Michael Capuzzo - The Murder Room - The Heirs of Sherlock Holmes Gather to Solve the World’s Most Perplexing Cold Cases

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Despite journalist Capuzzo's obvious reverence for the crime fighters he profiles, his account of the formation of the legendary Vidocq Society is as scattered as many of the cold case files they wade through. Based in Philadelphia, the Vidocq Society was the brainchild of three wildly different men brought together by their desire to speak for the dead: freewheeling exboxer turned forensic sculptor Frank Bender; FBI and U.S. Customs agent William Fleisher; and pre-eminent forensic psychologist and profiler Richard Walter. What began as an informal meeting of colleagues in 1990 evolved into an expansive international think tank of sorts modeled and named after France 's famed criminal-turned-sleuth EugeÌÇne Vidocq, a model for Sherlock Holmes. The cases-ranging from Philadelphia's long-festering "Boy in the Box" murder to the "Butcher of Cleveland," a serial killer who taunted Elliot Ness in the 1930s-are fascinating, but Capuzzo (Close to Shore) loses much of his narrative momentum by abruptly shifting between the founding members' individual backstories and homicides the society investigates. Yet there is no denying that the 82 "VSMs"(Vidocq Society Member) do an immeasurable service in the name of justice.
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"Once again Michael Capuzzo shows he is one of our most brilliant storytellers. The Murder Room is a gripping page turner, masterfully drawn and full of truth, dedication and darkness." – Michael Connelly

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His assistant priest placed on her the saint’s relic, a tiny peice of Neumann’s bone. Father Moley gently laid his hand on Jan’s head and said the prayer to Saint John Neumann. It is a prayer for his intercession to bring a miracle from Jesus Christ that ends, “May death still find us on the sure road to our Father’s House with the light of living Faith in our hearts.”

Jan felt a warmth coursing through her body. “It’s not like a bolt of lightning. It’s soft,” she said.

Within days, the pain began to fade. Jan rose from bed and returned to work. Six weeks later, test after test confirmed the inexplicable: She was completely clear of cancer. Doctors were baffled; the local NBC station reported the “medical miracle.” The Benders were awed. Jan wept with joy with Frank; she believed his devotion to her and to his work with Saint John Neumann had saved her. Father Moley said, “Maybe Saint John Neumann wanted this intercession as a gift” to the artist for his magnificent work. Fleisher jubilantly shared the news with the Vidocq Society.

Walter, ever skeptical, didn’t believe it. He saw Bender talking about his wife’s illness in a firestorm of publicity. It didn’t work for him. It didn’t seem right.

CHAPTER 56. KNIGHTS OF THE ROUND TABLES

Richard Walter, the thin man in black tie, was nearing the end of a Chardonnay and his patience, listening to a society woman prattle on about this and that. The Pen Ryn mansion, 250 years old, glowed with yellow light on the west bank of the Delaware River, America ’s first mansion row. Music and laughter floated out into the darkness over the broad lawn down to the river. Ladies were greeted by a string quartet, a flute of champagne, and a rose from a smiling federal agent who specialized in busting drug lords. Men had tucked Berettas and Glocks into the jackets and pants of tuxedos; women swapped DNA and blood sample kits for gowns and pearls.

Suddenly without a word Walter pirouetted and walked away from the woman, the back of his starched-proper figure disappearing swiftly into the crowd. She flapped her mouth open and closed like a magnificent egret.

“My God! He walked away right in the middle of my sentence!”

“Oh, it’s OK,” said the woman standing next to her. “He does that to everyone.”

No ball was quite like it: the Vidocq Society annual black-tie fête, event of the year for men and women dressed to kill.

“Where else can you see Frank Bender in a tux?” asked Bill Fleisher, magnificent in black tie with the bronze Vidocq medal around his neck on the tricolor ribbon. He raised a glass of champagne, toasting Bender’s remarkable identification of Colorado Jane Doe, fifty-five years after the young woman’s corpse was discovered by hikers in a Boulder canyon in 1954. The Vidocq Society’s latest triumph had unearthed another possible victim of Los Angeles ’s “Lonely Hearts Killer” Harvey Glatman. Fleisher impulsively grabbed Bender and gave him a hug.

Walter stood to the side, frowning at the public display of affection. In his classic tuxedo, Walter looked like a gaunt double for Holmes in the original Sidney Paget illustrations of Arthur Conan Doyle’s stories in The Strand magazine in the 1890s. But no one had the courage to tell him.

