Эд Макбейн - Snow White and Rose Red

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Shimmering blonde hair framing an exquisite pale face. Deep green eyes, a generous mouth. Matthew Hope took one look and fell instantly in love.
Sarah Whittaker had everything: stunning good looks, youth, money, social standing. Everything, that is, but her freedom. Because Sarah Whittaker was currently residing, against her inclinations and her will, in Knott’s Retreat — familiarly known to the residents of Florida’s booming West Coast as Nut’s Retreat. In the State of Florida, County of Calusa, Sarah Whittaker was a certified paranoid schizophrenic. That’s what the doctors said. It’s what her widowed mother said. It’s what the court-ordered psychiatric commitment papers said. It was not what Sarah Whittaker said — and that was why she had called Matthew Hope. Would he, she asked, act as her attorney and fight for her freedom — not to mention fighting for the $650,000 left her by her father and now controlled by her mother.
Hope might have lost his heart, but he hadn’t lost his wits. He probed Sarah’s story of a mother driven by hate to confine her only child to a mental institution and decided she was telling the truth. He took the case.
And in so doing was led into a hall of mirrors in which reality and delusion blurred into murder, mutilation, and the greatest danger Hope had ever known.

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“Joanna lives with her mother. The way I used to live with my mother. Isn’t that right, Matthew?”

“Yes.”

“Where do they live, anyway, Matthew?”

“Out on Stone Crab Key.”

“Will we be passing the house?”

“No, no.”

“Pity, I wanted to see it I feel I know her already. Your daughter. You did promise I’d meet her one day, Matthew. You haven’t forgotten that, have you?”

I had not forgotten it.

But I doubted now that Sarah would ever meet my daughter.

The telephone rang again.

I went into the kitchen and picked up the receiver.

“Dad?”

Joanna’s voice. High and hysterical.

“Dad, there’s somebody in the yard!”

“What?”

“Can you get here right—”

And suddenly there was the sound of splintering glass.

“Daddy!” she shouted.

Silence.

And someone replaced the receiver with a small, deadly click.

“Joanna has blonde hair, like mine... Daddy’s bimbo was blonde, too, you know... Or so they tell me. She was supposed to be blonde, isn’t that right, Chris? My daddy’s bimbo? Isn’t she supposed to be blonde in my alleged delusion?”

Daddy’s bimbo was blonde, and my daughter was blonde, and I was Sarah’s shining White Knight.

She knew my former wife’s name. “ Do you call her Susan or Sue or Suzie?” And she knew my daughter lived with Susan on Stone Crab Key. “Where do they live, anyway, Matthew?” And Susan was listed in the phone book.

I made it out to Stone Crab in ten minutes flat.

The house was dark.

Beyond the house, the sun was staining the sky and the gulf a red as deep as blood. I could hear the pounding of the distant surf as I got out of the Ghia and started running up the driveway. Susan’s car — the Mercedes-Benz that used to be ours before the divorce — was gone. Susan was out to dinner with Oscar Untermeyer, but never in a million years would she have gone to pick him up. The car was gone. The glass panels on the kitchen door were shattered, and the door stood wide open.

I was not often made welcome in this house since the divorce. Normally, whenever I picked up Joanna, I parked outside and honked the horn. But I knew this house like the back of my own hand, and I went into the kitchen and immediately found the light switch, and turned on the lights, and yelled “Joanna!”

No answer.

I ran through the house, turning on lights ahead of me, shouting my daughter’s name.

The house was empty.

I went back into the kitchen.

The spare keys were kept on an ornate brass twelve-hook key rack Susan and I had bought in Florence in happier times.

I had personally fastened the rack to the side of one of the kitchen cabinets.

The rack was still there.

The spares to the Mercedes should have been on a key chain I had bought at Ludlow’s Car Wash, an enameled thing with the Mercedes crest on it.

The spares were gone.

I was reaching for the wall phone when I saw the high-heeled sandal on the living room carpet.

Sarah’s sandal.

