Edgar Poe - The Oxford Book of American Detective Stories

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Hillerman, author of the Joe Leaphorn mysteries, and Herbert, editor of The Oxford Companion to Crime and Mystery Writing, trace this short-story genre from its beginnings in the hands of Edgar Allen Poe through its development by the likes of Erle Stanley Gardner, Mary Roberts Rinehart and Anthony Boucher to its current practice by such masters as Marcia Muller. Poe's "The Murders in the Rue Morgue," which established a great many of the whodunit conventions, is indispensable to such an overview. Raymond Chandler's "I'll be Waiting" emits a doom-laden atmosphere right from the first line; William Faulkner shows unexpected economy of language?and a transparent plot?in "An Error in Chemistry." Ed McBain scores high marks in "Small Homicide," in which the tiny details of a baby's untimely death resonate uncomfortably. As represented in this competent, unstartling collection, Linda Barnes ("Lucky Penny") easily outsasses Sue Grafton ("The Parker Shotgun"). Hillerman makes a solid appearance with "Chee's Witch," and in "Benny's Space" Muller captures the full subtle force of her novel-length vision.

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I crossed to the counter with only a cursory glance at the trio, sat, and ordered coffee from a young waitress who looked to be Eurasian. The «Kabalyeros «didn't conceal their interest in me; they stared openly, and after a moment one of them said something that sounded like 'tick-tick,' and they all laughed nastily. Some sort of Tagalog obscenity, I supposed. I ignored them, sipping the dishwater-weak coffee, and after a bit they went back to their game.

I took out the paperback that I keep in my bag for protective coloration and pretended to read, listening to the few snatches of conversation that drifted over from the three. I caught the names of two: Sal and Hector-the latter presumably Bulis, the gang's leader. When I glanced covertly at him, I saw he was tallish and thin, with long hair caught back in a ponytail; his features were razor-sharp and slightly skewed, creating the impression of a perpetual sneer. The trio kept their voices low, and although I strained to hear, I could make out nothing of what they were saying. After about five minutes Hector turned away from the video machine. With a final glance at me he motioned to his companions, and they all left the restaurant.

I waited until they'd driven away in an old green Pontiac before I called the waitress over and showed her my identification. "The three men who just left," I said. "Is the tall one Hector Bulis?"

Her lips formed a little "O" as she stared at the ID. Finally she nodded.

"May I talk with you about them?"

She glanced toward the pass-through to the kitchen. "My boss, he don't like me talking with the customers when I'm supposed to be working."

"Take a break. Just five minutes."

Now she looked nervously around the restaurant. "I shouldn't-"

I slipped a twenty-dollar bill from my wallet and showed it to her. "Just five minutes."

She still seemed edgy, but fear lost out to greed. "Okay, but I don't want anybody to see me talking to you. Go back to the restroom-it's through that door by the video games. I'll meet you there as soon as I can."

I got up and found the ladies room. It was tiny, dimly lit, with a badly cracked mirror. The walls were covered with a mass of graffiti; some of it looked as if it had been painted over and had later worked its way back into view through the fading layers of enamel. The air in there was redolent of grease, cheap perfume, and stale cigarette and marijuana smoke. I leaned against the sink as I waited.

The young Eurasian woman appeared a few minutes later. "Bastard gave me a hard time," she said. "Tried to tell me I'd already taken my break."

"What's your name?"

"Anna Smith."

"Anna, the three men who just left-do they come in here often?"

"Uh-huh."

"Keep pretty much to themselves, don't they?"

"It's more like other people stay away from them." She hesitated. "They're from one of the gangs; you don't mess with them. That's why I wanted to talk with you back here."

"Have you ever heard them say anything about Tommy Dragon?"

"The Dragon? Sure. He's in jail; they say he was framed."

Of course they would claim that. "What about a Mrs. Angeles-Amorfina Angeles?"

"… Not that one, no."

"What about trying to intimidate someone? Setting fires, going after someone with a gun?"

