Anne Perry - The Sheen of the Silk

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New York Times bestselling novelist Anne Perry, the undisputed Queen of Victorian mysteries and the author of an acclaimed series set during World War I, now broadens her canvas with her first major stand-alone book – an epic historical novel set in thirteenth-century Constantinople, where a woman must live a lie in her quest to uncover the truth.
Arriving in the ancient Byzantine city in the year 1273, Anna Zarides has only one mission: to prove the innocence of her twin brother, Justinian, who has been exiled to the desert for conspiring to kill Bessarion, a nobleman.
Disguising herself as a eunuch named Anastasius, Anna moves freely about in society, using her skills as a physician to manoeuver close to the key players involved in her brother's fate. With her medical practice thriving, Anna crosses paths with Zoe Chrysaphes, a devious noblewoman with her own hidden agenda, and Giuiliano Dandolo, a ship's captain conflicted not only by his mixed Venetian-Byzantine heritage but by his growing feelings for Anastasius.
Trying to clear her brother's name, Anna learns more about Justinian's life and reputation – including his peculiar ties to Bessarion's beautiful widow and his possible role in a plot to overthrow the emperor. This leaves Anna with more questions than answer, and time is running out. For an even greater threat lies on the horizon: Another Crusade to capture the Holy Land is brewing, and leaders in Rome and Venice have set their sights on Constantinople for what is sure to be a brutal invasion. Anna's discoveries draw her inextricably closer to the dangers of the emperor's treacherous court – where it seems that no one is exactly who he or she appears to be.
Richly detailed and finely wrought, The Sheen on the Silk is a bold and brilliant work that affirms Anne Perry's talent as a master storyteller.

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“Yes?” he said politely, caution edging his voice. Her fair skin, chestnut hair, and gray eyes would tell him she was unlikely to be of his own people; her robes and beardless face could belong only to a eunuch.

“I am a physician,” she replied. “My name is Anastasius Zarides. I came from Nicea, and I need a supplier of herbs of wider origin than usual. Avram Shachar’s name was given me.”

The boy opened the door wider and called out for his father.

A man appeared from the back of the shop. He was perhaps fifty, his hair streaked with gray, his face dominated by dark, heavy-lidded eyes and a powerful nose. “I am Avram Shachar. How can I help you?”

Anna mentioned the herbs she was short of, adding also ambergris and myrrh.

Shachar’s eyes lit with interest. “Unusual needs for a Christian doctor,” he observed with humor. He did not say that Christians were not allowed to seek treatment from Jewish physicians, except with the special dispensation that was frequently granted to the rich and the princes of the Church, but his eyes said that he knew it.

She smiled back. She liked his face. And the sharp yet delicate odors of the herbs brought back memories of her father’s rooms. Suddenly she was achingly lonely for the past.

“Come in,” Shachar invited, mistaking her silence as reluctance.

She followed him as he led the way to the back of the house and into a small room opening onto a garden. Cupboards and chests of carved wood lined three walls, and a worn wooden table stood in the center with brass scales and weights and a mortar and pestle. There were pieces of Egyptian paper and oiled silk in piles, and long-handled spoons of silver, bone, and ceramic set neatly beside glass vials.

“From Nicea?” Shachar repeated curiously. “And you come to practice in Constantinople? Be careful, my friend. The rules are different here.”

“I know,” she answered. “I use them”-she indicated the cupboards and drawers-“only when necessary to heal. I’ve learned all my saints’ days appropriate to every illness, and every season or day of the week.” She looked at him, searching his face for disbelief. She knew too much anatomy and far too much of Arabic and Jewish medicine to believe, as Christian doctors did, that disease was due solely to sin, or that penitence would cure it, but it was not something the wise said aloud.

There was a flicker of understanding in Shachar’s eyes, but the dark, subtle amusement did not reach his lips. “I can sell you most of what you need,” he said. “What I do not have, perhaps Abd al-Qadir can supply.”

“That would be excellent. Do you have Theban opium?”

He pursed his lips. “That is one for Abd al-Qadir. Do you need it urgently?”

