Henning Mankell - Chronicler Of The Winds

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"Nelio is dead. And however unlikely it may sound, it seemed to me that he died without once being afraid. How can that be possible?"-from Chronicler of the Winds
World famous for his Kurt Wallander mysteries, Henning Mankell has been published in thirty-five countries, with more than 25 million copies of his books in print. In Chronicler of the Winds, he gives us something different: a beautifully crafted novel that is a testament to the power of storytelling itself. On the rooftop of a theater in an African port, a ten-year-old boy lies slowly dying of bullet wounds. He is Nelio, a leader of street kids, rumored to be a healer and a prophet, and possessed of a strangely ancient wisdom.
One of the millions of poor people "forced to eat life raw," Nelio tells his unforgettable story over the course of nine nights. After bandits cruelly raze his village, he joins the legions of abandoned children living in the city's streets. An act of the imagination, an effort to prove to his comrades that life must be more than mere survival, cuts short Nelio's life.
Already published in thirteen countries, Chronicler of the Winds was short-listed for the Nordic Council Prize for Literature and was nominated for the Swedish Publishers Association's August Prize.

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I thought she had forgotten that I was sitting there at her side when she suddenly looked at me again.

'I fired the dough mixer,' she said. 'What was his name?'

'Julio.'

'I told him to get himself an instrument and try to be a musician. I think he'd be good at it.'

Even though Dona Esmeralda always went to great lengths to avoid firing the people she employed, it could not be totally avoided. And she never let anyone go without recommending what type of work they ought to take up in the future. I knew that she was nearly always right. I tried to imagine what instrument would suit Julio, but I couldn't come up with anything.

Dona Esmeralda interrupted my thoughts. 'A new dough mixer is coming tonight. That's why I wanted to see you. I've hired a woman.'

A woman? But the flour sacks are heavy!'

'Maria is very strong. She's as strong as she is beautiful.'

The conversation was over. Dona Esmeralda signalled to me that I could go. I left the dark theatre, thankful that she had not sent for me to talk about Nelio.

She had said that Maria was as strong as she was beautiful. And God knows, she was right! When I went into the bakery late that night to start my work, there stood the most beautiful woman I had ever seen. I fell instantly in love with her. At that moment no one else existed but her. We shook hands.

'My name is Maria,' she said.

'I love you,' I thought of saying. But of course I didn't. I simply told her my name.

'My name is also Maria,' I said. 'José Antonio Maria. The flour sacks are very heavy.'

I placed a sack – a white one with blue-and-red stripes – right next to her feet. She leaned forward, bent her knees and lifted it high over her head.

How could a woman be so strong? How could a woman be so strong and yet so beautiful?

'Have you worked in a bakery before?' I asked.

'Yes,' she said. 'I know how to mix dough.'

And she did. I just had to tell her how many portions of dough we needed to make each night and what Dona Esmeralda's special wishes were. Maria nodded, and I never had to remind her again.

She was so beautiful that several times I forgot all about Nelio. It wasn't until I let her go home around midnight that he once again entered my consciousness, although not until I had gone out into the street to see whether some man was waiting for Maria. But she went off alone into the night. At that moment I married her in my mind.

It was not until I was on my way up the winding stairs to the roof that I remembered where I was going and why. I immediately felt guilty. A human being was dying on the roof, and I had only my new dough mixer Maria on my mind. I forced myself to feel ashamed, though it was difficult, and then I rushed up to the roof.

Nelio was awake when I got there. Earlier in the evening, before Maria arrived, I had borrowed an old tattered blanket from the nightwatchman outside the Indian photographer's shop. I gave him a loaf of bread and a matchbox filled with tea leaves in return for the loan of the blanket. I had spread it over Nelio to protect him from the cool winds blowing over the city. I had given him some of Senhora Muwulene's herbs and sat beside him while he had one of his attacks of fever. The cool air seemed to have done him good. He smiled now when he caught sight of me.