"Uh-uh. That's gang business; they keep it pretty close. But it wouldn't surprise me. Filipinos-I'm part Filipina myself, my mom met my dad when he was stationed at Subic Bay -they've got this saying, «kumukulo ang dugo.» It means 'the blood is boiling.' They can get pretty damn mad, 'specially the men. So stuff like what you said-sure they do it."

"Do you work on Fridays?"

"Yeah, two to ten."

"Did you see any of the «Kabalyeros» in here last Friday around six?" That was the time when Isabel had been accosted.

Anna Smith scrunched up her face in concentration. "Last Friday… oh, yeah, sure. That was when they had the big meeting, all of them."

"All of them?"

"Uh-huh. Started around five thirty, went on a couple of hours. My boss, he was worried something heavy was gonna go down, but the way it turned out, all he did was sell a lot of food."

"What was this meeting about?"

"Had to do with the Dragon, who was gonna be character witnesses at the trial, what they'd say."

The image of the three I'd seen earlier-or any of their ilk-as character witnesses was somewhat ludicrous, but I supposed in Tommy Dragon's position you took what you could get. "Are you sure they were all there?"

"Uh-huh."

"And no one at the meeting said anything about trying to keep Mrs. Angeles from testifying?"

"No. That lawyer the Dragon's got, he was there too."

Now that was odd. Why had Dragon's public defender chosen to meet with his witnesses in a public place? I could think of one good reason: he was afraid of them, didn't want them in his office. But what if the «Kabalyeros» had set the time and place-as an alibi for when Isabel was to be assaulted?

"I better get back to work," Anna Smith said. "Before the boss comes looking for me."

I gave her the twenty dollars. "Thanks for your time."

"Sure." Halfway out the door she paused, frowning. "I hope I didn't get any of the Kabalyeros in trouble."

"You didn't."

"Good. I kind of like them. I mean, they push dope and all, but these days, who doesn't?"

The»se days, who doesn't? «I thought. «Good Lord…»

The Starlight Lanes was an old-fashioned bowling alley girded by a rough cliff face and an auto dismantler's yard. The parking lot was crowded, so I left the MG around back by the garbage cans. Inside, the lanes were brightly lit and noisy with the sound of crashing pins, rumbling balls, shouts, and groans. I paused by the front counter and asked where I might find Jimmy Willis. The woman behind it directed me to a lane at the far end.

Bowling alleys-or lanes, as the new upscale bowler prefers to call them-are familiar territory to me. Up until a few years ago my favourite uncle Jim was a top player on the pro tour. The Starlight Lanes reminded me of the ones where Jim used to practice in San Diego-from the racks full of tired-looking rental shoes to the greasy-spoon coffee-shop smells to the moulded plastic chairs and cigarette-burned score-keeping consoles. I walked along, soaking up the ambience-some people would say the lack of it-until I came to lane 32 and spotted an agile young black man bowling alone. Jimmy Willis was a left-hander, and his ball hooked back with deadly precision. I waited in the spectator area, admiring his accuracy and graceful form. His concentration was so great that he didn't notice me until he'd finished the last frame and retrieved his ball.

"You're quite a bowler," I said. "What's your average?"

He gave me a long look before he replied. "Two hundred."

"Almost good enough to turn pro."

"That's what I'm looking to do."

Odd, for the head of a street gang that dealt in drugs and death. "You ever hear of Jim McCone?" I asked.

"Sure. Damned good in his day."

"He's my uncle."

"No kidding." Willis studied me again, now as if looking for a resemblance.

Rapport established, I showed him my ID and explained that I wanted to talk about Reg Dawson's murder. He frowned, hesitated, then nodded. "Okay, since you're Jim McCone's niece, but you'll have to buy me a beer."

"Deal."

Willis towelled off his ball, stowed it and his shoes in their bag, and led me to a typical smoke-filled, murkily lighted bowling alley bar. He took one of the booths while I fetched us a pair of Buds.

As I slid into the booth I said, "What can you tell me about the murder?"

"The way I see it, Dawson was asking for it."

So he and Dawson's wife were of a mind about that. "I can understand what you mean, but it seems strange, coming from you. I hear you were his friend, that you took over the Victors after his death."

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