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Peter Robinson: Past Reason Hated

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Peter Robinson Past Reason Hated

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It should have been a cosy scene – log fire, sheepskin rug, Vivaldi on the stereo, Christmas lights and tree. But appearances can be deceptive. For Caroline Hartley, lying quietly on the couch, has been brutally murdered. Inspector Alan Banks is called to the grim scene. And he soon has more suspects than he ever imagined. As he delves into her past, he realises that for Caroline, secrecy was a way of life, and her death is no different. His ensuing investigation is full of hidden passions and desperate violence…

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‘Any ideas about the record?’ Gristhorpe asked.

‘I think it might be important,’ Banks said, ‘but I don’t know why. According to Veronica Shildon, it wasn’t hers, and the Hartley girl didn’t like classical music.’

‘So where did it come from?’ Susan Gay asked.

‘Tolliver said that one of the witnesses thought the man who called was carrying a shopping bag of some sort. It could have been in there – a present, say. That would explain the wrapping paper we found.’

‘But why would anyone bring a woman a present of something she didn’t like?’

Banks shrugged. ‘Could be any number of reasons Maybe it was someone who didn’t know her tastes well. Or it might have been intended for Veronica Shildon. All I’m saying is that it’s odd and I think we ought to check it out. It’s also strange that someone should put it on the turntable and deliberately leave it to repeat ad infinitum We can be reasonably certain that Caroline wouldn’t have played it, so who did, and why? We might even be dealing with a psycho. The music could be his calling card.’

‘All right,’ Gristhorpe said after a short silence. ‘Susan, why don’t you get down to Pristine Records and see if they know anything about it.’

Susan made a note in her book and nodded.

‘Alan, you and Detective Sergeant Richmond here can see what you can get out of Veronica Shildon.’ He paused. ‘What do you make of their relationship?’

Banks scratched the little scar by the side of his right eye. ‘They were living together. And sleeping together, as Ear as I could tell. Nobody’s spelled it out yet, but I’d say it’s pretty obvious. Christine Cooper implied much the same.’

‘Could that give us an angle?’ Gristhorpe suggested. ‘I don’t know much about lesbian relationships, but anything off the beaten track could be worth looking into.’

‘A jealous lover, something like that?’ Banks said.

Gristhorpe shrugged. ‘You tell me. I just think it’s worth a bit of scrutiny.’

The meeting broke up and they went their separate ways, but not before Sergeant Rowe came up to them in the corridor with a form in his hand.

‘There’s been a break-in at the community centre,’ he said, waving the sheet. ‘Any takers?’

‘Not another!’ Banks groaned. It was the third in two months. Vandalism was becoming as much of a problem in Eastvale as it seemed to be everywhere else in the country.

‘Aye,’ said Rowe. ‘Dustbin men noticed the back door broken open when they picked up the rubbish half an hour ago. I’ve already notified the people involved with that amateur dramatic society. They’re the only ones using the place at the moment – except for your wife, sir.’

Rowe was referring to Sandra’s new part-time job managing Eastvale’s new gallery, where she arranged exhibitions of local art, sculpture and photography. The Eastvale Arts Committee had applied as usual for its grant, fully expecting significant cuts, if not an outright refusal. But that year, whether due to some bureaucratic blunder or a generous fiscal whim, they had been given twice what they had asked for and found themselves looking for ways to spend the money before someone asked for it back. The cheque didn’t bounce; months passed and they received no letter beginning, ‘Due to a clerical oversight, we are afraid…’ So the large upstairs room in the community centre was set aside and redecorated for gallery space.

‘Any damage upstairs?’ Banks asked.

‘We don’t know yet, sir.’

‘Where’s the caretaker?’

‘On holiday, sir. Gone to the in-laws in Oldham for Christmas.’

‘All right, we’ll take care of it. Susan, drop by there before you go to the record shop and see what’s going on. It shouldn’t take too long.’

Susan Gay nodded and set off.

Banks and Richmond turned down by the side of the police station towards King Street. The snow had stopped early in the morning, leaving a covering about six inches thick, but the sky was still overcast, heavy with more. The air was chill and damp. On the main streets cars and pedestrians had already churned the snow into brownish-grey slush, but in those narrow, winding alleys between Market Street and King Street it remained almost untouched except for the odd set of footprints and the patches that shopkeepers had shovelled away from the pavement in front of their doors.

This was the real tourist Eastvale. Here, the antique dealers hung up their signs and antiquarian booksellers advertised their wares alongside numismatists and bespoke tailors. These weren’t like the cheap souvenir shops on York Road; they were specialty shops with creaking floors and thick, mullioned windows, where unctuous, immaculately dressed shopkeepers called you ‘sir’ or ‘madam’.

Oakwood Mews was a short cul-de-sac, a renovated terrace with only ten houses on each side. Black-leaded iron railings separated each small garden from the pavement. In summer, the street blossomed in a profusion of colours, with many houses sporting bright hanging and window boxes. It had even won a ‘prettiest street in Yorkshire’ prize several years ago, and the plaque to prove it was affixed to the wall of the first house. Now, as Banks and Richmond approached number nine, the street looked positively Victorian. Banks almost expected Tiny Tim to come running up to them and throw his crutches away.

Banks knocked on the Coopers’ door. It was made of light, panelled wood, and the shiny knocker was a highly polished brass lion’s head. A wealthy little street this, obviously, Banks thought, even if it was only a terrace block of small houses. They were brick built, pre-war, and had recently been restored to perfection.

Christine Cooper answered the door in her dressing gown and invited them in. Unlike the more cosy, feminine elegance of number eleven, the Cooper place was almost entirely modern in decor: assemble-it-yourself Scandinavian furniture and off-white walls. The kitchen, into which she led them, boasted plenty of shelf- and surface-space and every gadget under the sun, from microwave to electric tin opener.

‘Coffee?’

Banks and Richmond both nodded and sat down at the large pine breakfast table. It had been set close to a corner to save space, and someone had fixed bench seating to the two adjacent walls. Both Banks and Richmond sat on the bench with their backs to the wall. Banks had no trouble fitting himself in, as he was only a little taller than regulation 172 centimetres; but Richmond had to shift about to accommodate his long legs.

Mrs Cooper faced them from a matching chair across the table. The electric coffee-maker was already gurgling away, and they had to wait only a few moments for their drinks.

‘I’m afraid Veronica isn’t up, yet,’ Mrs Cooper said ‘Your doctor gave her a sleeping pill and she was out like a light as soon as we got her into bed. I explained everything to Charles. He’s been very understanding.’

‘Where is your husband?’ Banks asked.

‘At work.’

‘What time did he get home last night?’

‘It must have been after eleven. We sat up and talked about… you know… for a while, then we went to bed about midnight.’

‘He certainly works long hours.’

Mrs Cooper sighed. ‘Yes, especially at this time of year. You see, he runs a chain of children’s shops in North Yorkshire, and he’s constantly being called from one crisis to another. One place runs out of whatever new doll all the kids want this year and another out of jigsaw puzzles. I’m sure you can imagine the problems.’

‘Where was he yesterday evening?’

Mrs Cooper seemed surprised at the question, but she answered after only a slight hesitation. ‘Barnard Castle. Apparently the manager of the shop there reported some stock discrepancies.’

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