“Yes. I have a patient I am treating and I have little left. Do you know a good surgeon if the stone does not pass naturally?”

“I do,” he replied. “But give it time. It is not good to use the knife if it can be avoided.” He worked as he spoke, weighing, measuring, packing things up for her to take, everything carefully labeled.

When he was finished, she took the parcel and paid him what he asked.

He studied her face for a few moments before making his decision. “Now let us see if Abd al-Qadir can help you with the Theban opium. If not, I have some that is less good, but still perfectly adequate. Come.”

Obediently she followed, looking forward to meeting the Arab physician and wondering if perhaps he was the surgeon Shachar would recommend for Basil. How would her very Greek patient accept that? Perhaps it would not be necessary.

Five

картинка 11

ZOE CHRYSAPHES STOOD AT THE WINDOW OF HER FAVORITE room and stared across the rooftops of the city to where the sunlight streamed onto the Golden Horn till the water was like molten metal. Her hands caressed the stones in front of her, still warm in the last glow of the day. Constantinople was spread out below her like a jeweled mosaic. The ancient magnificence of the Aqueduct of Valens was behind her, its arches sweeping in from the north like a Titan from the Roman past, an age when Constantinople was the eastern pillar of an empire that ruled the world. The Acropolis, far to the right, was far more Greek and therefore more comfortable to her, her language, her culture. Although its great days had been before she was born, the elderly woman still felt a pride in the thought of it.

She could see the tops of the trees that hid the ruins of the Bukoleon Palace, where her father had taken her as a child. She tried to bring back those bright memories, but they were too far away and slipped out of her grasp.

The radiance of the setting sun momentarily hid the squalor of the unmended walls, covering their scars with a veil of gold.

But Zoe never forgot the pain of the enemy invasion, of ignorant and careless feet trampling what had once been beautiful. She looked at the city now and saw it as exquisite and defiled, but still throbbing with a passion to taste every last drop of life and drain it to the lees.

The light was kind to her. She was past seventy, but the skin was smooth over her cheekbones. Her golden eyes were shadowed and hooded under her winged brows. Her mouth had always been too wide, but the curve of it was full. The luster of her hair was less than it had been and closer to brown than chestnut-there was only so much that herbs and dyes could do-but it was still beautiful.

She stared a few moments longer at the glittering skyline of Galata as the torches were lit. The east was fading rapidly, and the harbor was masked in purple. The spires and domes were sharper against the enamel blue of the sky. In thought she communed with the heart of the city, that part of it that was more than palaces or shrines, more even than the Hagia Sophia or the light on the sea. The soul of Constantinople was alive, and that was what she had seen raped by the Latins when she was a small child.

As the sun slid behind the low clouds and the air grew suddenly cold, she turned away at last. She stepped back into the room and its dazzling torchlight. She could smell the tar burning, see the faint shimmer of the flames in the draft. Between two of the finest tapestries in dark reds, purples, and umber, there was a gold crucifix more than a foot’s length from top to bottom. She walked over and stood in front of it, staring at the Christ in agony. It was exquisitely wrought: Every fold of His loincloth, the sinews of His limbs, His face hollowed by pain, all were perfect.

Gently she reached up, eased it off its hook, and held it in her hands. She did not need to look at it, knowing as she did every line and shadow of the images on each of the four arms. Her fingers felt them now, going over them softly, like faces of those she loved; except that it was hate that moved Zoe, the envisioning over and over again of revenge: exquisite, slow, and complete.

On the top, above the Christ, was the family emblem of the Vatatzes, who had ruled Byzantium in the past. It was green, with a double-headed eagle in gold, above each head a silver star. They had betrayed Constantinople when the crusaders had come, fleeing the invaded city and taking with them priceless icons, not to save them from the Latins, but to sell for money. They had run like cowards, thieving from the holy sanctuaries as they went, abandoning to fire and the sword what they could not carry.

On the right arm was the emblem of the Doukas family, also rulers until more recently. Their arms were blue, with an imperial crown, a two-headed eagle with a silver sword in each claw; they were traitors as well, plunderers of those already robbed, homeless, and helpless. They would know in time what it was to starve.

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