Otto Penzler - Murder For Revenge

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An anthology of stories edited by Otto Penzler
This is a collection of 12 original stories by such crime writers as Lawrence Block, Mary Higgins Clark, Thomas H. Cook, Eric Lustbader, Philip Margolin, David Morrell, Joyce Carol Oates and Peter Straub.

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What did he have these days but his memories? The women who’d been writing him had long since given it up. Even the ones who’d sworn to follow him to death had lost interest during the endless round of stays and appeals. He still had the letters and pictures they’d sent, but the pictures were unappealing, only serving to remind him what a bunch of pigs they all were, and the letters were sheer fantasy with no underpinning of reality. They described, and none too vividly, events that had never happened and events that would never happen. The sense of power to compel them to write those letters and pose for their pictures had faded over time. Now they only bored him and left him faintly disgusted.

Of his own memories, only that of Karen Dandridge held any real flavour. The other two girls, the ones he’d done before Karen, were almost impossible to recall. They were brief encounters, impulsive, unplanned, and over almost before they’d begun. He’d surprised one in a lonely part of the park, just pulled her skirt up and her panties down and went at her, hauling off and smacking her with a rock a couple of times when she wouldn’t keep quiet. That shut her up, and when he finished he found out why. She was dead. He’d evidently cracked her skull and killed her, and he’d been thrusting away at dead meat.

Hardly a memory to stir the blood ten years later. The second one wasn’t much better either. He’d been about half drunk, and that had the effect of blurring the memory. He’d snapped her neck afterward, the little bitch, and he remembered that part, but he couldn’t remember what it had felt like.

One good thing. Nobody ever found out about either of those two. If they had, he wouldn’t have a prayer at today’s hearing.

After the hearing, Paul managed to slip out before the press could catch up with him. Two days later, however, when the governor acted on the board’s recommendation and commuted William Croydon’s sentence to life imprisonment, one persistent reporter managed to get Paul in front of a video camera.

“For a long time I wanted vengeance,” he admitted. “I honestly believed that I could only come to terms with the loss of my sister by seeing her killer put to death.”

What changed that? the reporter wanted to know.

He stopped to consider his answer. “The dawning realisation,” he said, “that I could really only recover from Karen’s death not by seeing Billy Croydon punished but by letting go of the need to punish. In the simplest terms, I had to forgive him.”

And could he do that? Could he forgive the man who had brutally murdered his sister?

“Not overnight,” he said. “It took time. I can’t even swear I’ve forgiven him completely. But I’ve come far enough in the process to realise capital punishment is not only inhumane but pointless. Karen’s death was wrong, but Billy Croydon’s death would be another wrong, and two wrongs don’t make a right. Now that his sentence has been lifted, I can get on with the process of complete forgiveness.”

The reporter commented that it sounded as though Paul Dandridge had gone through some sort of religious conversion experience.

“I don’t know about religion,” Paul said, looking right at the camera. “I don’t really consider myself a religious person. But something’s happened, something transformational in nature, and I suppose you could call it spiritual.”

With his sentence commuted, Billy Croydon drew a transfer to another penitentiary, where he was assigned a cell in general population. After years of waiting to die he was being given a chance to create a life for himself within the prison’s walls. He had a job in the prison laundry, he had access to the library and exercise yard. He didn’t have his freedom, but he had life.

On the sixteenth day of his new life, three hard-eyed lifers cornered him in the room where they stored the bed linen. He’d noticed one of the men earlier, had caught him staring at him a few times, looking at Croydon the way you’d look at a woman. He hadn’t spotted the other two before, but they had the same look in their eyes as the one he recognized.

There wasn’t a thing he could do.

They raped him, all three of them, and they weren’t gentle about it either. He fought at first but their response to that was savage and prompt, and he gasped at the pain and quit his struggling. He tried to disassociate himself from what was being done to him, tried to take his mind away to some private place. That was a way old cons had of doing time, getting through the hours on end of vacant boredom. This time it didn’t really work.

They left him doubled up on the floor, warned him against saving anything to the hacks, and drove the point home with a boot to the ribs.

He managed to get back to his cell, and the following day he put in a request for a transfer to B Block, where you were locked down twenty-three hours a day. He was used to that on Death Row, so he knew he could live with it.

So much for making a life inside the walls. What he had to do was get out.

He still had his typewriter. He sat down, flexed his fingers. One of the rapists had bent his little finger back the day before, and it still hurt, but it wasn’t one that he used for typing. He took a breath and started in.

“Dear Paul…”

“Dear Billy,

“As always, it was good to hear from you. I write not with news but just in the hope that I can lighten your spirits and build your resolve for the long road ahead. Winning your freedom won’t be an easy task, but it’s my conviction that working together we can make it happen…

“Yours, Paul.”

“Dear Paul,

“Thanks for the books. I missed a lot, all those years when I never opened a book. It’s funny-my life seems so much more spacious now, even though I’m spending all but one hour a day in a dreary little cell. But it’s like that poem that starts, ‘Stone walls do not a prison make / Nor iron bars a cage.’ (I’d have to say, though, that the stone walls and iron bars around this place make a pretty solid prison.)

“I don’t expect much from the parole board next month, but it’s a start…”

“Dear Billy,

“I was deeply saddened by the parole board’s decision, although everything I’d heard had led me to expect nothing else. Even though you’ve been locked up more than enough time to be eligible, the thinking evidently holds that Death Row time somehow counts less than regular prison time, and that the board wants to see how you do as a prisoner serving a life sentence before letting you return to the outside world. I’m not sure I understand the logic there…

“I’m glad you’re taking it so well.

“Your friend, Paul.”

“Dear Paul,

“Once again, thanks for the books. They’re a healthy cut above what’s available here. This joint prides itself in its library, but when you say ‘Kierkegaard’ to the prison librarian he looks at you funny, and you don’t dare try him on Martin Buber.

“I shouldn’t talk, because I’m having troubles of my own with both of those guys. I haven’t got anybody else to bounce this off, so do you mind if I press you into service? Here’s my take on Kierkegaard…

“Well, that’s the latest from the Jailhouse Philosopher, who is pleased to be

“Your friend, Billy.”

“Dear Billy,

“Well, once again it’s time for the annual appearance before parole board-or the annual circus, as you call it with plenty of justification. Last year we thought maybe the third time was the charm, and it turned out we were wrong, but maybe it’ll be different this year…”

“Dear Paul,

“’Maybe it’ll be different this time.’ Isn’t that what Charlie Brown tells himself before he tries to kick the football? And Lucy always snatches it away.

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