and the door snapped against the frame from sudden pressure. Slap! The door was again pushed hard and the lock was rattled impatiently. Even when the sounds stopped, it was a long time before Will turned off the lights and ventured into the corridor.

Cheryl Beth answered the phone and could hear screaming in the background. It was the sound of the newest consult. It was going to be a bad day.

She had hurried to recovery, to a patient with pancreatic cancer who had undergone a Whipple Procedure. It basically involves lopping off part of the pancreas and rebuilding the digestive tract. It’s difficult surgery, almost, but not quite, being made obsolete. The aftermath can be pain incarnate: evil, damnation, omnipotent. It reminded Cheryl Beth of the hell-fire Baptist sermons she had heard as a girl growing up in the little Kentucky railroad town of Corbin. This was pain as the Lake of Fire, and it was almost as hard to knock down as bargaining on judgment day.

It was engulfing a woman so small and eaten up that it seemed barely possible she had the organs remaining to destroy or the breath to scream so loudly.

“I didn’t know what to do. I was afraid to violate the orders.” A young nurse in purple scrubs spoke with a voice on the edge of panic.

“You’re not violating anything, Megan,” Cheryl Beth said, getting the woman’s name off her name badge. Barely under her breath, she said, “I don’t know why people want to cover their ass when a patient is suffering. And does the damned anesthesiologist care?” Megan stared at the floor.

Tamping down her fury, Cheryl Beth did a quick workup. The paperwork was a mess, as usual. It appeared that she had been undermedicated by one of the surgical residents. She touched the old woman, her skin like that covering a chicken wing after a week in the refrigerator. “I’m going to help you.”

“I just want to die,” she wailed.

Cheryl Beth’s brain and hands were on automatic now, a coordination born from years of training and experience.

“What are you doing?” the young nurse asked.

“Rescue dose,” Cheryl Beth said. She injected morphine and Ativan through a cap in the IV line. They rushed into the vein that would bear them like a liquid savior. She stroked the woman’s hand and the screaming subsided. Her pager vibrated again, even as she wrote out extensive orders for the pain meds to follow. She looked at it and decided it could wait. Around her, the general surgery recovery room looked like much of Cincinnati Memorial, a surreal combination of modern medical technology haphazardly fitted into rooms that had been built during the Great Depression and left to slowly rot ever since. She noticed more than usual the attendant fleeting odors of disinfectant, feces, vomit, and various medicines. They seemed colored with a brooding, claustrophobic tint in the aftermath of Christine’s murder.

She felt herself silently mouthing the word: Murder. She stopped when she was aware that Megan was hovering nearby. Cheryl Beth instructed her on monitoring and administering the morphine and the Ativan, an antianxiety drug, and regulating the PCA pump that would prevent an overdose.

“Thank you so much.” She seemed so young. Was I ever that young? Cheryl Beth asked herself. She also knew how difficult it was to recruit nurses, especially at Memorial. She wrote out the new orders-she always covered her backside-and would get Dr. Ames to sign them.

“No worries,” Cheryl Beth responded, smiling at her and handing back the chart.

“I just didn’t know how her doc would react to changing her dose.”

Well, thought Cheryl Beth, at least she was young enough to be honest. It was the usual chickenshit thing that left patients to suffer. Docs could be inattentive or stubborn, and nurses were afraid to challenge them. Cheryl Beth had never been that way. In this case, she had an added measure of protection because the patient’s main surgeon was one of her fans.

“Do your thing and sign my name,” the surgeon, Dr. Brice, had said years ago. “You know more about this than most docs.”

Cheryl Beth was in the hallway outside recovery, slathering hand sanitizer into her palms, when the page repeated.

In five minutes she was in the spacious, wood-paneled administrative offices. The outer hallways were lined with oil paintings of eighty years of hospital presidents. Not surprisingly, Stephanie Ott made her wait twenty minutes in her outer office. She made conversation with Ott’s secretary, Bridget, a compact, formidable woman with slate gray hair. She intimidated most of the staff, but Cheryl Beth got along fine with her. Halfway into a discussion about artificial Christmas trees, the door to Stephanie Ott’s office swooshed open and a compact young man strode out. He couldn’t have been more than thirty, with fashionably punked-up blond hair and a movie star tan on a face most women would have found cute. He wore black jeans and a French blue dress shirt, open at the collar. His fists were clenched and he stared straight ahead, his mouth set at an angry angle.