The round tables in the great hall were crowded with detectives from the United States, Europe, and the Middle East on this Sunday in October 2009. Bottles of wine and sprays of alstroemeria lilies had replaced crime-scene photos and autopsy reports de rigueur the rest of the year. This one night of the year, the Murder Room, a portable feast, was decorated for butter, not guns, for celebration and sheer joy.

Commissioner Fleisher prepared for the event as if for a State of the Union address. After the prime rib and salmon, the cake and the coffee, and as the wine and whiskey made extra rounds, Fleisher would emcee the awards ceremony for the coveted Vidocq Society Medal of Honor. The ball was the moment to take stock; a chance to look back and ahead. For nearly twenty years now Fleisher had done so with pride, excitement, and keen anticipation of what was to come. He had watched the society grow from a social luncheon club for detectives to a crime-fighting organization with a global reach.

The Vidocq Society family had grown from three men at lunch to 82 full members, one for each year of E. F. Vidocq’s life, to more than 150 total members, including associates. They had investigated more than 300 unsolved murders, solving 90 percent, offering advice and counsel and the name of the killer. There were more tangible results: arrests, convictions, and depression, and perhaps suicide prevented among families haunted by murder. Truth was their client. It was Aeschylus who said the words of truth are simple, and so it was with the Vidocq Society’s achievements: the lost found, the nameless named, the guilty punished, the innocent set free. VSMs were helpmates to the living, heroes to the dead.

Fleisher, Bender, and Walter sat separately at the round tables, honoring the democratic fellowship. But even the casual views of them standing together in the great hall, draped in the bronze relief medals of E. F. Vidocq cast by Bender, their own Medals of Honor for meritorious service, were powerful affirmations of their unique partnership, the heart of the Vidocq family.

It was a family that kept growing. Jim Dunn, now a tricolor-pinned VSM, shared news that he said was “music to my ears”-his son’s killer was denied parole until 2013. Walter said in a letter to the Texas Parole Board that by refusing to reveal what happened to Scott’s body, Leisha Hamilton showed that “for her… the murder is not over!” She was an unrepentant psychopath with an “insatiable desire for stimulation and conquest” who would seek new victims: “If and when [Hamilton] is reviewed again for release, it is suggested that you re-read this letter.”

Dunn and Walter would continue to battle to keep her in prison the full twenty years, until 2017. But time and Dunn’s wife were steering him toward Walter’s wisdom that a man lets the fires of fury and righteousness burn down.

Walter’s wisdom was for others. He burned with the desire to put away a third killer of Scott Dunn who had “flown beneath the radar all these years.”

“I reminded Jim I’m a graduate of the Evelyn Woods School of Revenge. I’m in this for the long haul.”

It was a night for stories, family stories. Walter was full of them. He had received a strange package from a man in New Jersey some years ago, Mike Rodelli, who claimed to have solved the most famous unsolved serial killer case in modern American history. He’d learned the name of the Zodiac Killer, the unknown assailant who had killed five Californians in 1968 and 1969, taunting the police with letters and cryptograms. Walter had been skeptical, but he’d worked with the amateur sleuth for years, coaching him, and now he was convinced the man was right-the Zodiac Killer was still alive, an elderly and quite wealthy man in California, still living off the pleasure of his iconic murders. Few doubted Walter. He’d also worked for years with another amateur investigator, Ohio trucker Robert Mancini, whom Walter believed had finally cracked the case that Eliot Ness couldn’t. Years after the Vidocq Society studied the case, Mancini had identified the Butcher of Cleveland. The killer was a long-dead sexual sadist who’d worked for the railroads. Justice was a different matter in both cases; justice always was.

“Did I tell you about the time I killed a prosecutor?” Walter asked. He had gone to Oklahoma on a Vidocq Society case to confront the state attorney on a double murder the prosecutor refused to investigate for political reasons, and demanded he file murder charges. The prosecutor told him, “Screw yourself and leave the state.” Walter replied, “I could go through you as easily as around you, but I’d prefer to give you a chance to grow wiser. I will call you three days after Thanksgiving, and if you have not changed your mind, you and I will have a man-to-boy chat.” The prosecutor died of a heart attack before Thanksgiving. “Good!” Walter told the prosecutor’s office. “Whom do I have to deal with next?” Fleisher called the governor of Oklahoma, a friend of his, and the result was “an extremely cooperative new prosecutor,” Walter said. “We solved the case.”

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