Jacqueline Winspear - The Mapping of Love and Death

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In the latest mystery in the New York Times bestselling series, Maisie Dobbs must unravel a case of wartime love and death – an investigation that leads her to a long-hidden affair between a young cartographer and a mysterious nurse.
August 1914. Michael Clifton is mapping the land he has just purchased in California's beautiful Santa Ynez Valley, certain that oil lies beneath its surface. But as the young cartographer prepares to return home to Boston, war is declared in Europe. Michael – the youngest son of an expatriate Englishman – puts duty first and sails for his father's native country to serve in the British army. Three years later, he is listed among those missing in action.
April 1932. London psychologist and investigator Maisie Dobbs is retained by Michael's parents, who have recently learned that their son's remains have been unearthed in France. They want Maisie to find the unnamed nurse whose love letters were among Michael's belongings – a quest that takes Maisie back to her own bittersweet wartime love. Her inquiries, and the stunning discovery that Michael Clifton was murdered in his trench, unleash a web of intrigue and violence that threatens to engulf the soldier's family and even Maisie herself. Over the course of her investigation, Maisie must cope with the approaching loss of her mentor, Maurice Blanche, and her growing awareness that she is once again falling in love.
Following the critically acclaimed bestseller Among the Mad, The Mapping of Love and Death delivers the most gripping and satisfying chapter yet in the life of Maisie Dobbs.

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Is that Maisie?" Maurice's voice could be heard calling from the conservatory as Maisie spoke with the housekeeper in the entrance hall.

"One minute, Dr. Blanche." Mrs. Bromley, the housekeeper, scurried away, returning a few minutes later. "He wants to see you now, Miss Dobbs. I was just about to bring him in from the conservatory-he does like to sit there until it's dark, and even though it's warm and we've plugged it up so there's no drafts, I do worry about him. The nurse comes in at about eight o'clock-she should be here any minute-and makes sure he's comfortable for the night, so you've time for a little chat. He's been waiting for you to come home."

Come home. Even though she had her own flat in London, even though she was London born and bred, when she came to her father's house, to all intents and purposes she was considered to be home. Maisie smiled. He's been waiting for you to come home. It was true, she always felt a sense of belonging at Chelstone, and particularly when she reflected upon the hours spent with Maurice at The Dower House.

Together with Mrs. Bromley, Maisie helped Maurice into a wheel-chair, then to his favorite chair alongside the fireplace in his study. As he sat down, she noticed how frail he looked. His shoulder blades seemed sharp against the fabric of his dressing gown, and his eyes milky, sunken like those of an old dog.

"Maisie, I am so happy to see you."

"And you too, Maurice." She leaned towards him, and they kissed on both cheeks. "I wish I had known that you were so poorly-I thought you were getting well again."

He lifted a hand towards the chair on the opposite side of the fire-place, Maisie's usual seat; then he shook his head. "I did not want you to be worried, so I asked that you not be alerted to my ill health. I am sure that as soon as summer comes, I will be as fit as a fiddle." He coughed, reaching into the pocket of his woolen cardigan for a handkerchief, which he held to his mouth. Maisie could hear the rasping in his chest, the wheeze as he caught his breath. "I beg your pardon." He paused before continuing. "I saw the light from your torch as you came along the path. I'm glad you've come. Now then, Maisie, what is it you want to discuss? Give an old campaigner something to chew on; I'm fed up with being the resident invalid."

Maisie pulled an envelope from her pocket, slipped out Michael Clifton's postmortem report, and passed the pages to Maurice, who squinted to see the words even though he had set his spectacles on his nose. He read in silence, nodding on occasion, before speaking again.

"The body has been in the ground for some time-what, some sixteen years."

"Yes."

"But the body never lies, does it, Maisie? We may be pressed to see the message sometimes, and one person's eye is not as keen as another's, but the truth is always there."

"What truth do you see in that report, Maurice?"

