Кэрол Дуглас - Cat In An Alien X-Ray

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Carole Nelson Douglas's Cat in an Alien X-Ray takes the Las Vegas gang on a science-fictional roller-coaster ride, as Midnight Louie, feline PI, and company encounter UFO enthusiasts, conspiracy nuts who are too bizarre even for tin foil hat therapy. An Area 51 attraction on the Strip threatens to bring more than starry-eyed enthusiasts to town. Once again it is up to that furballed PI Midnight Louie to keep his crew in line and save them from the attack of the creatures from the beyond…or common criminals that prey on the innocent.

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The construction is swathed in one of those gigantic plastic sheets that environmental artists like Christo employ to gift-wrap various iconic building and geographical areas, even whole islands.

Fear not. It is merely one of the many stalled construction projects turned abandoned slum by the Great Recession.

So there Ma and me finally stand on the stub-end of Vegas, looking around the shallow, sandy landscape, viewing a scene of ruin out of Hollywood’s latest disaster movie.

I am a simple fellow. I suppose you could consider me a survivalist.

I wear built-in camo to blend into shade and shadow. If I cannot find, chase, and catch food, I know how to scout and score OPF. Other People’s Food. I do not want my sovereign liberty to roam curtailed. I kowtow to no civil or religious authority, save She Who Must Be Obeyed, and, fortunately, Bast, the ancient Egyptian cat deity, keeps herself on the down low these days.

In a bow to modern mores (and because it was forced upon me by a vile enemy), I have had Planned Pethood thrust upon me and been rendered responsible to pursue my wildest dreams without fear of unwanted offspring. (If only my wildest dreams would let themselves be caught!) Oh, well, there is always another feline fatale around the corner.

Despite having angled a cushy position with a human roommate, I could revert to wandering wayfarer status in a heartbeat. Or so I like to think, though I would dearly miss the zebra-pattern comforter that makes such an ideal background for my reclining magnificence.

However enterprising I am as a small business owner and pillar of the community, I must admit many others of my breed do not have the luck and wiles I have had and do need a hand and a handout now and again.

This economy has been the pits for every life-form except rich roaches and other lowlifes that take and do not give—who knows?—perhaps alien visitors among them. Bring on more worry and woe!

I eye the blasted site that looks like the moon on a lush day and pick out members of Ma Barker’s clowder hunkered in the shadows of isolated piles of lumber, rebar, coated concrete blocks, and other leftovers of stalled construction.

The Strip itself still glows, shines, sparkles, and glitters, but the backlot behind the façade is showing its age and decrepitude.

“So what is here to draw the gang?” I ask Ma as we crouch behind some burnt-out oleander bushes that died of thirst. Things wilt in Las Vegas if not watered regularly.

“In the dark before the dawn, vermin.”

“I thought you were the darlings of the police substation and dined on fast food.”

“Even they are on a budget. And we need to exercise our survival skills.”

“This close to the Strip?”

“That is where the most deserted areas are now during the economic downturn.”

It is a sad comment when your own mother starts sounding like a stockbroker.

“We arrived around three hours before dawn and were ready to leave in the still-dark. Only we were disturbed at the gathering.”

“By—?”

“Small darting lights that enlarged and faded, flying in formation.”

“Aw, come on, Ma. I am a rational dude. Trust me. The Strip is riddled by gimmicky dancing lights all over the place.”

“This occurred above this deserted place only. But that is not all.”

I sigh and wait.

“There was a mother ship. A huge, hovering flying thing just above the ground that emitted a blinding death ray.”

“A death ray. Holy Flash Gordon, Ma! If you had ever been domesticated and moved indoors to watch movies from all eras on television, you would know that death rays are a corny invention of special effects technicians. FX, the humans call it for short. Special effects. A trick. An illusion. A delusion.

“What you saw was probably some advertising gimmick … maybe helium balloons loosed on an unsuspecting public. Right out in front of the Paris is this huge illuminated balloon and gondola. This stuff is all pure Las Vegas hype.”

“Las Vegas is not so pure from what I have heard,” she says with a sniff.

“So did anybody see this phenomenon? I mean somebody with an opposable thumb to punch in 911 on a cell phone.”

“We go where we will not be seen. You know that is our kind’s best defense, not to be seen. We did not do leaping lion but crouching tiger. We went belly-down to play rock and shadow. The security lights are dim here.”

“They are indeed rather puny compared to the fireworks of the Strip and Downtown all around,” I note.

“And anyway, the UFOs drove the men off, leaving behind their burden. We thought it might be traps to transport us to the mother ship, but we were too smart to fall for that trick.”

“Men? Burden? That could have been … gym bags or something. There must be a twenty-four Hour Fitness club somewhere around here. I know life on the street makes one wary, but this all sounds like nonsense.”

“Nonsense, all right. I sent Pitch and Blackula to sniff out the leavings after the men had fled. It was no burden, it was just very dead.”

“Those gym bags can smell like death warmed over, believe me. I have hung out with humans way more than you ferals.”

“The leaving was also about six feet long and most unfit, with a large pouch like you.”

“Leave my body type out of this discussion. Let me get this straight. You saw grown men toting a corpse? They dropped it like a sack of potatoes and ran?”

Usually corpse-toters are not the fleeing type, much less the leaving-in-plain-sight types.

Maybe Ma and her crew had seen something weird. If I were a vast, hidden conspiracy believer, I might suspect secret government experiments gone rogue from Area 51. As I muse, I can almost hear Twilight Zone music pulsating in my head like annoying audio hail. I am definitely too domesticated, or too addicted to retro television.

Ma is nattering on. “I stationed the crew to stay here to keep the rats off the evidence. And bag a few for snacks.”

“Please. I do not do sushi.” I am afraid my palate at least has become totally domesticated. Which makes me wonder how suitable for survival I am these days, should it become necessary.

“Well,” I say, “while I am willing to bet that these skittish flying tinfoil doughnuts are a scam, the scenario you have just described is genuine Las Vegas legerdemain from days of old, all right. It is a favorite game among the old mobs called ‘bury the body.’ Lead me to the remains. I am not a coroner, but I have played one on TV news cameras now and then.”

Ma gives me the sssst hiss of reproval and heads to the darkest corner of the property. The scene certainly looks deserted now. The edifice-in-waiting is like the halted construction on a lot of Vegas sites, a skeletal hulk. Any light hitting the dirt around here is referred from distant sources.

We are talking a dead planet in the midst of one hyperactive, glitzy galaxy.

Come to think of it, we are talking prime body-dumping ground.

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