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Jean Stine: The Legendary Detectives II: 8 Classic Novelettes Featuring the World

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Jean Stine The Legendary Detectives II: 8 Classic Novelettes Featuring the World

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SUPERB COLLECTION OF CLASSIC MYSTERY TALES The Legendary Detectives II is a real treat for aficionados of classic detective fiction: Eight tales of the greatest fictional sleuths who prowled in search of murder and mystery through the era of gaslight and hansom cabs. A follow-up to the bestselling e-book, The Legendary Detectives, grand treats await inside. To wit: the rarest adventure of that legendary blind detective, Max Carrados, "The Bunch of Violets," never reprinted in any Carrados collection. Then for lovers of the exotic, Mr. Commissioner Sanders untangles a web of intrigue along the remote outposts of the Congo River, in "The Ghost Walker." The exotic as well as the scientific are in display in "The Silent Bullet," the very first story to feature that Golden Age scientific sleuth, Craig Kennedy. The exotic is also front and center in "The Headless Mummies," an adventure of Fu Manchu creator Sax Rohmer's extraordinary detective Moris Klaw. Next is a pair of tales featuring the two most famous brains among gaslight detectives: the Man in the Corner in "The York Mystery," and The Thinking Machine in "The Great Auto Mystery." Next, that inimitable, priest-detective, Father Brown, tackles the case of "The Head of Caesar." Included is the last adventure of the world's greatest detective, "His Last Bow: An Episode from the War Service of Sherlock Holmes." The aging sleuth is dragged from retirement to match wits with the Huns master-spy in the darkest days of World War I, in this story recorded by his creator, Arthur Conan Doyle. There are hours of mystery reading pleasure in this exclusive e-book, selected and introduced by Jean Marie Stine.

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"Until 10:45 Lord Arthur was playing cards; a quarter of an hour later the police were on the scene, and the murder had been committed. In the meanwhile Colonel McIntosh's evidence proved conclusively that the accused had been sitting with him, smoking a cigar. It was obvious, therefore, clear as daylight, concluded the great lawyer, that his client was entitled to a full discharge; nay, more, he thought that the police should have been more careful before they harrowed up public feeling by arresting a high-born gentleman on such insufficient evidence as they had brought forward.

"The question of the knife remained certainly, but Sir Marmaduke passed over it with guarded eloquence, placing that strange question in the category of those inexplicable coincidents which tend to puzzle the ablest detectives, and cause them to commit such unpardonable blunders as the present one had been. After all, the footman may have been mistaken. The pattern of that knife was not an exclusive one, and he, on behalf of his client, flatly denied that it had ever belonged to him.

"Well," continued the man in the corner, with the chuckle peculiar to him in moments of excitement, "the noble prisoner was discharged. Perhaps it would be invidious to say that he left the court without a stain on his character, for I dare say you know from experience that the crime known as the York Mystery has never been satisfactorily cleared up.

"Many people shook their heads dubiously when they remembered that, after all, Charles. Lavender was killed with a knife which one witness had sworn belonged to Lord Arthur; others, again, reverted to the original theory that George Higgins was the murderer, that he and James Terry had concocted the story of Lavender's attempt at blackmail on Lord Arthur, and that the murder had been committed for the sole purpose of robbery.

"Be that as it may, the police have not so far been able to collect sufficient evidence against Higgins or Terry, and the crime has been classed by press and public alike in the category of so-called impenetrable mysteries."

III.

The man in the corner called for another glass of milk, and drank it down slowly before he resumed:

"Now Lord Arthur lives mostly abroad," he said. "His poor, suffering wife died the day after he was liberated by the magistrate. She never recovered consciousness even sufficiently to hear the joyful news that the man she loved so well was innocent after all.

"Mystery!" he added as if in answer to Polly's own thoughts. "The murder of that man was never a mystery to me. I cannot understand how the police could have been so blind when every one of the witnesses, both for the prosecution and defense, practically pointed all the time to the one guilty person. What do you think of it all yourself?"

"I think the whole case so bewildering," she replied, "that I do not see one single clear point in it."

