Anthony Boucher - Ed McBain’s Mystery Book, No. 1, 1960

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Ed McBain’s Mystery Book, No. 1, 1960: краткое содержание, описание и аннотация

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“No.”

“Speak up! Yes or no?”

“I said no.”

“He’s lying, Steve,” Meyer said.

“Sure he is.”

“Yeah, sure I am. Look, cop, you got nothing on me but Burglary One, if that. And that you gotta prove in court. So stop trying to hang anything else on me. You ain’t got a chance.”

“Not unless those prints check out,” Carella said quickly.

“What prints?”

“The prints we found on the dead girl’s throat,” Carella lied.

“I was wearing...!”

The small room went as still as death.

Reynolds sighed heavily. He looked at the floor.

“You want to tell us?”

“No,” he said. “Go to hell.”

He finally told them. After twelve hours of repeated questioning he finally broke down. He hadn’t meant to kill her, he said. He didn’t even know anybody was in the apartment. He had looked in the bedroom, and the bed was empty. He hadn’t seen her asleep in one of the chairs, fully dressed. He had found the French money in a big jar on one of the shelves over the sink. He had taken the money and then accidentally dropped the jar, and she woke up and came into the room and saw him and began screaming. So he grabbed her by the throat. He only meant to shut her up. But she kept struggling. She was very strong. He kept holding on, but only to shut her up. She kept struggling, so he had to hold on. She kept struggling as if... as if he’s really been trying to kill her, as if she didn’t want to lose her life. But that was manslaughter, wasn’t it? He wasn’t trying to kill her. That wasn’t homicide, was it?

“I didn’t mean to kill her!” he shouted as they took him into the elevator. “She began screaming! I’m not a killer! Look at me! Do I look like a killer?” And then, as the elevator began dropping to the basement, he shouted, “I’m a burglar!” as if proud of his profession, as if stating that he was something more than a common thief, a trained workman, a skilled artisan. “I’m not a killer! I’m a burglar!” he screamed. “I’m not a killer! I’m not a killer!” And his voice echoed down the elevator shaft as the car dropped to the basement and the waiting van.

They sat in the small room for several moments after he was gone.

“Hot in here,” Meyer said.

“Yeah.” Carella nodded.

“What’s the matter?”

“Nothing.”

“Maybe he’s right,” Meyer said. “Maybe he’s only a burglar.”

“He stopped being that the minute he stole a life, Meyer.”

“Josie Thompson stole a life, too.”

“No,” Carella said. He shook his head. “She only borrowed one. There’s a difference, Meyer.”

The room went silent.

“You feel like some coffee?” Meyer asked.

“Sure.”

They took the elevator down and then walked out into the brilliant August sunshine. The streets were teeming with life. They walked into the human swarm, but they were curiously silent.

At last Carella said, “I guess I think she shouldn’t be dead. I guess I think that someone who tried so hard to make a life shouldn’t have had it taken away from her.”

Meyer put his hand on Carella’s shoulder. “Listen,” he said earnestly. “It’s a job. It’s only a job.”

“Sure,” Carella said. “It’s only a job.”

The Faces

Richard Matheson

Dear Pa:

I am sending you this note under Rex’s collar because I got to stay here. I hope the note gets to you all right.

I couldn’t deliver the tax letter you sent me with because the Widow Blackwell is killed. She is upstairs. I put her on her bed. She looks awful. I wish you would get the sheriff and the coronir Wilks.

Little Jim Blackwell, I don’t know where he is right now. He is so scared he goes running around the house and hiding from me. He must have got awful scared by whoever killed his ma. He don’t say a word. He just runs around like a scared rat. I see his eyes sometimes in the dark and then they are gone. They got no electric power here you know.

I came out toward sundown bringing that note. I rung the bell but there wasn’t no answer so I pushed open the front door and looked in.

All the shades was down. And I heard someone running light in the front room and then feet running upstairs. I called around for the Widow but she didn’t answer me.

I started upstairs and saw Jim looking down through the bannister posts. When he saw me looking at him, he run down the hall and I ain’t seen him since.

I looked around the upstairs rooms. Finally, I went in the Widow Blackwell’s room and there she was dead on the floor in a puddle of blood. Her throat was cut and her eyes was wide open and looking up at me. It was an awful sight.

I shut her eyes and searched around some and I found the razor. The Widow has all her clothes on so I figure it were only robbery that the killer meant.

Well, Pa, please come out quick with the sheriff and the coronir Wilks. I will stay here and watch to see that Jim don’t go running out of the house and maybe get lost in the woods. But come as fast as you can because I don’t like sitting here with her up there like that and Jim sneaking around in the dark house.

Luke

Dear George:

We just got back from your sister’s house. We haven’t told the papers yet so I’ll have to be the one to let you know.

I sent Luke out there with a property tax note and he found your sister murdered. I don’t like to be the one to tell you but somebody has to. The sheriff and his boys are scouring the countryside for the killer. They figure it was a tramp or something. She wasn’t raped though and, far as we can tell, nothing was stolen.

What I mean more to tell you about is little Jim.

That boy is fixing to die soon from starvation and just plain scaredness. He won’t eat nothing. Sometimes, he gulps down a piece of bread or a piece of candy but as soon as he starts to chewing his face gets all twisted and he gets violent sick and throws up. I don’t understand it at all.

Luke found your sister in her room with her throat cut ear to ear. Coronor Wilks says it was a strong, steady hand that done it because the cut is deep and sure. I am terrible sorry to be the one to tell you all this but I think it is better you know. The funeral will be in a week.

Luke and I had a long time rounding up the boy. He was like lightning. He ran around in the dark and squealed like a rat. He showed his teeth at us when we’d comer him with a lantern. His skin is all white and the way he rolls his eyes back and foams at his mouth is something awful to see.

We finally caught him. He bit us and squirmed around like a eel. Then he got all stiff and it was like carrying a two-by-four, Luke said.

We took him into the kitchen and tried to give him something to eat. He wouldn’t take a bite. He gulped down some milk like he felt guilty about it. Then, in a second, his face twists and he draws back his lips and the milk comes out.

He kept trying to run away from us. Never a single word out of him. He just squeaks and mutters like a monkey talking to itself.

We finally carried him upstairs to put him to bed. He froze soon as we touched him and I thought his eyes would fall out he opened them so wide. His jaw fell slack and he stared at us like we was boogie men or trying to slice open his throat like his ma’s.

He wouldn’t go in his room. He screamed and twisted in our hands like a fish. He braced his feet against the wall and tugged and pulled and scratched. We had to slap his face and then his eyes got big and he got like a board again and we carried him in his room.

When I took off his clothes I got a shock like I haven’t had in years, George. That boy is all scars and bruises on his back and chest like someone has strung him up and tortured him with pliers or hot iron or God knows what all. I got a downright chill seeing that. I know they said the widow wasn’t the same in her head after her husband died but I can’t believe she done this. It is the work of a crazy person.

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