He was extremely grateful that he didn’t have to wander the streets or the ballpark looking for people who had painted their faces Nats red and blue. Look at the glass as half full, he told himself, even though it felt quite empty at that moment.
The Nats managed to score a run in the top of the first off Matsuzaka when leadoff hitter Austin Kearns singled, took second on a wild pitch, moved to third on a groundout, and then scored on another groundout by Ryan Zimmerman.
“Guess the Red Sox figure they’re going to score off Doyle, so they can play the infield back,” Stevie said to Susan Carol, figuring he’d be safe keeping the conversation on baseball.
“You never play the infield in this early in the game, no matter who’s pitching,” she snapped. “You should know that.”
So much, Stevie thought, for casual baseball talk.
Doyle trotted to the mound to some applause-Stevie guessed it was from the Nats fans scattered throughout the crowd-and a low murmur. Most of the Red Sox fans had apparently not been paying attention when the line-ups were announced, and when they saw an unfamiliar number-56-trot to the mound, they wondered who in the world it was.
Doyle was clearly nervous at the start. He walked Kevin Youkilis on four pitches to start the game and then hit Dustin Pedroia with a pitch. Whatever Stevie’s thoughts were on David Doyle and Susan Carol, he didn’t want to see Norbert Doyle humiliated in front of millions of people. As David Ortiz stepped into the batter’s box and Jason Bay stood on deck, Stevie did a little math: two men on, no one out, postseason baseball’s best clutch hitter up, with another one-hundred-plus RBI man to follow. Stevie wondered if Doyle would survive the first inning.
Everyone in the ballpark was on their feet as Ortiz stared in at Doyle. He was now thirty-four, and starting to slow a little bit: he had “only” hit twenty-nine home runs during the regular season. In postseason-Big Papi time, as it was called in Boston -he already had five home runs and fifteen RBIs.
“This could get ugly in a hurry,” Stevie said.
Susan Carol said nothing. Stevie was having about as good a night so far as Norbert Doyle.
Doyle threw three straight pitches that were way out of the strike zone. They almost reminded Stevie of the scene in Major League when Charlie Sheen’s character, Wild Thing, comes into his first game and immediately throws a pitch that goes straight to the backstop, causing Bob Uecker, playing the radio announcer, to say, “Just a bit outside.”
These pitches were nearly as far outside.
Ortiz dug in, knowing that Doyle had to try to throw a strike rather than face loading the bases for Bay.
“I’ll bet he’s got the hit sign,” George Solomon said. “Might as well go for the long pass right here.”
Stevie figured that was a lock. On 3-0, Doyle was likely to groove a fastball, and Ortiz might hit it nine miles.
Sure enough, Ortiz was swinging on 3-0. Doyle’s fastball looked right down the middle to Stevie, but instead of hitting it nine miles, Ortiz hit a wicked grounder right down the third-base line. For a moment Stevie thought it was going into the corner for a double. But Zimmerman, who hadn’t overshifted because of the runner on second, somehow stabbed it on his backhand side and in one motion stepped on third base and flicked a throw to second. Ronnie Belliard, the Nats’ second baseman, grabbed the throw and then turned and fired to first. The stunned-not to mention painfully slow-Ortiz was still two steps from the bag when the throw hit the first baseman’s glove.
For a second Stevie didn’t even realize what had happened. Then, all at once, he noticed how quiet the ballpark had suddenly become, and he heard Susan Carol’s voice very clearly saying, “A triple play, oh my God, a triple play!”
It was, in fact, the rarest play in baseball-three outs on one play. This one had been amazingly simple because Ortiz had hit the ball so hard. It got to Zimmerman so quickly it was actually an easy around-the-horn play from third to second to first.
Stevie had never seen a triple play in his life. The Nationals high-fived one another as they jogged off the field. Doyle just put his head down and walked off as if it had been routine.
“Unless my memory fails me, that’s the first triple play in the World Series since Bill Wambsganss,” George Solomon said. “Of course, I’m more a football guy than a baseball guy.”
“No, you’ve got it right,” Svrluga said. “It was 1920. Unassisted.”
“Unassisted?” Stevie said. “You mean he got all three outs by himself? How’s that possible?”
“Easy,” Svrluga said. “He was playing second base. Men on first and second, no one out-just like this play. Except he caught a line drive hit right at him. He ran over, touched second base to force out the runner who’d been on second. The runner at first hadn’t realized he’d caught the ball and ran right into his tag. It was almost easy, it happened so fast.”
“How do you know?” asked Maske.
“Saw the replay on SportsCenter,” Svrluga answered with a straight face.
“Pretty good break for your new friend’s dad,” Stevie whispered to Susan Carol while the discussion of Wambsganss and triple plays continued.
“Stop it, Stevie,” she said quietly. “Don’t be a jerk.”
“I’m a jerk?” he said, looking around to make sure no one was paying attention. “I’m not the one who sneaked off today, lied about it, and is now acting as if she’s protecting national security with some big secret.”
“Stop it,” she said. “Stop saying things you’ll be sorry you said later.”
Stevie started to say something else but realized she might be right.
“Fine,” he said. “But it better be damn good, whatever it is.”
“Don’t threaten me, Stevie,” she said. “You’re not my father.”
“I know that,” Stevie said. “I thought I was your boyfriend.”
“You are,” she said. “For now.”
A chill went through Stevie. She wasn’t smiling when she said it. She was staring down at the field, where Adam Dunn was stepping to the plate to lead off the second inning for the Nats.
Stevie was at a loss for a response. She was threatening him now, and-as with everything else-she was very good at it.
Both pitchers settled down after the first inning, and the game became an old-fashioned pitcher’s duel. Matsuzaka was good, allowing only three hits over seven innings. Remarkably, Doyle was better. He walked Jason Bay leading off the second and through seven innings had walked five batters in all, in addition to the hit batsman in the first.
But he hadn’t given up a hit. The Red Sox appeared baffled by his pitches, best described by Svrluga: “Slow, slower, slowest.”
He didn’t throw a fastball that was clocked at more than 82 mph. Every ballpark now had a radar gun behind home plate and a place on the scoreboard that showed the speed of each pitch. Matsuzaka was hitting 95 mph regularly, even occasionally getting to 96. Doyle was usually in the high seventies and low eighties, except when he threw his breaking pitches, which sometimes didn’t even crack 70.
“Reminds me of Tom Glavine and Jamie Moyer,” Maske said at one point, talking about two superb lefthanders known for keeping batters off balance even though they couldn’t throw very hard.
“Except that they’ve won about five hundred fifty-five more games than he has,” Svrluga said.
“When was the last no-hitter in a World Series?” Stevie asked.
For the first time in six innings Susan Carol said something to him. “There’s only been one,” she said. “Don Larsen’s perfect game in 1956.”
Stevie remembered reading about when Larsen had pitched for the Yankees. He hadn’t been a star, but he’d had one great day. Doyle’s story was even more amazing. Not only was he pitching in his first postseason game ever, he had never won a game in the major leagues.
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