Shirley Murphy - Cat Raise the Dead

The Molena Point Gazette paid little attention to world events. People could buy the San Francisco Chronicle or Examiner for that. Village news, the small local stories, that was what sold the Gazette. Yesterday evening's paper, putting Max Harper down about missing the open grave, had been sufficiently amusing. But this article in the morning edition, though it, too, put down Harper-and that pleased her-this article did not cheer her. She felt, in fact, a chill depression, an emotion which perhaps had taken some time to build, and which she did not care to examine closely.

She might enjoy this newspaper column later, about the cat burglar, and she would certainly save it, but at the moment it presented only a personal warning. And though maybe it wasn't that warning alone that frightened her, whatever emotions caused this hollowness in her belly, she knew it was time to go, time to leave Molena Point.

CAT BURGLAR ON THE PROWL

The recent rash of Molena Point burglaries, police report, are very likely attributable to a shabbily dressed old lady that local police have dubbed "The Cat Burglar" but whom they have not been able to apprehend. Captain Max Harper was not able to explain to reporters the failure of his officers to arrest the lone woman who has entered and burglarized more than a dozen Molena Point homes.

As the woman prowls Molena Point neighborhoods, she pretends to be looking for her lost cat. If questioned, she gives a plausible story about the escape of the cat from her car. The woman's operation is not unique to Molena Point. Within the past year, she has burglarized countless homes in cities up and down the coast, including San Diego, La Jolla, Ventura, Santa Barbara, Paso Robles, San Luis Obispo, and smaller towns between. She is in and out of a house so quickly she seems to move like a cat herself, as silently and with as furtive intentions.

To date, in Molena Point, she has burglarized fifteen homes. None of the stolen items has been recovered. And while Captain Harper has been unable to apprehend her, he warns homeowners to keep their doors locked even when they are at home, either inside or working in their yards.

"This is the time of year when everyone likes their doors open to enjoy the spring breeze," Harper said. "Leaving a door unlocked is an invitation. The old lady will wander the neighborhood where people are working in their gardens or enjoying their swimming pool. She slips into the house quickly, looking for jewelry, cash, and small collector's items. If she is discovered inside by a surprised homeowner, she claims to be looking for her lost cat."

Besides cash and jewelry, she favors expensive cameras, the more expensive brands of small electronic equipment, and she has been known to take small pieces of artwork. Missing from the home of John Eastland on Mission Drive is a complete set of rare ivory chess pieces, and from an unnamed residence in the hills, five valuable, limited edition collector's dolls of unusual beauty. From the Elaine Carver residence the woman has stolen a small etching by Goya valued at a hundred thousand dollars, and for which there is a generous reward. The rash of burglaries is an unfortunate stain on the reputation of Molena Point. Anyone having information about the identity of the woman, or about the stolen items, should contact Captain Harper of the Molena Point Police.

She set down her coffee cup, staring at the newspaper. Mrs. Garver's claim of a missing Goya so amazed her she had almost choked. There had never been a Goya. She'd seen no etching by Goya in that house, nor had she seen any valuable artwork there. The woman was flat lying. Planning to rip off her insurance company for a cool hundred thousand, and using her as the patsy.

The fact that someone would piggyback a scam of that magnitude on her own modest operation was both annoying and, in a way, flattering. But then she started to get mad-mad that this Garver woman would set up a poor little old bag lady to take the rap for a hundred-thousand-dollar painting.

The idea so angered her that by the time she finished her coffee and paid her bill, she was seething. The woman wasn't going to get away with this.

Returning to the ladies' room, she dropped a quarter in the pay phone and called the Molena Point PD.

She was able to reach Max Harper himself, and told him there was never any Goya etching. "I expect the Garvers' insurance agent will be pleased to have that information." And because she was feeling so mad, and because she had to prove to Harper that she spoke the truth, she gave him a complete list of the items she had taken from the Garver house, gave him a far more detailed accounting than was in the paper.

Hanging up the phone, she stood a moment, letting her pounding heart slow. Then she got out of there fast.

In the car she pulled on her coat again, against the chill of the fog, and headed on through the village. That insurance company would nip Mrs. Garver's scam, jerk her up short. And as far as Harper tracing her phone call, he hadn't had time. She knew how long such a thing took; she'd researched phone tracing carefully. Anyway, she'd be out of here in a day or two, and on up the coast. With cat burglar smeared all over the front page, the whole village was alerted, she didn't dare hang around. Just a few loose ends to take care of, and she'd be gone. In Molena Point she'd be history.

Max Harper left the police station at mid-morning, heading up the hills to have another look around the Prior estate. He didn't intend to pull into the Prior drive in his police unit. He thought he'd stop by his place, saddle Buck, and take a ride. He'd been using Buck all week to quarter the hills above the residential areas, looking for human bones or a shallow grave. And he could do with a break this morning, get out of the station for a few hours. The morning had not started out well, everything he'd touched seeming as murky and vague as the fog itself. Driving slowly uphill through the thick mist, he went over this morning's and last night's phone calls, looking for some detail he might have missed.

He had come in just before eight, parking in his reserved slot in the lot behind the station. He was pouring his first cup of coffee when his phone buzzed. The caller was a woman; she wouldn't give her name. She told him that Elaine Garver had lied about the Goya etching, said there was no etching. He couldn't dismiss the call; the woman gave him a detailed list of stolen items, information that only the Garvers or the burglar herself could know-or one of his own people, and that wasn't likely. If he prided himself on anything, it was on the quality and honesty of his officers, in a world where that wasn't always the case. Nothing made him as deeply angry as hearing some report about a bad cop, about someone's inner departmental decay.

When the anonymous caller hung up, too quickly to trace, Wilma Getz was on another line. She wanted to come in with the little Thurwell girl, see him for a few minutes. She said just enough to make him uneasy, make him think the problem might be tied in with Susan Dorriss's phone call late last night.

He would never peg Susan Dorriss as one to pass on wild stories, any more than he would think of Wilma that way. Yet the story Susan gave him was the same wild tale he'd heard weeks ago from that Casa Capri patient, little Mrs. Mae Rose.

Last night, Susan had called from her daughter's car phone, sitting in the parking lot of Casa Capri. Said she didn't want to use a phone inside Casa Capri. She had called her daughter at about ten, and Bonnie came on down and wheeled her out to the car.

Susan had called Bonnie just after Mae Rose came to her with the note she had supposedly found inside an old doll, a note from the woman Mae thought was missing, from Jane Hubble. Susan said the note and the doll smelled musty from being closed up in a locked closet. His immediate reaction was, what was he supposed to do about a note some old lady found inside a doll? And maybe he'd been short with Susan. When she read the note to him, his temper flared. He'd wanted to say, maybe it was something in the water up at Casa Capri that made everyone nuts, that he'd rather deal with any kind of straightforward crime than some groundless mystery that had just enough truth to turn him edgy. And when Susan told him about seeing Teddy Prior get out of his wheelchair and walk, that set him back. Everyone knew Teddy was incurably crippled-everyone thought they knew that.