Peter Robinson - Close To Home (aka The Summer That Never Was)

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There are human bones buried in an open field, the remains of a lost teenaged boy whose disappearance devastated a community more than thirty-five years ago… and scarred a guilt-ridden friend forever. A long-hidden horror has been unearthed, dragging a tormented policeman back into a past he could never truly forget no matter how desperately he tried. A heinous crime that occurred too close to home still has its grip on Chief Inspector Alan Banks – and it’s leading him into a dark place where evil still dwells. Because the secrets that doomed young Graham Marshall back in 1965 remain alive and lethal – and disturbing them could cost Banks much more than he ever imagined.

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“Thanks. That’s really encouraging. I don’t know very much about the Krays – before my time. I haven’t even seen the film. I do remember the big funeral they gave one of them in the East End not so long ago, though.”

“That’d be Reggie. Couple of years ago. The whole East End came out for him. It was the same when Ronnie died in 1995. Very popular among East Enders, the Krays were. Loved their mother. There were three of them, an older brother called Charlie, but Ronnie and Reggie, the Twins, are the ones people focus on. They pretty much ran the East End during the fifties and sixties, and a fair bit of the West End, too, till they got put away. Ronnie was the crazy one. Paranoid schizophrenic. He ended up in Broadmoor. Reggie was Category ‘A’ in Parkhurst. I suppose you could say that he was led astray by his more dominant twin brother, if you wanted to be charitable.”

“But what could they have to do with Graham Marshall’s disappearance and murder?”

“Probably nothing,” Banks said. “They didn’t operate outside London much, except for maybe a few clubs in cities like Birmingham or Leicester. But if Bill Marshall did work for them, then there’s always the chance he left them reason to bear a grudge, and the twins had a long reach.”

“And for that they’d kill his son?”

“I don’t know, Michelle. These people have a very warped sense of justice. And don’t forget, Ronnie was crazy. He was a sexual sadist, a serious pervert, among other things. He was the one who walked into The Blind Beggar and shot George Cornell right between the eyes in front of a roomful of witnesses. Know what was playing on the jukebox?”

“Tell me.”

“It was The Walker Brothers, ‘The Sun Ain’t Gonna Shine Anymore.’ And they say the needle got stuck on ‘anymore’ when he was shot.”

“How melodramatic. I don’t remember The Walker Brothers.”

“Not many people do. Want me to sing you a couple of verses?”

“I thought you said you never sing to women you’ve just met?”

“I did?”

“Don’t you remember?”

“Nothing slips past you, does it?”

“Not much. I know you read Philip Larkin, too.”

“How?”

“You quoted him.”

“I’m impressed. Anyway, who knows how someone like Ronnie Kray thinks, if ‘think’ is even the right word? He was seeing enemies all around him by then and coming up with more and more dramatic ways of hurting people. He loved to inspire fear and trembling, even in his own men. He was also a homosexual with a taste for teenage boys. They wouldn’t have done Graham themselves, of course – they’d have got agoraphobia if they came this far north of London – but they could have sent someone to do it. Anyway, it’s not only that.”

“What, then?”

“If Bill Marshall did work as a strong-arm man for the Krays, what was he doing up here? You know as well as I do that people don’t just walk away from that line of work. Maybe he got himself fixed up with someone local, a branch manager.”

“So you’re saying he might have been up to the same tricks here, and that might have had something to do with Graham’s death?”

“I’m just saying it’s possible, that’s all. Worth investigating.”

“There was a reference to a protection racket in the old crime logs,” Michelle said. “Someone called Carlo Fiorino. Ring any bells?”

“Vaguely,” said Banks. “Maybe his name was in the papers when I was a kid. Anyway, it’s something to think about.”

“So why didn’t it come up in the original investigation?”

“Didn’t it?” said Banks. “Dunno. Want another coffee?”

Michelle looked into her empty cup. “Sure.”

Banks went and got two more coffees, and when he came back, Michelle was leafing through the book.

“Borrow it if you want,” he said. “I just picked it up to see if I could fill in a bit more background.”

“Thanks. I’d like to read it. Did Graham ever mention the Krays to you?”

“Yes, but I’m not sure that he ever said he or his dad knew them. I’ve also been thinking about the time frame. Graham and his parents came up here around July or August 1964. In July, there was a big brouhaha in the press over Ronnie’s alleged homosexual relationship with Lord Boothby, who denied everything and sued the Sunday Mirror for libel. Ronnie followed suit, but all he got was an apology. Still, there was an upside in that the press had to lay off the Krays for a while after that. Nobody wanted any more libel suits. One day Ronnie was a thug and a gangster, the next, a sporting gentleman. It set the police investigation back, too. Everyone had to walk on eggs around them. Even so, they were arrested the next January for demanding money with menaces. There was no bail and they were tried at the Old Bailey.”

“What happened?”

“They got off. It was a flimsy enough case to start with. There was talk of jury tampering. See, back then, there was no majority verdict like we have today. All twelve had to agree, or there’d be a retrial, which would give the accused even more time to fix things. They dug up some dirt on one of the main prosecution witnesses and that was it, they were free.”

“But how does any of this relate to Graham?”

“I’m not saying it does, only that that was what was happening around 1964 and 1965, the period we’re concerned with. The Krays were in the public eye a lot. The libel case and the trial were both big news, and after they got off they were fireproof for a long time. It was the start of their ascendancy as celebrities, the dark side of Swinging London, you might say. Soon they were being photographed with film stars, sporting figures and pop singers: Barbara Windsor, Sonny Liston, Judy Garland, Victor Spinetti – who was in A Hard Day’s Night, Help! and Magical Mystery Tour, if you can handle another piece of trivia. In the summer of 1965, they had a fiddle involving selling stolen American securities and bonds for the Mafia, and they were squaring up for a big fight with their rivals, the Richardson gang.” Banks tapped the book. “It’s all in there. I don’t know if it means anything. But as your boss made clear this morning, it’s none of my business.”

Michelle frowned. “Yeah, I know. I keep thinking he’s looking over my shoulder even now, in here.”

“I don’t want you to get into trouble for talking to me.”

“Don’t worry. I wasn’t followed. I’m only being paranoid.”

“It doesn’t mean you’re not being followed. Will you keep in touch, let me know if you come up with anything?”

“I shouldn’t, but I will.”

“And if there’s any way I can help…”

“Of course. If you remember anything Graham said or did that might be useful, I’d appreciate knowing.”

“You will. Look, Graham’s mother mentioned a funeral, when the remains have been released. Any idea how long that might be?”

“I’m not sure. It shouldn’t be long. I’ll see how Dr. Cooper’s doing tomorrow.”

“Would you? Good. I think I’d like to come down for it. Even Shaw can’t complain about that . Will you let me know?”

“Of course. Can I ask you something?”

“Go ahead.”

“That remark Shaw made about the budgie. What did he mean?”

Banks related the sad story of Joey’s flight to freedom and certain death. By the end, Michelle was smiling. “That’s so sad,” she said. “You must have been heartbroken.”

“I got over it. He wasn’t exactly a wonder-budgie. He couldn’t even talk. As everyone told me at the time, it wasn’t Goldie the Eagle.”

“Goldie the Eagle?”

“Yes. Earlier the same year, 1965, Goldie the Eagle escaped from London Zoo. They got her back a couple of weeks later. It was a big story at the time.”

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