Shirley Murphy: Cat Raise the Dead

The artist's rendering of her long green eyes was lovely; her peach-tinted paws and her peach-toned ears and little pink nose were a delight. She luxuriated in the sleek lines of her graceful form, in the curving mink brown stripes of her glossy tabby fur, and sighed with pleasure. Who needed red silk cocktail dresses? Charlie Getz had drawn her with such love, had made her so beautiful, she should long for nothing more.

Charlie, Wilma's niece, had come to visit early last fall, moving into Wilma's guest room with her paints and drawing pads and with a monumental disappointment in her young life. A disenchanted graduate of a San Francisco art school, Charlie had discovered only after completing her courses that she couldn't make an adequate living at her chosen major, that she was not cut out for the demands of today's commercial art and that there seemed little money in a fledgling career as an animal artist.

After a short sulk, she had started a household repair and cleaning business, CHARLIE'S FIX-IT, CLEAN-IT. In Molena Point her services were already in such demand that she was working ten and twelve hours a day and couldn't hire enough help. She loved her new business, loved the hard work, loved the success of her venture. And she gloated over the growing balance in her bank account. But belatedly, after giving up an art career, she found that the Aronson Gallery wanted her animal sketches. Dulcie knew the gallery well, and it was highly respected.

Just last fall, she and Joe had broken into the Aronson Gallery when they were searching for clues to the murder of Janet Jeannot, one the gallery's best-known artists. Of course Sicily Aronson knew nothing of their B &E, or of their involvement in solving the crime. Who would suspect a cat of meddling?

Smiling, remembering that night she and Joe had prowled the locked gallery searching for clues, she dropped down from the windowsill and sat a moment on the warm sidewalk, washing her paws, then headed across the village to find Joe.

She made a little detour up Ocean, past the greengrocer's, sniffing the lingering scent of peaches and melons, then the delicious aromas which seeped through the glass door of the butcher's, but soon she crossed the westbound lane of Ocean, crossed the wide, tree shaded median and the deserted eastbound lane. Heading up Dolores toward the white cottage which Joe Grey shared with Clyde Damen, she plotted how best to soften up Joe, get him to join Pet-a-Pet. And she kept thinking about Jane Hubble and the other patients, who, Mae Rose said, had disappeared. Probably she was being silly, believing such stories; probably the old people at Casa Capri were just as safe as babes tucked in their beds, the staff kind and unthreatening-except perhaps for the owner of the care home.

Beautiful Adelina Prior, in her lovely designer suits and her creme-de-la-creme coiffure and makeup, seemed, to Dulcie, as out of place at Casa Capri as a tiger among bunny rabbits. Why would a woman who looked like a model want to spend her life running an old people's home?

Trotting through the inky shadows where large oaks roofed the sidewalk she thought of being trapped in Casa Capri, behind those tightly locked doors-if there was some criminal activity-and her paws began to sweat.

It was one thing to pry into the crimes she and Joe had solved earlier this year, where they could escape through windows and unlocked doors and over rooftops. But to be confined within Casa Capri, where the doors were always bolted, made a chill of fear clamp her ears and whiskers tight to her head, made her cling low to the dark sidewalk, in a wary slink.

But yet she wanted to go there. And she knew, if something was amiss, she'd keep digging at it, clawing at it until the mystery was laid bare.

In the hills high above the village a miniature world of tiny creatures crept through the grass, vibrating and humming, a community whose members were unaware of any existence but their own, of any needs but their own to kill or be killed, to eat or be eaten. The two cats, poised above this Lilliputian landscape, waited motionless to strike. Around them the grass stems had been pushed aside to carve out little mouse-sized trails, but some of the paths were wide enough for rabbits, too, major lanes winding away, dotted with pungent droppings. One pile of rabbit scat was so fresh that grass blades still shivered from the animal's swift flight. The cats, leaping to follow, panted with anticipation.

Above them the clouds drew apart, freeing the moon's light, and the moon itself swam between washes of blowing vapor; the dark hills caught the light, humping between earth and sky like the bodies of sprawled, sleeping beasts.

All night they had worked together stalking cooperatively, not as normal cats hunt but as a pair of lions would hunt, hazing and driving their prey. Dulcie's eyes burned toward the trembling shadows, her smile was a killer's smile, her paws were swift. She was not, now, Wilma's cosseted kitty rolling on stolen silk teddies.

But yet as they hunted, a poetry filled her, and she began to imagine she was Bast, stalking among papyrus thickets, clutching live geese in her teeth. Racing through the grass, she was Bast, hunting beside Egyptian kings, Bast the revered cat goddess, Bast the serpent slayer leaping to the kill…

The rabbit spun and bolted straight at her and beyond her, exploded away, was past before she could strike. She jerked around streaking after it, hot with embarrassment. Joe had flushed the creature nearly into her paws, and she had missed it. It sped away, kicking sand in her face, dodged, zigzagged, showed her only its white fluff tail, and disappeared into a tangle of wild holly. Her nostrils were filled with its fear and with the smell of her own shame.

But then it swerved out again, and she dodged after it. As it doubled back she sprang, snatched it in midair, clamped her teeth deep into its struggling body.

Its scream cut the night as she tasted its blood, its cry was shrill, as terrified as the scream of a murdered woman. It raked her with its hind claws, slashing at her belly. She bit deeper, opening its throat. It jerked and stopped struggling and was still, limp and warm, the life draining from it.

She carried the rabbit back to Joe, and they bent together over the kill. He did not mention her daydreaming inattention. He scarfed his share of the carcass, rending and tearing, flinging the fur away, crunching bone.

"Someday," she said, "you're going to choke yourself, gorging. Snuff out your own life, victim to a sliver of rabbit bone."

"So call 911. What were you dreaming, back there?" He gave her an annoyed male look, and ripped fur and flesh from the bones.

She didn't answer. He shrugged. The rabbit was succulent and sweet, fattened on garden flowers. Dulcie skinned her half carefully, then stripped morsels of meat from the little bones, eating slowly. Only when the bones were clean, when nothing was left but bones and skull, did they settle in for a wash. Licking themselves, cleaning their faces, then their paws, working carefully in between claws and between their sensitive pads, they at last cleaned each other's ears. Then, stomachs full, they sat in the moonlight, looking down upon the village, at the moonstruck rooftops beneath the dark oaks and eucalyptus.

Because many of the village shops had once been summer cottages, the entire village was now a tangled mix: shops, cottages, galleries, and motels, crowded together any which way. But where the hills rose above the village, the houses were newer and farther apart, with dry yellow verges between. It was here that the cats hunted. Besides the rabbits and ground squirrels, the mice and birds, there were occasional large and bad-tempered rats. Both cats carried scars from rat fights; and Joe remembered too vividly the rats in San Francisco's alleys when he was a kitten, rats that had seemed, then, as big and dangerous as Rottweilers.