Patricia Wentworth - The Case of William Smith

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Who was William Smith? And why was Mavis Jones so horrified to see him? The war had robbed William of his memory, and no one expected him to ever find out who he really was. So when he began work at Evesleys Ltd, why was his life so instantly in danger?

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Patricia Wentworth The Case of William Smith Miss Silver 14 1948 Prologue - фото 1

Patricia Wentworth

The Case of William Smith

Miss Silver – #14, 1948

Prologue

A concentration camp in Germany – Christmas Day, 1944.

William Smith was dreaming his dream. Like his fellow prisoners, he had spent more than five hours of Christmas morning standing at attention on the square in his ragged underclothes exposed to a bitter north-east wind. Some of the men who had stood there with him would never stand again. They had dropped and died. William had stuck it out. He was strong and tough, and he was not racked as other men were racked by what might be happening to their families. Since he did not know who he was, he did not so much as know whether he had a family. When the Commandant had said, addressing them all, ‘If you have wives and children, forget them – you will never see them again,’ he was stirred to a just and impersonal anger, but not to any private feeling, because life as far as he was concerned had begun two years ago when he came out of hospital with an identity disc which said he was William Smith. There was a long number as well as the William Smith, but he was never able to feel that it belonged to him. They put him in a camp as William Smith, and after he had escaped and been caught the S.S. took him over and put him in a concentration camp. Since then he had been moved twice, and each camp was worse than the last. In this camp he was the only Englishman. He knew some French, and he had learned some German. An old Czech who had a knife which he had stolen at the risk of his life used to lend it to him sometimes. They carved animals. The Czech was better at the carving, but William had a lot of bright ideas. After a bit he got very good at the carving too.

Day followed day, and night followed night. There was always hunger and filth and cold, and cruelty, and a dense fog of human suffering. It was better for William than it was for the others, because he hadn’t anyone to worry about except himself, and he hadn’t got that sort of temperament, so he didn’t really worry at all. And sometimes at night he had his dream.

He was having it now. His body was crushed in among other bodies on a bare and filthy floor, but William wasn’t there. He was having his dream, and in his dream he was walking up three steps to an oak door. It always began that way. The steps were old, and hollowed in the middle from all the feet which had passed over them for many generations. They started in the street and they went up to the door, which was the front door of a house. It was a house in a street. He knew that, but he didn’t know how he knew it, because he never saw any more than that – three steps going up, and an oak door studded with nails.

The next thing that happened was that he opened the door and went into the house. When he was awake he could remember the three steps up and the door, but after that it was all shadowy, like things are in dreams. What he remembered was that in the dream he had come home. There was a hall, rather dark, and a staircase going up on the right, and he went up the stairs. But it was all vague and dark and shimmering, like a reflection in water when the wind ruffles it. All that he could be sure about was that it was a happy dream.

When he was asleep it was quite different. The dream was as clear and plain as anything that had ever happened to him in all his life. It was much more real than anything that happened in the camp. The hall was dark because it was panelled. The wood wasn’t really dark in itself, but it made the hall dark. The stair that went up on the right was made of the same wood. The newel posts were carved with the symbols of the four Evangelists – a lion and an ox at the foot of the stair, and an eagle and a man at the head. The man and the ox were on the inner side of the stair. They were only heads, but the lion had a mane flowing down over the newel at the bottom, and the eagle was a whole eagle with folded wings and great horny talons on the left-hand side at the top. At intervals there were portraits let into the panelling, some on the inner side of the stairway, and some in the hall below. In a half light there was an effect of people waiting in the shadows. When he was a little boy it had frightened him.

In his dream he went on up the stairs. So far it was always the same. It was after he got to the top that it began to be different. Since his recollection ceased with the dream, he had no means of knowing what the difference was. He only knew each dream whilst he was dreaming it. When he was awake all that remained was the three steps up out of the street, the door, the shadowy hall with the stair going up, and the sense of coming home.

On this Christmas night, with his body lying crowded in between other bodies filthier than his own, he himself sprang up the three steps and came into the hall. He came out of the dark street into warmth and light. The curtains were drawn over a window on either side of the door and all the lights were on. A powdered wig emerged from the gloom of one portrait, the sweep of a faded rose-coloured dress and a child’s white muslin frock from another. The lion and the ox at the stair foot were crowned with holly, and over the stair head there hung a great pale bunch of mistletoe. An extraordinary rush of happiness came over him. It was so strong that it fairly swept him up the stairs. No time to look at old dead and gone relations in the shadows, no eyes for anything except the one who was waiting for him on the top step – between the eagle and the man – under the mistletoe.

Chapter One

Brett Eversley was reading a letter which he had already read quite a number of times. He liked it so little that one would hardly have supposed he would desire to read, and read it again, yet that is what he was doing. The letter had come by the first post. He had opened it with a smile and been immediately thrown into rather a desperate state of mind. Since then he had gone over every word, every phrase, in an attempt to find a different meaning from the one he could not bring himself to accept. Women said one thing and meant another – it was proverbial. They liked to be courted, flattered, pursued. They liked to make a man show his paces – put him through the hoop.

He was a good-looking man, and he had always had money to spend. Women had run after him, and he had let them run. At forty he had kept his freedom, his figure, and a decidedly good opinion of Brett Eversley. At the moment his handsome face was flushed, his dark eyes brooding, his brows drawn together in a frown. When he looked like that you could see that in the next ten years the regular features might coarsen, the lower part of the face become too heavy, and the colour fixed. On the other hand, grey hair would probably suit him very well and impart an eighteenth-century air. He really was not at all unlike some portrait of a full-flavoured Georgian squire.

As he sat at the desk in his private office at Eversleys, he had the letter spread out before him. However many times he read it, he found himself unable to accept its evidence. It just wasn’t possible that Katharine was turning him down. He read what she had written:

‘Dear Brett,

I‘m afraid it’s no use, and the best thing I can do is just to tell you so and say “Let’s go on being friends.” I said I would think it over, and I have. It isn’t any use, really. You’re a cousin and a friend, and that’s what we are to each other. I can’t change into being anything else. It’s just one of those things. Don’t worry about the money – I’m getting a job.

Yours

Katharine.’

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