Оливер Блик - Protocol for a Kidnapping

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Philip St. Ives, the top professional go-between introduced last year in The Brass Go-Between, is back in action. In this new novel of intrigue, St. Ives is coerced by the Department of State into recovering the U.S. Ambassador to Yugoslavia. The diplomat has been kidnapped and is being held for a ransom of $1,000,000 and the release of a Nobel Prize-winning poet.
It’s a complicated assignment that becomes downright deadly as St. Ives finds himself involved with a Broadway actor, a 30-year-old millionaire, the poet’s breathtakingly beautiful daughter, and a sexy CIA agent.

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Oliver Bleeck

Protocol for a Kidnapping

1

It was snowing in Washington and I was thirty minutes late when the cab let me out at the Twenty-first Street entrance of the seven-story atrocity of glass and what seems to be dried mud that shelters the U.S. Department of State from the elements, if not from Congress.

I had taken Eastern’s nine o’clock shuttle from La Guardia and despite the snow it had arrived only three-quarters of an hour late, which wasn’t bad, but the taxis had disappeared and it took another half hour to get one and the Washington motorists were, as always, astonished that it should snow so far south, but if you mentioned that Washington was about as far north as Denver, nobody believed you.

So I counted eleven wrecks on the way in from National Airport and remembered that when I’d last been there the thermometer had threatened to break all heat records for August. As I understand it, the nation’s capital is allotted two days of spring and three days of fall. After that it’s either winter or summer.

A Negro guard at the desk just inside the brown marble entrance wanted to know who I was and where I was going and who I wanted to see. If he had asked why, I would have turned around and gone back to New York. But he didn’t and a woman receptionist signed in my name beneath somebody called Emanuel Cory and I rode the elevator up to the third floor and got lost only twice before I found Room 3931. Some of the doors along the corridor had valentines pasted or Scotch-taped all over them and I found the sentiment oddly reassuring. Room 3931 had nothing on its door, not even a name, so I walked in without knocking. The door didn’t seem to deserve it.

The ash blonde sat behind a secretarial desk which was bare except for a blotter, a telephone, a calendar, and her folded hands. There was an electric typewriter behind her, but it was covered. She was around thirty and wore big, wire-framed tinted glasses, not much makeup, a gray tweed dress, and the patient expression of a person who has spent a lot of time waiting.

“Philip St. Ives,” she said, making it a remark rather than a question.

“Yes.”

“Won’t you please sit down.” She indicated one of the two chairs in the room. I sat down and glanced around as she picked up the phone and dialed a single number. There were the two chairs, a green carpet, and a framed picture of the flag blowing in the breeze. I didn’t find it as reassuring as the valentines.

“Mr. St. Ives is here,” she said into the phone, listened a moment, hung up, and turned toward me. “Right through that door,” she said with a small gesture.

“Had I but known what lay behind it,” I murmured.

“Yes,” she said, smiled brightly, folded her hands, and placed them back on the desk blotter. I assumed that she was through for the day.

The office that I entered had only a single window that offered a view of C Street and the snow and not much else. The man behind the desk wore the brooding face of one of those small, compact loners who stand by themselves at the far end of the bar on Saturday night, nursing their boilermakers and counting up their injustices. When the boilermakers and the injustices reach the proper ratio, there’s usually a quick turn, a black glower, and a roundhouse right that’s thrown at whoever’s handy.

He didn’t rise when I came in. He just sat there behind his green metal desk looking as if the delicatessen once again had sent pastrami when he’d ordered corned beef. There was a phone in the room, two chairs in front of the desk, a carpet, and another picture of the flag rippling in the breeze. I didn’t bother to look for any valentines.

“You’re late,” he said.

“I’m always late.”

“Sit down. Anybody tell you about me?”

I sat down and took out a cigarette. He frowned at that and said, “I don’t smoke,” but reached into a drawer and brought out a round black ceramic ashtray which had “U.S. Department of State” printed on it in white letters.

“I also drink,” I said.

He nodded, a little glumly, I thought “I know what you do,” he said. “I know how you live. I even know how much money you made last year. You made more than I did, but I’m beginning to believe that so did everybody else. My name’s Coors and no, I’m not related to the beer people.”

“What beer?”

“Coors beer. They make it out West.”

“Nobody told me about you,” I said, finally getting around to his first question.

“Hamilton Coors,” he said, “if you want to make a note of it.”

“I think I can remember it all.”

“You didn’t know him really well, did you?” Coors said.

“Who?”

“The ambassador. Killingsworth. Amfred Killingsworth.”

“Not well.”

“You worked for him.”

“A long time ago.”

“Thirteen years,” Coors said. “Killingsworth hired you in Chicago. It was your first job. First newspaper job anyway.”

“And fired me a year later.”

“Why?”

I shrugged. “Incompetency, let’s say. Slipshod work. No nose for news. Things like that.”

“I’ve heard you were pretty good.”

“Killingsworth didn’t think so.”

“What’d you think of him?”

“Professionally?”

“Any way you care to tell it.”

“He was a better promoter than he was managing editor. He didn’t like to offend anyone — at least not anyone important — so he didn’t and the paper got a little bland. Even dull. He married the old man’s daughter and after a while the only thing to do was to make him associate publisher and then publisher when the old man died. I suppose you had to make him an ambassador because of services rendered and money contributed, but I still think it was a sorry trick to play on—”

The phone rang, interrupting me, and Coors picked it up. When he learned who was on the line he stiffened into a kind of seated attention and used his lids to half hood his large gray-blue eyes. It gave him something of a secretive look which he may have felt would keep me from eavesdropping. The eyes were the only thing large about him. The rest was spare and small-boned. Even his face didn’t have enough flesh for middle-aged sag and Coors must have been close to fifty. His chin formed a blunt, bony point, a wide, bloodless slash served for a mouth, and the base of his nose started close to his lip and then flared up and out so that you got a good view of his nostrils. His hair was the color of a cigar’s ash, a cheap cigar, and it was thinning a little and he brushed it straight down so that it formed raggedy bangs across a high, pale forehead. His tweed suit was good, I noticed, but nothing spectacular, although he might have gone as high as fifteen dollars for his tie.

Coors said, “Yes, sir,” into the phone, so I assumed that he was talking to at least an Under Secretary of State. He didn’t much look as if he would say “Yes, sir” to anything less.

“He’s here now,” Coors said. “Yes, sir... I understand.” Then there was an audible click and Coors hung up. He turned back to me, unhooded his eyes so that I could hear again, and unnecessarily explained, “That was about you.”

“What about me?”

“Some had grave reservations. So did I.”

“I still do,” I said.

“We might yet use our own people,” Coors said.

“No. If you could, I wouldn’t be sitting here and you’d be back in your real office, the one with your name by the door. Seventh floor?”

“Sixth,” Coors said and then began a close inspection of the fingernails on his left hand. They looked to be nicely bitten. “So you’re none too eager?”

“You know I’m not.”

“It’s all really quite simple.”

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