Fletcher Flora - The First Golden Age of Mystery & Crime MEGAPACK™ - 26 Stories by Fletcher Flora

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Beginning in the 1950s, Flora wrote a string of 20 great novels — mysteries, suspense, plus three pseudonymously as “Ellery Queen.” He also published more than 160 short stories in the top mystery magazines. In his day, he was among the top of his field. This volume collects 26 of his classic mystery and crime tales for your reading pleasure.

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“No. Neither me nor Lawson.”

“Who?”

She looked at me and smiled and said, “You did, darling.”

I reached out and took her by the shoulders and dug in. “What the hell’s this? I never went back there.”

“I know you didn’t. Look, Andy. When I was a kid on southside, I used to watch the fellows play ball in the street. One day a kid we called Fats got hit in the head with a bat. He was out for a few minutes, and his head hurt for a while, but pretty soon he started to play again, and it was almost half an hour later when he dropped dead. Concussion acts like that sometimes, and that’s the way Leo died. You remember how his head smacked the sharp frame of the sofa? He got up and chased us out, and he got ready for bed, and he dropped dead.”

“Wait a minute. The gunsel said his head was a mess.”

“That was just for looks, darling. He was already dead when I got back. If I’d left him the way I found him, it would’ve been easy to figure what had really happened.”

“So you mess him up and help yourself to his money and finger an innocent guy for the rap.”

“For you, darling. For you and me.”

“You think I’d touch the lousy money now? Or you?”

“Yes, darling. The money and me. Without us, it’s so much paper. With us, it’s more fun than you ever dreamed of in that place we’ll find below the border.”

I kept on looking at her, and I kept on wanting her, in spite of everything, and I told myself that there’s a point beyond which you can’t go. You can skirt the dark edge, you can do things that later make you sick to your stomach, but there’s a point beyond which you can’t go if your soul is ever to be your own again. That’s what I told myself, and I told myself that I had reached the point.

Now I’ll tell you something: it’s hot down here. It’s hot as hell below the border.

Two Little Hands

Originally published in Manhunt , December 1954.

I shouldn’t have done it to Obie. I keep telling myself that he’s really better off, that he might have come to even a worse end if it hadn’t happened the way it did, but I know that isn’t true.

I know I played a dirty trick on the only guy who ever really loved me, and I know I’ll remember it as long as I live and think about it the last thing before I die. I keep thinking about how he loved to work in the fields under the hot sun with the sweat seeping through his rough blue shirt in a great dark stain until the whole shirt was sopping wet, and about how he used to take a dip afterward in the deep pool at the bend of the creek and then sit naked on the bank like a small, innocent boy and watch the shifting pattern of sunlight and shade and listen to the stirrings and splashings of small life along the bank and in the water. You can’t do things like that where Obie is now. Not in a mad house.

He isn’t really crazy, no matter what they said. It’s just that he isn’t bright. I don’t know much about the technical gradations of intelligence, but I guess you’d call Obie an imbecile, maybe. He was a good worker, but you always had to tell him exactly what to do. You’d tell him to get the ax, he’d get the ax. You’d tell him to chop some wood, he’d chop some wood. Then, unless you’d tell him to put the ax away, he’d leave it right out in the God-damn rain or anything else. The only time he ever went ahead and did something on his own, without being told just what, was the time I’m telling about, the time I played the dirty trick on him. It got pretty trying sometimes, telling him just every little thing to do that way, and I lost my temper and cursed him more times than I can count, but I regret it now, and wish I hadn’t done it, and most of all I wish I hadn’t done what I did in the end to get him put away. I miss Obie. It’s lonely around here without him.

It happened the day I heard him singing Two Little Hands out behind the barn. Two Little Hands is a religious song, a kind of hymn, I guess, and it’s all about someone having two little hands for Jesus, and it’s supposed to be sung by kids in Sunday School and places like that. Someone had got hold of Obie early and taught him a few simple things about religion, and he was always singing this little song that he’d picked up somewhere. He only knew a few lines, because that was all he was capable of remembering, but he liked to sing what he knew, and he sang it every time he thought to, or someone asked him to, and it was sort of funny and sad at the same time to hear the big lug do it, especially because his hands were really about the size of a brace of snow scoops.

I heard him singing this song behind the barn, and then I heard someone start to laugh as if it was the funniest God-damn thing that ever happened. There were two voices laughing, that is, a man’s and a woman’s, and I knew it was Ivy and Gunner Hoke hack there with Obie. I began to feel sick then, partly because I didn’t like anyone poking fun at Obie, but mostly because it was Ivy and Gunner doing it. Ivy was my step-sister, no blood relation, and Gunner was a tall lean guy from in town who came out to see her. He was doing more than seeing her, too. I knew that as well as anything, even though I couldn’t actually prove it, and for a long time I kidded myself that I hated Gunner for that reason, because I didn’t approve of such goings-on, but now that I’m making a clean breast of everything and telling the whole story, I may as well admit that it was really because I wanted to take Ivy for myself and never could.

She was enough to make anyone want to. Gunner and I weren’t the only ones by any means, and so far as I know maybe Gunner wasn’t the only one who managed it. She did everything she could to put it in a guy’s mind, that was sure. She was certain to be sloppy fat someday, like her old lady, my stepmother, but now her body was just full and ready, like it had been tree-ripened in the hot summer sun for picking, and it had a way of projecting itself through the thin cottons she wore around the place. She knew the effect she had on me, all right, I wasn’t fooling her any, and she got a hell of a bang out of it even though she never intended to give me any house. I guess I hated her in a way just as much as I hated Gunner, but I’m trying to be honest, and I can’t be sure, because it was all mixed up with my wanting her the way I did.

I went around behind the barn, and there was Obie singing this little song about two little hands for Jesus, and he was standing like a kid speaking a piece for the parents on the last day of school, with his big feet together in the dust and his huge, bony hands hanging down at his sides below knobby wrists that looked like they’d been swollen and crippled by arthritis. He had a pained look on his face, just like he always got when he sang, his pale eyes staring straight in front of him and filled with a kind of misery, as if it hurt him to try to remember the words in the order they were supposed to come. Tears were rolling down his cheeks, and his slack mouth that was never quite closed, even when he wasn’t talking or singing, leaked saliva at the corners, and the saliva ran down over his chin. He was a big, lank guy at least three inches over six feet, and his bones were thick and knobby at all the joints just like at the wrists, and he looked like just what he was a big boob without the brains to know when someone was making a damn fool of him, but I didn’t think it was funny.

Ivy and Gunner did, though. They were leaning against the barn with their arms around each other, and they were laughing fit to kill, Ivy with an abandon that was almost hysteria and Gunner more quietly, in his own way, his bright red lips drawn back off white teeth in an expression that was somehow canine and cruel.

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