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Melinda Wells: The Proof is in the Pudding

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любовные романы фантастика и фэнтези приключения детективы и триллеры эротика документальные научные юмористические анекдоты о бизнесе проза детские сказки о религиии новинки православные старинные про компьютеры программирование на английском домоводство поэзия

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Melinda Wells The Proof is in the Pudding

The Proof is in the Pudding: краткое содержание, описание и аннотация

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A mouthwatering new Della Cools mystery-recipes included. Owner of a Santa Monica cooking school and cable cooking show star Della Carmichael is one of three judges for an A-list cook-off-but it's the celebrities who are getting knocked off.

Melinda Wells: другие книги автора


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I steered the Jeep to a stop just ahead of her car and got out. Simultaneously, Eileen emerged from her little VW and came toward me. In the spill from the nearby streetlight I saw that her long blonde hair, usually so carefully brushed, was a disheveled mess. Her eyes were red and swollen, but she had stopped crying.

“Tell me what’s happened.”

“The car died,” she said. “I don’t know what the matter is, and I couldn’t call Triple A because I forgot my purse back at… I ran out so fast that-oh, Aunt Del, I’ve been such a stupid idiot!”

I put my arms around her in a comforting hug, then stepped back so she’d have to look at me. “Let’s take care of the simple problem first,” I said. “What’s the matter with your car?”

“I don’t know. It was fine, but then I stopped here for a few minutes-I was so upset I could barely see. After a little while, when I turned the key again, the car made a kind of grrrrr sound, but it wouldn’t move.”

“Maybe it’s just flooded. Let me try to start it.”

Eileen handed me her key, but I didn’t have any better luck. The car wasn’t going to move for either of us. In defeat, I climbed out of the VW and reached into the pocket of the jacket I’d thrown on over the Bruce Lee T-shirt I’d been sleeping in and my nearest pair of sweatpants. I removed my cell phone and my wallet, extracted my Auto Club card, and punched in the number for emergency roadside service.

When the dispatcher answered, I gave her my name and club card number, told her where I was. From memory, I recited the make, model, and plate number of Eileen’s car.

“The car won’t start,” I said. “It might be a dead battery, but it could be something that requires a tow, so would you send a vehicle capable of towing?”

The voice on the other end agreed, took my cell phone number, and said that one of their trucks would be at my location within thirty minutes.

I thanked her, disconnected, and repeated the information to Eileen. “Now, we’ve got some time alone before road service arrives. Let’s sit in the Jeep and you tell me what’s upset you so.”

We settled into the front seats. Eileen stared through the windshield into the darkness. The light from the streetlamp molded her features as artfully as though it was the work of a great cinematographer. I couldn’t help marveling at her beauty. She had her mother’s large eyes and nicely sculpted cheekbones, and her father’s strong chin. She had a streak of John O’Hara’s stubbornness, too, but she didn’t have his toughness, and that left her as vulnerable as a chick just out of its shell.

“I thought he was so wonderful,” Eileen said. “He’s the most exciting man I’ve ever met.”

Although I was sure I already knew, I asked, “Who?”

She expelled a breath. “Keith Ingram.”

“Does he live near here? Is that why you’re in Laurel Canyon?”

She turned partway around in the passenger seat and gestured toward a tiny road just behind us, rising into the hills.

“Rothdell Terrace. His house is about a hundred yards up there-a miniature Swiss chalet.” In a tone full of irony, she said, “You can’t see his place from here, but can you make out that brown house just above us? The one facing out toward Laurel Canyon Boulevard?”

Following her line of sight, I stared into the darkness. “Do you mean the one with the bell in the top window?”

She nodded. “Jim Morrison lived there. 8021 Rothdell Terrace. Keith’s house is several above Morrison’s. He has a framed article about the Doors in his den because in it one of them says that Rothdell Terrace is the ‘ Love Street ’ in their song, ‘ Love Street,’ and that the Canyon Country Store over there is the ‘store where the creatures meet.’ When Keith told me he lived on ‘ Love Street ’ it was the first time we were… together.”

I knew I would never be able to listen to that song with enjoyment again.

“ Aunt Del, I thought I was in love with him, but tonight I realized what an idiot I’ve been.” She shuddered. “What I found out… Ewww, he disgusts me so much! But I disgust me, too. Oh, Lord.”

She blew out another breath, and when she spoke again her tone was icy. “He said he loved me-before-but tonight he acted surprised that I’d believed him. He said ‘I love you’ is just something men say when they want to get somebody in bed. Then he told me he’s getting married-said we’d have to stop seeing each other for a while. For a while ! He said after a couple of months he’ll call me and we’ll get together, but we’d have to be discreet!”

“The miserable bastard.” I was so angry I wanted to scream, but I controlled myself by gripping the steering wheel tight.

Eileen started to cry. “I told him I’d never let him touch me again, but he just laughed and said that we’d be together as often as he wanted me because… Oh, Aunt Del -there’s something awful!”

“Ingram is scum. Worse than scum, but he can’t make you see him again.”

“You don’t know what he’s done!”

“Then tell me. It can’t be so bad that-”

“It is! When I said I wasn’t going to see him again, he opened the door to this armoire he has in his bedroom, across from his bed. He showed me a video camera in there. He’s been taping us! He said if I didn’t do everything he wanted me to do, whenever he wanted it, he’d put those tapes on the Internet so everyone…”

“Wait a minute. He couldn’t do that without exposing himself, and that could damage him.”

“I was so shocked I didn’t think of that, but he did. He said he’d had his own face blurred out, so no one could tell who he was.” She buried her face in her hands and leaned toward the console until her head nearly touched the surface. She moaned in despair. Her agony stabbed at me. I wanted to do anything possible to take her pain away.

I reached out to stroke her back, to comfort her as I had when she was a child, but she straightened abruptly. Trembling with fury, she whispered, “I hate him! I wish he were dead!”

Before I could reply I heard the sound of a vehicle approaching. Through the rearview mirror, I saw that the Auto Club truck had arrived.

“That was fast. I guess this time of the morning things are slow,” I said.

I went through the usual ritual with the driver: explaining the problem and showing my Auto Club card.

A few minutes later he gave us bad news.

“It’s not the battery,” he said. “It might be a short in the electrical system.”

“Oh, no. Can you fix it?” Eileen asked.

“Sorry. It’ll have to go to a repair shop. The car can’t stay here-you’re in a yellow zone. Where do you want it towed?”

“Gosh, I don’t know…”

“Car Guy,” I said.

The tow truck driver’s attitude went from polite indifference to interested. “That mechanic on TV?”

“Yes.” I turned to Eileen. “You don’t have a regular shop, and I know Car is honest. What do you say?”

Eileen nodded. “That’s a good idea.” She looked at her watch. “But it’s three o’clock in the morning.”

“Take her car to the Better Living Channel studio on Lankershim Boulevard in North Hollywood.” I gave him the address, and my Auto Club membership number. “I’ll call the security office to tell them you’re coming. They’ll let you in the gate and show you where to leave the car.”

“You got it.”

While the Auto Club man prepared to tow Eileen’s car, I dialed the studio number. Guard Lew Parsons answered. His voice was deep and husky. Hearing him made me think of those animated bear family bathroom tissue commercials: Lew sounded like the big Poppa Bear looked.

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