"You don't?" he said excitedly, while the bony fingers fidgeted again with that inevitable bit of string. "You don't see that there is one point clear which to me was the key of the whole thing.

"Lavender was murdered, wasn't he? Lord Arthur did not kill him. He had, at least, in Colonel McIntosh an unimpeachable witness to prove that he could not have committed that murder – and yet," he added with slow, excited emphasis, marking each sentence with a knot, "and yet he deliberately tries to throw the guilt upon a man who obviously was also innocent. Now why?"

"He may have thought him guilty."

"Or wished to shield or cover the retreat of one he knew to be guilty."

"I don't understand."

"Think of someone," he said excitedly, "someone whose desire would be as great as that of Lord Arthur to silence a scandal round that gentleman's name. Someone who, unknown perhaps to Lord Arthur, had overheard the same conversation which George Higgins related to the police and the magistrate, someone who, whilst Chipps was taking Lavender's card in to his master had a few minutes' time wherein to make an assignation with Lavender, promising him money, no doubt, in exchange for the compromising bills."

"Surely you don't mean-" gasped Polly.

"Point number one," he interrupted quietly, "utterly missed by the police. George Higgins in his deposition stated that at the most animated stage of Lavender's conversation with Lord Arthur, and when the bookmaker's tone of voice became loud and threatening, a voice from the top of the steps interrupted that conversation, saying: 'Your tea is getting cold.'"

"Yes – but-" she argued.

"Wait a moment, for there is point number two. That voice was a lady's voice. Now, I did exactly what the police should have done, but did not do. I went to have a look from the racecourse side at those garden steps, which to my mind are such important factors in the discovery of this crime. I found only about a dozen rather low steps; anyone standing on the top must have heard every word Charles Lavender uttered the moment he raised his voice."

"Even then-"

"Very well, you grant that," he said excitedly.

"Then there was the great, the all-important point which, oddly enough, the prosecution never for a moment took into consideration. When Chipps, the footman, first told Lavender that Lord Arthur could not see him the bookmaker was terribly put out; Chipps then goes to speak to his master; a few minutes elapse, and when the footman once again tells Lavender that his lordship won't see him, the latter says, 'Very well,' and seems to treat the matter with complete indifference.

"Obviously, therefore, something must have happened in between to alter the bookmaker's frame of mind. Well! What had happened? Think over all the evidence, and you will see that one thing only had occurred in the interval, namely, Lady Arthur's advent into the room.

"In order to go into the smoking-room she must have crossed the hall; she must have seen Lavender. In that brief interval she must have realized that the man was persistent, and therefore a living danger to her husband. Remember women have done strange things; they are a far greater puzzle to the student of human nature than the sterner, less complex sex has ever been. As I argued before – as the police should have argued all along – why did Lord Arthur deliberately accuse an innocent man of murder if not to shield the guilty one?

"Remember, Lady Arthur may have been discovered; the man, George Higgins, may have caught sight of her before she had time to make good her retreat. His attention, as well as that of the constables, had to be diverted. Lord Arthur acted on the blind impulse of saving his wife at any cost."

"She may have been met by Colonel McIntosh," argued Polly.

"Perhaps she was," he said. "Who knows? The gallant colonel had to swear to his friend's innocence. He could do that in all conscience – after that his duty was accomplished. No innocent man was suffering for the guilty. The knife, which had belonged to Lord Arthur, would always save George Higgins. For a time it had pointed to the husband, fortunately never to the wife. Poor thing, she died probably of a broken heart, but women when they love, think only of one object on earth – the one who is beloved.

"To me the whole thing was clear from the very first. When I read the account of the murder – the knife-stabbing! – bah! Don't I know enough of English crime not to be certain at once that no Englishman, be he ruffian from the gutter or be he Duke's son, ever stabs his victim in the back. Italians, French, Spaniards do it, if you will, and women of most nations. An Englishman's instinct is to strike and not to stab. George Higgins or Lord Arthur Skelmerton would have knocked their victim down; the woman only would lie in wait till the enemy's back was turned. She knows her weakness, and she does not mean to miss.

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