Chris Adrian: The Best American Mystery Stories 2007

I listened and watched pale sea nettles drift by. Occasionally one would catch my hand with its tentacle and sting me. I wanted to tell her about my brother, about stories we had told each other, about our light-house game or our bridge game or our thunder and lightning game, or the fond wish we both had for a flying bed of the sort featured in Bedknobs and Broomsticks, except that ours would be equipped with a matter transporter, á la Star Trek, so we could hover over our favorite restaurant and beam up pizzas. But nothing could have made me talk, on that day or any of the days that stretched back to Colm’s funeral. At the time I didn’t know why I would not speak. I think now the reason my throat closed up was that I knew, that day in the funeral parlor, there was nothing I could ever say to equal the occasion of my brother’s death. I should have spoken a word that would bring him back, and yet I could not, and so I must say nothing forever.

Molly’s birthday came in the first week of August. My mother took me shopping for a present. She spent a lot of time in the Barbie section, agonizing over accessories, but I insisted silently on my own choice: a Bionic Woman combination beauty salon and diagnostic station. It was not the gift I really meant to give Molly, not the gift from my heart. I insisted on it because I knew she would disregard it, and I could then play with it myself. Her real gift from me was a wide, flat stone, taken from the Severn, with which she could sharpen her knife. I wrapped it in the Sunday funnies. When she opened it she smiled with genuine delight and said it was her favorite.

From her grandparents she got a Polaroid camera. Her grandfather, a man who had always believed in buying in bulk, gave her a whole carton of film and flashbulbs. In the evening after her birthday party we sat on my roof and she sent flashes arcing over the ravine, tossing aside the pictures that popped out. They were of nothing, and she was not interested in them. I picked them up and pressed them to my nose because I liked the developing-film smell.

Later that night she came to my window, her backpack on her shoulders. I’d had a feeling she would come and so went to sleep fully dressed, right down to my shoes. To my surprise she removed my shoes, and my socks. While I sat with my feet hanging over the edge of the bed, she took a jar from her pack and scooped out a plum-size dollop of Vaseline, lathering it over my foot and between my toes.

“We have a long walk tonight,” she said matter-of-factly. I closed my eyes while she did my other foot, enjoying the feeling. When I put on my socks and shoes and walked on my anointed feet, it was like walking on a pillow or on my father’s fat belly, when he would play with Colm and me, all the while yelling, “Oh, oh, the elephants are trampling me!”

We went far past the kennel, three miles from our homes. We walked right out of Severna Forest, past the squat, crumbling brick pillars that marked the entrance to the forest road. We walked past the small black community, right at the edge of the gates, where families lived whose mothers worked as maids in our houses. Molly led me into the fields of a farm whose acreage ran along General’s Highway.

“I want a horse,” she said, standing still and eyeing the vast expanse of grass before us. In the distance I could see a house and a barn. I had seen the house countless times from my parents’ car, when my mother was driving and I had to sit right-side up. I had always imagined it to be inhabited by bonneted women and bare-lipped, bearded men, like the ones in the coffee-table book on the Amish that sat in our living room and was never looked at by anyone but me. Molly started toward the barn. I followed her, looking at the dark house and wondering if some restless person was looking out the bedroom window, watching us coming.

No one challenged us, not even a dog or a cat. I wondered what she would do if a snarling dog came out of the darkness to get us. I did not think she would stab it. I had a theory, entirely unsubstantiated, that she was moving up the class chain, onward from birds to squirrels to cats to dogs and beyond, her destination the fat red heart of a human being, and I knew that once she had finished with an animal class she would not return to it. She was storing the life force of everything she stabbed in the great blue stone in her dagger’s hilt, and when she had accumulated enough of it, the stone would glow like the Earth glowed in the space pictures that hung on the wall in our third-grade homeroom, above the motto NOTHING IS IMPOSSIBLE. When the stone glowed like that, I knew, her parents would step from it and be with her again.

If the horse had a name, I never knew it. In the dim light of the stable I might have missed it, carved on the stall somewhere. The horse was a tall Appaloosa. Molly had brought sugar and apples. She fed it and whispered to it. It was the only horse there. The other stalls were empty but looked lived-in. Molly was saying to the horse, “It’s OK. It’s all right. There’s nothing to be afraid of.” She smiled at it a truly sweet smile, and it looked at her with its enormous brown eyes, and I could see that it trusted her absolutely, the way unicorns in stories instinctively trust princesses. In her right hand she held the knife, and her left was on the horse’s muzzle. “Touch it,” she said to me. “It’s like velvet.” I put my hand on the space just between its eyes. She was right. I closed my eyes and imagined I was touching my mother while she wore her velvet Christmas dress. When I opened them the horse was looking at me with its great eyes, and in them I could see my brother touching the horse, and behind him Molly striking with her dagger. The horse did not even try to pull away until the blade was buried deep in its throat. Then it rose up, jerking the blade out of her hand and trying to hammer us with its hooves, which clattered against the wood of the stall. When it shook its head the knife flew out and landed at my feet. The horse was trying to scream, but because of the wound it could make only spraying, huffing noises.

I watched it jump and then stagger around the stall. I was still and calm until Molly took the first picture — I jumped at the flash. At thirty-second intervals another flash would catch in the horse’s eyes. At last it knelt in a wide pool of its blood, and then fell on its side and was dead. All the time our surroundings seemed very quiet, despite the whirring of the Polaroid, and the whooshing and sucking noises of the wound, and the thumping. When those noises stopped I could suddenly hear crickets chirping, and Molly’s frantic breathing, and my brother saying, “So soon!”

Molly took me home and made me get in the tub with my pants rolled up. She washed the Vaseline from my feet, and the horse blood from my hair, and then she put me back in my bed, not an hour before the sun came up. I slept and dreamed of horses who bled eternally from their throats, whose eyes held perfect images of Colm, who spoke from their wounds in the voices of old women and said they could take me to him if I would only ride.

A real live police investigation inspired Molly to lie low for a while. While Anne Arundel County police cars cruised the night streets of Severna Forest, we lay most exceedingly low; and even after they were long gone, we still did not emerge. The summer ran out and school started again. Molly mostly ignored me while we were at school, but she still came by occasionally in the afternoons, or on weekends. We sailed in her boat and once went apple picking with her grandparents, in an orchard all the way down in Leonardtown. Outside my bedroom window the leaves dropped from the trees in the ravine, so I got my clear winter view of the river, all the way down to the bay. In the distance I could see the lights of the Naval Academy radio towers, blinking strong and red in the cold. I would watch them and wait for her, my window wide open, but she did not come again until the first snow.