At that moment he was a ten-year-old boy. The next moment he could once again be a very old man. He switched back and forth all the time. I never knew which one I would find before me. The only thing that was certain was that he had been lying on the roof for five days and five nights; it was now the sixth night, and the wounds in his chest were getting darker and darker.

Maybe it was meeting Maria that had influenced me – I don't know. But when I changed the bandage and saw that Nelio now showed the unmistakable signs of blood poisoning, I could no longer refrain from speaking my mind.

'You're going to die if you stay here on the roof

'I'm not afraid to die,' he said.

'You don't have to die. Not if you let me take you away from here. To a hospital. The bullets in your body have to come out.'

'I'll tell you when,' he said, as he had so many times before.

'Now it's my turn to say when,' I replied. 'I have to move you now. Otherwise you will die.'

'No,' he said. 'I'm not going to die.'

What was it that made me believe him? How could I allow myself to go along with something that I knew wasn't right?

The answer is that I don't know. But Nelio's power was so great that I yielded to him.

That night he told me about the time after Cosmos crept on board a ship and disappeared into the dawn. Towards daybreak, when Nelio began to grow tired, I could feel that the cool air had once again vanished. When I stood up to leave him and looked at the ocean, I could not see any icebergs.

On the morning when Cosmos left, when Nelio told the others that from now on he would be the leader of the group, everything had proceeded quite calmly. A transfer of leadership might be accompanied by unrest and murky feelings of resistance seeping to the surface. But Nelio told them the truth – that some day Cosmos would come back and then everything would revert to the way it was. He had no intention of changing anything – what he knew about being a leader he had learned from Cosmos.

But this was not entirely true. During the night, when he lay in the horse's belly and sleeplessly waited for dawn and the ranting morning prayers of the maniacally laughing priest, Nelio thought that he would be exactly like Cosmos, but even more so. He would be a little more patient with Tristeza; he would laugh a little more at the endless stories that Alfredo Bomba told. In this way Nelio hoped to be able to exercise the authority that Cosmos had established in the group.

The only one to challenge him during those first days was Nascimento.

'You know where Cosmos is,' he might suddenly say in the evening as Nelio was dividing up the money they had earned during the day by watching over and washing cars.

Tension would instantly spring up among the others. Nelio knew that he had to accept the challenge and once and for all make clear to Nascimento why Cosmos had chosen him as his successor.

'He appointed me as leader because he knew that I was the only one who wouldn't tell where he was going,' Nelio said. And then he continued, unperturbed, to divide up the money.

Nascimento pondered what this answer actually meant. That night he said nothing more.

'We can't have a leader who doesn't sleep with the rest of us,' he said on another evening.

Nelio was prepared for this. He had suspected that Nascimento would make use of the differences between him and Cosmos. And he had come to the conclusion that there were two significant differences between them. One, that Nelio lived separately, and two, that he was not several years older than the others.

'Everything will be the same as it was under Cosmos,' Nelio said. 'That's why I will continue to sleep wherever I like.'

A leader should be older,' said Nascimento.

'That's something you will have to discuss with Cosmos,' replied Nelio. 'I'm sure he'll be able to give you an answer that will satisfy you.'

Nascimento soon stopped challenging Nelio. He realised that it was getting him nowhere. The group was content with the fact that a change had occurred without anything threatening to split them up. Before long the other street kids in the city knew that Nelio, despite his young age, had taken over leadership from Cosmos, who had set off on a mysterious journey.

It was also during this period that Nelio began to speculate more and more about why the world looked the way it did. Before him he saw life teeming in the streets of the city. One day, when he was an old man and about to eat his last meal, would he have to dig that too out of the rubbish bins the way he did now? Was life really nothing more? Was that all? He remembered the words that the white dwarf, Yabu Bata, had spoken before they parted. 'There are two roads. One will lead you in the right direction, the other is the path of foolishness and will lead a person straight to ruin.' Which road had he chosen when he entered the city on that morning? Should he have continued to follow the endless shoreline instead? Nelio had only one mission in life: to survive. When he understood this, he grew uneasy. I have to do more than that, he thought. I have to do more than simply survive.

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