Marcia Talley - A Quiet Death

A bronze plaque on the wall to my left indicated the ‘Cloak Room’ where I should hang my coat, and a poster on an easel near a massive Jacobean sideboard directed me to ‘Talk & Tea: Susan Woythaler, VP of Women Now! speaks on the Changing Face of Feminism. 10 a.m.’

Following the arrow on the poster, I found myself in a small anteroom where two women who looked enough alike to be mother and daughter sat behind a long table covered with a white cloth, tending to a spreadsheet and an alphabetical array of name tags. I straightened my spine, smiled broadly and approached the table. ‘Hi. I’m new to the area and just heard about the tea today. Is it too late to sign up?’

The older woman wore a hot-pink suit. Clipped to its lapel was a Lucite nametag that told me that her name was Jeannette Williams. ‘Of course not,’ she smiled back. ‘Welcome!’

‘How much is a ticket?’ I asked, resting my handbag on the table.

‘It’s twenty dollars for members and twenty-five for non-members.’

‘Well, I guess it’s worth it to hear what Susan Woythaler has to say!’

‘And there’s tea before and after, of course.’

‘Of course.’ I pried open my handbag and forked over three tens.

‘We hope you’ll like what you see and hear today, and that you’ll decide to join,’ the second woman, the one holding the spreadsheet, said. She handed me a pre-printed, three-by-five index card. ‘If you’ll fill out that card, we’ll put you on our mailing list.’

‘There’s the holiday party coming up in December, of course, and in three weeks, we’ll have our annual fashion show.’ Jeannette passed me a brochure along with my five dollars in change. ‘There’s an application form on the back.’

I didn’t think I could deal with another fashion show so close on the heels of the one that very nearly became the last one I’d ever attend on this side of the Pearly Gates, but I didn’t tell her that.

Jeannette pushed a paper name tag in my direction and handed me a felt-tip marking pen. ‘If you have any questions, please don’t hesitate to ask.’

I uncapped the pen, bent over the table and before I could stop myself printed ‘Lilith Chaloux’ on the name tag in big, black letters. ‘I’m sure I will,’ I said, stripping the backing off the tag and patting it, adhesive side down, to my lapel. Under my hand, I could feel my heart pumping like a jackhammer.

‘Feel free to look around, Lilith,’ Jeannette said after consulting my name tag. ‘Refreshments are just through there, in the ballroom.’

‘Thank you.’ I waved the index card, then tucked it into my handbag. ‘I’ll return this to you later, if that’s all right.’

Inside the former ballroom, which was set up with rows of folding chairs in preparation for Susan Woythaler’s lecture, I accepted a cup of coffee from a uniformed server manning an elaborate bronze samovar, stirred in some cream and sugar, then wandered around the downstairs rooms of the mansion, checking out the décor.

The brochure explained that the mansion had been donated to the club in 1961 by the granddaughter of the original owner, and that it was decorated with ‘period pieces.’ There seemed to be a war going on among the pieces, and it would have been hard for me to say which period was winning. A Federal dining-room table warred with a Duncan Phyfe buffet, which was flanked on either side by some fine Chippendale dining chairs. In a sitting room, Georgian end tables provided arm-side support for Arts and Crafts reclining loungers that were illuminated by standing lamps with Tiffany shades. In another corner of the same room, two women sat chatting on an Art Nouveau loveseat.

If the furnishings had anything at all in common, it was size. Enormous. A Victorian fainting couch in a sunny, chintz-decorated glassed-in porch was so large that I felt like the Incredible Shrinking Woman when I sat down on it to chat for a few minutes with a dynamic young woman named Helen Sue Loftiss, who was bubbling over with information about the club’s upcoming holiday arts and craft fair.

Eventually, Helen Sue’s presence was required elsewhere and I was left alone with visions of handcrafted sugar plums dancing in my head.

Attracted by gas logs twinkling in the grate, I wandered back into the dining room to inspect the massive marble fireplace mantel and surround, sumptuously decorated for the Thanksgiving holiday with fat, sage-colored candles and wicker cornucopia, overflowing with festive fruit and vegetables. Reflected in the gilt mirror over the mantel was one of the room’s enormous chandeliers, dripping with crystals. Identical chandeliers illuminated the ballroom. In almost every room, dark wood paneling extended all around up to shoulder height.

As I wandered from room to room, I looked around nervously, expecting to run into Dorothea Chandler at any moment. Did she know about her husband’s extramarital affair with Lilith Chaloux? When she saw my name tag, would she recognize the name? More importantly, would she take one look at my face and know that I was definitely not Lilith Chaloux? And if so, would she freak? I smiled to myself. If she did, this might turn out to be the most exciting Talk & Tea the Women’s Democratic League had ever seen.

I thought I might recognize Dorothea from the images I’d turned up on the Internet, but after twenty minutes of cruising the mansion, smiling casually, avoiding direct eye contact, and checking other women’s name tags as subtly as possible, I hadn’t run into her. It was getting close to the time scheduled for the lecture to start, and I was beginning to fear that Dorothea had bagged the meeting.

In my travels, I’d noticed that club officers wore Lucite badges like those of the two women at the registration table, so when the next officer crossed my bow, I flagged her down. ‘Hi. I’m looking for Dorothea Chandler. Have you seen her?’

‘You just passed her. Over by the coffee urn. In the blue suit.’

I turned, overcome by a sudden craving for a fourth cup of coffee. I waited in line behind Dorothea, standing so close that I was practically breathing down the woman’s neck. When she turned, there was no way she could miss me.

‘Oh!’ A bit of coffee sloshed into her saucer.

‘I’m so sorry!’ I apologized. ‘I zigged when I should have zagged.’

Dorothea smiled. ‘No problem.’ She glanced at my name tag and added smoothly, ‘Lilith.’

Her hazel eyes never wavered. She didn’t blink. Either she’d never heard of Lilith Chaloux or she was a damn fine actress.

Dorothea Chandler was built like an athlete, solid, straight up-and-down, like a tree. Her dark hair had been cut in a shaggy bob, the tips of her bangs fringed with copper, as if they’d been dipped in paint, a style Emily would describe as ‘upmarket punk.’

I held out my hand. ‘I’m new here, Dorothea.’

‘Please, call me Doro. Everybody does.’ She took my hand, and I noticed that she wore a wedding band identical to her husband’s, although smaller: a twisted rope of white, yellow and rose gold.

She smiled in a friendly way. ‘Where are you from, Lilith?’

‘Upstate New York,’ I told her.

‘What brings you to DC? Husband? A job?’

‘Both,’ I improvised. ‘Divorced the former and looking for the latter.’

‘Sorry about the divorce,’ Doro said.

‘I’m not. S.O.B. had been cheating on me for years. His mistress…’ I flapped my hand. ‘Sorry. T.M.I.’

Doro stared at me, quietly sipping her coffee. If I expected her to open up about her personal life to a total stranger while standing between the egg-salad sandwiches and the petit fours, I was mistaken.

‘What do you do, Lilith?’

I had to think fast. ‘I’m a nutritionist.’ Before she could start helping me network, I added, ‘I have three interviews lined up, so I’m pretty hopeful. And you?’ I asked, raising an eyebrow.