Peter Robinson - Final Account

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There’s more than blood and bone beneath the skin… The victim, a nondescript “numbers cruncher,” died horribly just yards away from his terrified wife and daughter, murdered by men who clearly enjoyed their work. The crime scene is one that could chill the blood of even the most seasoned police officer. But the strange revelations about an ordinary accountant’s extraordinary secret life are what truly set Chief Inspector Alan Banks off – as lies breed further deceptions and blood begets blood, unleashing a policeman’s dark passions… and a violent rage that, when freed, might be impossible to control.

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For this man’s gamble on paradise, Daniel Clegg lay in his grave with his head blown off, Barry Miller had died on a wet road at midnight, and Grant Everett might have to spend the next few years of his life relearning how to walk and talk. Even Arthur Jameson and Donald Pembroke were Rothwell’s victims, in a way.

And, much farther away but no less implicated, was a dictator who got fat while his people starved, a man who liked to watch people eat glass, a man who, now, if Banks could help it, would never enjoy a peaceful retirement in the English countryside, no matter what he had on some powerful members of the establishment.

And the more Banks thought about these people, victims and predators alike, the less able he was to feel sorry for the fallen lovers.

“Try me,” he said.

Rothwell glared at him, then all the life seemed to drain out of him until he resembled nothing more than a tired, middle-aged accountant. Banks still felt dirty and miserable, and despite his resolve, he wasn’t certain he could go through with his threat. But Rothwell believed him now, and that was all that mattered. This bastard had caused enough trouble already. There was no more room for pity. Banks felt his pulse race, his jaw clench. Then the door opened and Julia drifted in, all blonde and yellow, with a big smile for Rothwell.

“Hello, darling! Oh,” she said, noticing Banks. “We’ve got company. How nice.”

Acknowledgments

My thanks are long overdue to Cynthia Good, my editor from the beginning of the series. I must also thank my agent, Dominick Abel, for his advice and encouragement. This book in particular could not have been completed without the help of many people, all generous with their time and expertise. My thanks go especially to Keith Wright of Nottingham CID, both detective and novelist; Douglas Lucas, Director of the Center for Forensic Sciences, Toronto; Mario Possamai for his book, Money on the Run ; Ken McFarland, Chartered Accountant; John Picton, journalist; and to Rick Blechta for putting me right about violists. Any errors are entirely my own and were made purely in the interests of dramatic fiction.

About the Author

PETER ROBINSON’S award-winning novels have been named a Best-Book-of-the-Year by Publishers Weekly , a Notable Book by the New York Times , and a Page-Turner-of-the-Week by People magazine. Robinson was born and brought up in Yorkshire, England, but has lived in North America for nearly twenty-five years.

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