There was blood on the heel.

There was blood on the living room carpet.

I snatched the receiver from the hook.

A knife rack was on the counter under the telephone.

The biggest knife was missing from the rack.

A French chef’s knife.

I looked quickly at the drainboard near the sink.

No knife on it.

My hand was trembling as I dialed Bloom’s number at Calusa Public Safety.

“Stay there,” he told me.

I did not stay there.

As I ran up the driveway to my car, I saw another sandal lying on the gravel.

Snow White was barefoot now.

Barefoot Snow White had my former wife’s car... and my daughter... and a French chef’s knife.

And I thought I knew where she was headed.

“There’s the bird sanctuary. Have you ever been there, Matthew?”

“Once. With Joanna. When she was younger.”

“Nice in there.”

On the sole occasion of my visit to the bird sanctuary, my former wife, Susan, did not accompany me and my daughter. She said that birds, like bats, could get tangled in a woman’s hair. At the time, I harbored the perhaps unfair suspicion that she was also fearful they might fly up under her sacrosanct skirts.

My previous visit to the bird sanctuary had been during the day.

I had held Joanna’s sticky little hand in mine.

Hawks had circled against the sky.

Now it was night.

My car headlights picked up the letters burned into the beam over the entrance:

SAWGRASS RIVER BIRD SANCTUARY

A sign on one of the entrance posts read:

NO VISITORS AFTER

5:30 P.M.

The chain that should have been fastened from post to post across the entrance had been unhooked from the post on the right and now lay on the dirt road leading into the park.

I drove over the chain.

I had read the Jane Doe/Tracy Kilbourne file, and I had a vague idea of where her body had been found. A boat dock from which hourly excursions ran along the river was situated some twelve miles from the entrance gate, and the body had washed ashore some five miles past that, near what was identified in the file as Ranger Station Number 3. I checked my odometer the moment I passed through the entrance gate.

I imagined eyes watching me from the undergrowth. Alligator eyes. I thought I could hear the secret rustling of feathered wings in the branches of the trees.

My headlights thrust tunnels of illumination into the blackness ahead.

The dirt road wound through palmetto and mangrove, oak and pine.

An owl hooted.

I could hear the river now.

Gently rushing through the stillness of the night.

I looked at the odometer again.

I had come eight-point-six miles from the entrance gate.

I drove hunched over the wheel, hypnotized by the headlight beams.

Had she brought Joanna here?

If not here, then where ?

The boat dock now, on the right, my odometer reading twelve-point-two miles from the entrance gate. Another rustic wooden sign, letters burned into it:

EXCURSION BOAT DEPARTS

EVERY HOUR ON THE HOUR.

LAST BOAT 3:30 P.M.

If the police report was accurate, I would find Ranger Station Number 3 five miles past the dock. If Sarah had brought Joanna here...

I did not want to think beyond finding the ranger station.

It loomed in my headlights suddenly, seventeen-point-four miles on the odometer, a wooden structure that looked like an oil rig. I stopped the car.

The sign fastened to one of the lower cross beams read:

RANGER STATION #3

Silence.

To the right of the scaffolding, a single-lane dirt road angled off into the woods.

I could hear the sound of the river again.

I turned the Ghia onto the road.

I had driven no more than six-tenths of a mile when I saw the headlight beams ahead. My heart lurched into my throat.

Joanna was lying motionless on the matted undergrowth in front of the Mercedes-Benz.

Sarah was standing over her, the French chef’s knife in her right hand.

Her yellow dress was stained with blood.

Her bare legs were scratched and bleeding.

She turned as I got out of the car.

Our headlight beams clashed like drawn swords.

“Sarah,” I said.

“No,” she said.

“Sarah,” I said, “give me the knife.”

She took a step toward me. The Benz headlights silhouetted her long legs in the bloodstained yellow dress. The Ghia beams hit the knife in her hand, set it glistening and slithering with light as if it were alive.

“I’m not Sarah,” she said.

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