Gillian Galbraith - Dying Of The Light

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Midwinter, a freezing night in Leith, near Edinburgh's red light district. A policewoman's flashlight stabs the darkness in a snow-covered cemetery. The circle of light stops on a colourless, dead face. So begins the hunt for a serial murderer of prostitutes in Gillian Galbraith's third Alice Rice mystery, "The Dying of the Light". Partly inspired by the real-life killings of prostitutes in Ipswich, this novel explores a hidden world where sex is bartered for money and drugs. Off-duty, Alice's home life continues its uneven course. Her romance with the artist Ian Melville offers the prospect of happiness, but is plagued by insecurity. Her demented but determined neighbour, Miss Spinnell, offers a new challenge to Alice's patience at every meeting. This atmospheric thriller builds on the success of the first two Alice Rice mysteries, "Blood in the Water" and "Where the Shadow Falls", and it is Gillian Galbraith's most accomplished novel yet.

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Worse still, she thought, it had been the truth. This was rarely, in her experience, a mitigating factor, and not one that she would be sharing with the rest of the force. Chance would, indeed, be a fine thing if a used condom were to be found in her hall or anywhere else within her house. The average octogenarian, if the magazines were to be believed, had a richer, fuller sex life than she did nowadays. And the future seemed every bit as bleak, promising a cuddle-less existence, unpunctuated by kisses, ending in a cold and lonely grave.

She shook her head, trying to ward off the mood of self-pity that was threatening to overwhelm her, and turned her thoughts to practicalities. Obviously, an apology would have to be made and, thinking about it again, she did genuinely regret any offence caused to the man by her ‘inappropriate levity’, as he had described it in his letter of complaint. Having couples copulating in the common stair and posting their prophylactics through the letter-box would be unpleasant. Yes, saying sorry would be ‘appropriate’ and, she breathed out loud, she would be prepared to concede the ‘inappropriateness’ of her crack. Although, when all was said and done, that was all it had been. A crack, a joke, a wry observation, not a very funny one, but at her expense not his. What had happened to ‘Laughter, The Best Medicine’, she wondered?

As she was about to lick the layer of thick yogurt off the pot’s lid, the telephone rang and she dropped it, watching in horror as it landed sticky side down on her letter from the Conduct Department.

After getting the news of the day, in particular that another prostitute was missing, she sat motionless at her desk, her left hand covering her eyes, breathing slowly in and out. Her hour had come. She must summon up all her strength or, all that remained of it, as the race had just changed from a sprint to a marathon. If Muriel McQueen was dead, as now seemed more than likely, then everything had altered, and the eyes of the world would be upon them. And they would all be under the spotlight, its unforgiving radiance revealing every flaw and shortcoming, with nothing to protect them from its heat. Now orders must be given and there was no time to waste, disciplinary meeting or no meeting. She threw the yoghurt pot into the bin, licked the spoon clean and strode out of her room.

Having been sent to Julie Neilsons home by her tightlipped boss the first - фото 96

Having been sent to Julie Neilson’s home by her tight-lipped boss, the first thing that struck Alice on entering it was how unnaturally neat and tidy it all was. The common stair leading up to it was dark and dismal, with two light bulbs broken and the other in a terminal state, flickering uncertainly and making a strange clicking sound. Graffiti adorned the hallway’s chocolate-coloured walls, and flakes of peeling paint hung off them like bark on a dying tree. The landings had been sticky, never a good sign, and the stairs leading to them were as unswept as her own.

In contrast to the communal squalor, the flat at number 35 shone like a beacon of domestic pride. All the furniture inside it gleamed as if newly polished, and a spotless cream carpet covered every inch of floor space. Three pairs of shoes, two of them tiny, lay neatly beside the door, and on noticing Julie Neilson’s unshod feet, Alice removed her own. The woman herself looked exhausted, drawn and pale, with long features and a down-turned mouth. As soon as Alice sat down, she rose from her chair and, apparently unaware of what she was doing, started plumping up the cushions that she had just crumpled.

