Джо Горес - Mostly Murder - A Short Story Collection

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A collection of eight stories. Includes the first appearance of the DKA File Series, and “Goodbye Pops” which won an Edgar for the Best Short Story of the Year.
Joe Gores has written over 100 short stories, a dozen screen and teleplays (for such series as Columbo, B. L. Stryker, and Magnum PI), and eight novels, including the Edgar-winning Time of Predators.

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Victor picked me up at seven-thirty in the morning, an hour before we were supposed to report to San Quentin. He was wearing this really hip Italian import, and fifty-dollar shoes, and a narrow-brim hat with a little feather in it, so all he needed was a briefcase to be Chairman of the Board. The top was down on the Mercedes, cold as it was, and when he saw my black suit and hand-knit tie he flashed this crazy white-toothed grin you’d never see in any Director’s meeting.

“Too much, killer! If you’d like comb your hair you could pass for an undertaker coming after the body.”

Since I am a very long, thin cat with black hair always hanging in my eyes, who fully dressed weighs as much as a medium-sized collie, I guess he wasn’t too far off. I put a pint of José Cuervo in the side pocket of the car and we split. We were both really turned on: I mean this senseless, breathless hilarity as if we’d just heard the world’s funniest joke. Or were just going to.

It was one of those chilly California brights with blue sky and cold sunshine and here and there a cloud like Mr. Big was popping Himself a cap down beyond the horizon. I dug it all: the sail of a lone early yacht out in the Bay like a tossed-away paper cup; the whitecaps flipping around out by Angel Island like they were stoned out of their minds; the top down on the 300-SL so we could smell salt and feel the icy bite of the wind. But beyond the tunnel on U.S. 101, coming down towards Marin City, I felt a sudden sharp chill as if a cloud had passed between me and the sun, but none had; and then I dug for the first time what I was actually doing.

Victor felt it, too, for he turned to me and said, “Must maintain cool, dad.”

“I’m with it.”

San Quentin Prison, out on the end of its peninsula, looked like a sprawled ugly dragon sunning itself on a rock; we pulled up near the East Gate and there were not even any birds singing. Just a bunch of quiet cats in black, Quakers or Mennonites or something, protesting capital punishment by their silent presence as they’d done ever since Chessman had gotten his out there. I felt dark frightened things move around inside me when I saw them.

“Let’s fall out right here, dad,” I said in a momentary sort of panic, “and catch the matinee next week.”

But Victor was in kicksville, like desperate to put on all those squares in the black suits. When they looked over at us he jumped up on the back of the bucket seat and spread his arms wide like the Sermon on the Mount. With his tortoise-shell shades and his flashing teeth and that suit which had cost three yards, he looked like Christ on his way to Hollywood.

“Whatsoever ye do unto the least of these, my brethren, ye do unto me,” he cried in this ringing apocalyptic voice.

I grabbed his arm and dragged him back down off the seat. “For Christ sake, man, cool it!”

But he went into high laughter and punched my arm with feverish exuberance, and then jerked a tiny American flag from his inside jacket pocket and began waving it around above the windshield. I could see the sweat on his forehead.

“It’s worth it to live in this country!” he yelled at them.

He put the car in gear and we went on. I looked back and saw one of those cats crossing himself. It put things back in perspective: they were from nowhere. The Middle Ages. Not that I judged them: that was their scene, man. Unto every cat what he digs the most.

The guard on the gate directed us to a small wooden building set against the outside wall, where we found five other witnesses. Three of them were reporters, one was a fat cat smoking a .45 caliber stogy like a politician from Sacramento, and the last was an Army type in lieutenant’s bars, his belt buckle and insignia looking as if he’d been up all night with a can of Brasso.

A guard came in and told us to surrender everything in our pockets and get a receipt for it. We had to remove our shoes, too; they were too heavy for the fluoroscope. Then they put us through this groovy little room one-by-one to x-ray us for cameras and so on; they don’t want anyone making the Kodak scene while they’re busy dropping the pellets. We ended up inside the prison with our shoes back on and with our noses full of that old prison detergent-disinfectant stink.

The politician type, who had those cold slitted eyes like a Sherman tank, started coming on with rank jokes: but everyone put him down, hard, even the reporters. I guess nobody but fuzz ever gets used to executions. The Army stud was at parade rest with a face so pale his freckles looked like a charge of shot. He had reddish hair.

After a while five guards came in to make up the twelve required witnesses. They looked rank, as fuzz always do, and got off in a corner in a little huddle, laughing and gassing together like a bunch of kids kicking a dog. Victor and I sidled over to hear what they were saying.

“Who’s sniffing the eggs this morning?” asked one.

“I don’t know, I haven’t been reading the papers.” He yawned when he answered.

“Don’t you remember?” urged another, “it’s the guy who smothered the woman in the house trailer. Down in the Valley by Salinas.”

“Yeah. Soldier’s wife; and he was raping her and...”

Like dogs hearing the plate rattle, they turned in unison toward the Army lieutenant; but just then more fuzz came in to march us to the observation room. We went in a column of twos with a guard beside each one, everyone unconsciously in step as if following a cadence call. I caught myself listening for measured mournful drum rolls.

The observation room was built right around the gas chamber, with rising tiers of benches for extras in case business was brisk. The chamber itself was hexagonal; the three walls in our room were of plate glass with a waist-high brass rail around the outside like the rail in an old-time saloon. The three other walls were steel plate, with a heavy door, rivet-studded, in the center one, and a small observation window in each of the others.

Inside the chamber were just these two massive chairs, probably oak, facing the rear walls side-by-side; their backs were high enough to come to the nape of the neck of anyone sitting in them. Under each was like a bucket that I knew contained hydrochloric acid. At a signal the executioner would drop sodium cyanide pellets into a chute; the pellets would roll down into the bucket; hydrocyanic acid gas would form; and the cat in the chair would be wasted.

The politician type, who had this rich fruity baritone like Burl Ives, asked why they had two chairs.

“That’s in case there’s a double-header, dad,” I said.

“You’re kidding.” But by his voice the idea pleased him. Then he wheezed plaintively: “I don’t see why they turn the chairs away — we can’t even watch his face while it’s happening to him.”

He was a true rank genuine creep, right out from under a rock with the slime barely dry on his scales; but I wouldn’t have wanted his dreams. I think he was one of those guys who tastes the big draught many times before he swallows it.

We milled around like cattle around the chute when they smell the blood from inside and know they’re somehow involved; then we heard sounds and saw the door in the back of the chamber swing open. A uniformed guard appeared to stand at attention, followed by a priest dressed all in black like Zorro, with his face hanging down to his belly button. He must have been a new man, because he had trouble maintaining his cool: just standing there beside the guard he dropped his little black book on the floor like three times in a row.

The Army cat said to me, as if he’d wig out unless he broke the silence: “They... have it arranged like a stage play, don’t they?”

“But no encores,” said Victor hollowly.

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