Ken Bruen - Cross

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Cross (kros/ noun, verb, adjective) means an ancient instrument of torture, or, in a very bad humour, or, a punch thrown across an opponent's punch. Jack Taylor brings death and pain to everyone he loves. His only hope of redemption – his surrogate son, Cody – is lying in hospital in a coma. At least he still has Ridge, his old friend from the Guards, though theirs is an unorthodox relationship. When she tells him that a boy has been crucified in Galway city, he agrees to help her search for the killer. Jack's investigations take him to many of his old haunts where he encounters ghosts, dead and living. Everyone wants something from him, but Jack is not sure he has anything left to give. Maybe he should sell up, pocket his Euros and get the hell out of Galway like everyone else seems to be doing. Then the sister of the murdered boy is burned to death, and Jack decides he must hunt down the killer, if only to administer his own brand of rough justice.

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I was something then that I, oh, so rarely have ever been – I was happy.

But mo croi briste … me heart is broken.

Let me put it this way: those whom the Irish gods would destroy, first they give a shard of joy to. Least it's how they fuck with me and often.

A few people had asked then if he was my son. I was delighted and was beginning to see him as such. A chance of family, the dream I'd never even allowed me own self to entertain.

When the sniper shot those holes in him, the shots burned a wound in my soul that would never close.

I'd been round and round with speculation as to who had done the shooting. The stalker I'd dealt with for Ridge had a solid alibi; Cathy Bellingham, wife of my best friend Jeff, sure had cause – I'd been responsible for the death of her three-year-old daughter – but she'd disappeared and I was in no hurry to find her. The third possibility was Kate Clare, sister of Michael who might have beheaded a Father Joyce and whom I'd pursued to the gates of hell. Among the more awful aspects of this was that I actually liked Michael Clare, and, Christ, as a victim of clerical molestation he'd already suffered the torment of the damned before he killed himself. Kate, it transpired, had flown off to the Far East and her whereabouts were currently unknown.

Truth is, I didn't care who had done the shooting. All I wanted was for Cody to be returned to me and then I'd deal with the shooter, whoever the fuck it was. And deal biblically.

I got to the hospital, my heart in me mouth, went up to the ward and met a nurse. She knew me from my daily visits, even used my first name.

She went, 'Oh Jack, I'm so sorry.'

Dizziness hit me, but before I could even catch my breath, a couple approached and the nurse said, 'It's Cody's parents.'

They had the look. That horrendous expression of sheer disbelief.

The man, in his late sixties, wearing a good suit, his face a mask of rage, snarled, 'You're Taylor?'

I nodded, still reeling from the implication of the nurse's opening line.

He spat in my face.

'You got our son killed, you bastard.'

His wife pulled him away and as she dragged him down the corridor, he shouted, 'I hope you burn in hell.'

There was literally a beat of silence – one of those moments of pure quiet when a terrible curse has been laid on a human being. All present froze in a tableau of pure shock.

My legs began to tremble. I don't mean a slight shake, I mean the full-on tremor that signals a major collapse.

The next hour or so is hazy. I think I asked if I might see Cody, but I'm not sure. For some bizarre reason, I found myself in the café downstairs, a cup of coffee before me and devastation all around me.

'Are you all right?'

I looked up to see a woman in her late forties, with a good solid face, long dark hair, huge eyes and – odd how the mind can work on some level – a slight accent. English was not her first tongue.

I almost accused, 'You're not Irish?'

She gave a small smile. 'You need someone Irish?'

What the fuck was this?

I said, 'I don't need anyone.'

For a moment, it seemed like she might touch my hand and that would have been a huge mistake. Instead, she said, 'You are in pain. Did you lose someone?'

My oldest ally, rage, was waiting to strike. I let the dog loose and snapped, 'Who the fuck are you? Leave me alone.'

She stood up, said, 'My name is Gina. I sense you are a good man and I can help you,' and pushed a business card towards me.

I said, 'Sense this – I want you to fuck off.'

She did.

I dunno why – madness, perhaps – I put the card in my jacket.

Then I was outside and it was raining heavily. I muttered, 'Good, hope I catch me death.'

Just outside the main door of the hospital, a veritable cloud of smoke near obscured the entrance. Not from the weather, no… the smokers, huddled like frightened lepers. The smoking ban was a year old now and these groups of social outcasts were a familiar sight, frozen in winter, laughing in summer – if you can ever call a summer in Ireland such.

A new term had been coined as nicotine romances had sprung up. People got talking; in their allied addiction, social barriers that might have taken much longer to overcome were now literally so much smoke. The flirting thus was termed Slirting… Flirting with the smoke.

I reached for me cigs and remembered I didn't smoke any more, didn't drink either. No, I was too busy killing all I cared for.

If one of the smokers had noticed my gesture and offered me one, I probably would have taken it. My eyes were locked on the River Inn, clearly visible from where I stood. I began to move.

I was at the hospital gate when I heard,

'Jack?'

And now fucking what?

A man in his early thirties, well dressed if casual, a good-looking guy but with a wary air about him. It was that that triggered my memory.

'Stewart?'

My former drug-dealer. He'd been busted, got six years and then hired me to investigate the supposed accidental death of his sister. That case had been among the worst I'd ever been involved with and led to the death of Serena May, the Down's Syndrome child of Jeff and Cathy.

He smiled, a smile of no warmth. I suppose if you do hard time in prison, warmth isn't going to be one of your characteristics. The time I'd gone to see him in jail, his front tooth had been knocked out and that was just what was visible. I noticed the tooth had been replaced. And his eyes – when I'd first met him, his eyes had been full of energy, and now they were pools of granite.

He asked, 'Are you OK? You look like someone died.'

How to answer that? Fall at his feet and bawl like a baby? Go hard ass and say, 'No biggie'?

I said, 'People are dying all the time.'

He considered that, then said, 'I have a new flat, just down the road. You want to come have a drink…?'

He paused, added, 'Or a coffee?'

My drink history was known to all and sundry. I said, 'Why not?' and we began to walk towards St Joseph's Church. Before we got a chance to speak, a Guard's car passed, the cops giving us the cold scan.

Stewart watched them cruise slowly by and after they'd passed he said, 'They never let you move on.'

Amen.

His flat was near Cook's Corner. The pub there, almost a Galway landmark, had a FOR SALE sign, but then what hadn't?

Cook's Corner is literally the centre where three roads cross. You can walk down Henry Street, the canal murmuring to you on both sides, or turn and head north to Shantalla, literal translation being 'old ground' and still home to some of the best and most genuine people you could ever hope to meet. Or you could retrace my path, back to the hospital. There was a fourth option, but no one ever mentioned it; a fourth road that was there, but never alluded to: the route to Salthill. Years ago, it led to Taylor's Hill (no relation) and housed the upper classes. You had money or notions, you lived there. So it was never referred to by the people, money and notions not being on the agenda. But times, they were a-changing and Cook's pub was about to open the door to all sorts of speculators suddenly taking an interest in what had always been described as the poor man's part of town.

You think I'm kidding?

There were three charity shops on this patch alone.

We went into a plain two-storey house and he opened a door on the ground floor, said, 'Welcome to my humble abode.'

I never believed people actually used such clichés. What was next, Mi casa es su casa ?

I have seen houses and apartments of all descriptions, and lots of them were bare, due to poverty or neglect or both. Shit, I grew up in one. We had a few sticks of furniture, and one particularly rough winter we used the kitchen chairs for the fire.

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