‘I know you’ve already spoken to the Sergeant on the telephone,’ Alice began, uncomfortable to find herself seated and her hostess standing, ‘but we need, if possible, the best description you can give of the man that Muriel went off with last night.’

Julie Neilson nodded, her attention now turned to the curtains, which, although they would have appeared perfect to most onlookers, evidently required some kind of fine adjustment.

‘Aha. Ah cannae say much, hen, though. Ah’d some-wan wi’ me, so Ah wisnae payin’ that much attention tae her fella. Aw Ah can say wis that he wis big, ken, a big strappin’ lad.’

‘Over six foot?’

‘Aye, a wee bit.’

‘And his figure?’

‘Aha… well built, ken.’

A huge plasma screen in the corner of the room evidently needed to be polished again and Julie Neilson had begun to rub it with a duster, becoming completely absorbed in the task. As she worked, her sleeves fell away from her forearms exposing their underside, and revealing strange textured skin like that of some kind of reptile. The whole area from wrist to elbow was covered in horizontal scars, each touching the other without a millimetre of undamaged flesh between them.

‘And his face, his clothes – can you tell me anything about either of those?’ Alice asked, unable to take her eyes off the pitiful spectacle.

‘Never seen his face… tae far awa’ fer that, an’ his claithes were normal, like, a big waterproof jacket, grey mebbe, an’ he wis wearin’ a hat an’ a’.’

‘What kind of hat?’

‘Eh… wan like what the cowboys wear. A… a… a…’ She hesitated, trying to think of the word.

‘Stetson?’

‘Aye, a Stetson… wi’ a broad brim.’

For a few seconds, the woman sat down again next to Alice, indicating with her hands the width of the brim, until her attention was caught by a small pile of magazines on a low table which, plainly, she considered disordered. Instantly, she rose again to remedy the imperfection.

‘Did you hear the fellow’s voice at all?’

‘No, he wis tae far awa’… an’ the wind wis roarin’ an everythin’.’

Having tidied the offending magazines, the woman returned to Alice and stood in front of her, looking down anxiously into her face. She asked, ‘D’ye think she’ll be a’ right?’

No, Alice thought, but said, ‘She may well be fine, and we’ll find her. Has this ever happened before, Muriel failing to call you, I mean? You know, having forgotten to phone or something like that?’

‘Naw,’ the woman shook her head. ‘She’s like clockwork, ken, that’s why Ah paired up wi’ her. She’s completely reliable – she aye calls.’

Tam McNeice looked up from his drink saw the policeman marching towards him - фото 97

Tam McNeice looked up from his drink, saw the policeman marching towards him, put his hand into his crisp packet and took out some crisps. The heads of a couple of drinkers turned towards him, curious, aware that some kind of scene might ensue and unwilling to miss it. One of them raised a glass to him and gave him a cheery wink.

‘That was a pack of lies you told me, McNeice,’ Inspector Manson said, now standing opposite the man, out of breath and red in the face from recent exertion. ‘I’ve spoken to your neighbours, and they all say they never saw you on the twelfth, that there was no party at your flat.’

‘Naw… Ye dinnae say,’ McNeice replied, putting a couple of crisps into his mouth.

‘Yes, I do fucking say. So where the hell were you?’

‘I thought ye might be back. Been wasting yer time, eh, ploddin’ up an’ doon the stairs an’ all, jist when ye’d hae better things tae dae?’

‘Aha. But I’ll not be wasting any more of it here, I’ll just take you off to the station this minute, you wee bastard.’

Coolly taking a sip of his beer, McNeice replied, ‘Then ye’ll get promotion, eh? Takin’ in the Leith Killer…’ and he raised his hands and clawed them like a grizzly bear, a big smirk on his face, ‘all by yersel’, an’ a’.’

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