Blanche smiled, a movement that caused him to cough once again. Maisie poured a glass of water, and held it out to him. When the coughing had subsided he replied to her question. "I see wounds consistent with the type of shellfire faced by the men-there's evidence of shrapnel infiltration to the bone from head to toe, and I would say that this man and those with him suffered vascular and arterial damage due to deep lacerations, though it's likely the deaths of the other men were ultimately caused not only by loss of blood, but by asphyxiation when the dugout caved in." He paused, and looked up at Maisie, the firelight flames reflected in his eyes as he tapped the page. "But this wound to the back of the head-that was not caused by shrapnel, or a gun. I would say it was a heavy object at very close range. This man was murdered by a more personal foe, not the enemy we call war. And you knew that already."

Maisie nodded. "Yes, I knew, Maurice. I wanted you to see the report and to have your opinion. I can see why a harried doctor might miss something; after all, the remains of soldiers are being discovered every week. Still, I thought a British military doctor checking the report might have seen what we have both seen, but this one seems to have slipped through."

"People often see only what they want to see. To draw attention to this particular anomaly would mean more paperwork, more time-and all for a truth that has remained buried for many years. Such truths can only cause pain for someone somewhere, so perhaps consideration was at the heart of the omission."

"Well, the father knows, and he is my client." Maisie leaned back in her chair.

"Tell me about the dead man."

"He was a cartographer and surveyor, an American whose father was British and who managed to worm his way into the army given his background-mapmaking is a valuable skill." She recounted Michael Clifton's history, as told by his father, and she outlined the nature of her client's brief.

Maurice was thoughtful. "Ah, a man who makes maps-an adventurer with his feet on the ground."

"An adventurer with his feet on the ground?"

Maurice coughed again as he laughed, then continued. "Who hasn't felt the stirring of wanderlust when looking at a globe? You see the names of far-flung places and want to see who lives there, and what paths they travel through life. Ah, but the mapmaker, he is one who looks at the land around him and interprets it for the rest of us, who gives us the path to our own adventure, if you like."

"I see what you mean," said Maisie. "But I wonder how someone like Michael Clifton truly felt about his role in the army. After all, his job was to interpret the land not for adventure, but for men to fight, for them to be wounded, and die."

"Indeed."

Maurice seemed to tire, and at that moment the housekeeper knocked and came into the room. She approached with hardly a sound, and spoke in an almost-whisper.

"The nurse is here, Dr. Blanche."

Maurice reached out to Maisie, and she took his hands in her own. "I must go now, Maisie. The only woman ever to frighten me has arrived to ensure I take to my bed. She is fraught because I know more about my medication than she, and because I am given to ingesting my own herbal tinctures-but they allow for a good night's sleep, which is a gift at my age."

"May I help you?"

"No, but please return tomorrow, have coffee with me before you leave for London."

"Of course."

Maisie turned to leave, and as she reached the door Maurice called after her.

"You might bump into James Compton tomorrow. He's home too."

"Yes, I suppose I might. See you tomorrow, Maurice."

Maisie planned to leave Chelstone at eleven o'clock, to be back at her office by one at the latest, so she was surprised when the telephone rang in her father's cottage at half past eight the following morning, and her father announced that Billy Beale wanted to speak to her.

"Billy, is everything all right?"

"Sorry, Miss. I know you're going to be back this afternoon, but I thought you'd want to know straightaway that we've had the police here this morning already."

"The police? Whatever's happened?"

"It's terrible, Miss-Mr. and Mrs. Clifton were attacked in their hotel room yesterday afternoon; left for dead, they were. They're in St. George's Hospital under police guard, and they're both very, very poorly. Mrs. Clifton's at death's door. And the police seem to think you might know who did it."

THREE

In haste Maisie gathered her belongings, packed her case, and loaded the MG. She ran up to The Dower House to see Maurice, who had not yet risen, so she penned a note to him:

My dear Maurice,

I must return to London immediately. Word came this morning that Mr. and Mrs. Clifton (parents of the young man whose postmortem we discussed yesterday) have been subjected to a most vicious attack at their hotel and both are seriously injured. I will return to Chelstone on Saturday, so expect me to call upon you in the afternoon.

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