Gillian Galbraith - Dying Of The Light

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Midwinter, a freezing night in Leith, near Edinburgh's red light district. A policewoman's flashlight stabs the darkness in a snow-covered cemetery. The circle of light stops on a colourless, dead face. So begins the hunt for a serial murderer of prostitutes in Gillian Galbraith's third Alice Rice mystery, "The Dying of the Light". Partly inspired by the real-life killings of prostitutes in Ipswich, this novel explores a hidden world where sex is bartered for money and drugs. Off-duty, Alice's home life continues its uneven course. Her romance with the artist Ian Melville offers the prospect of happiness, but is plagued by insecurity. Her demented but determined neighbour, Miss Spinnell, offers a new challenge to Alice's patience at every meeting. This atmospheric thriller builds on the success of the first two Alice Rice mysteries, "Blood in the Water" and "Where the Shadow Falls", and it is Gillian Galbraith's most accomplished novel yet.

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A woman was on her knees scrubbing the stone landing outside McPhails flat - фото 37

A woman was on her knees scrubbing the stone landing outside McPhail’s flat, her ample rump waggling slowly in the doorway, following the rhythm of her outstretched arms. Her bucket blocked their way up the stairs.

‘We’re looking for Mr McPhail?’ the Inspector said loudly, ensuring that he could be heard above the din of the cleaning.

‘He’s away at the church,’ she replied, hardly looking up.

‘Which church?’ Alice asked.

‘St Aloysius, further down the road. Obviously.’

‘Obviously,’ whispered the Inspector as they retraced their steps down the stone stairway to the street below.

The exterior of the church was vast but completely plain No more than a - фото 38

The exterior of the church was vast but completely plain. No more than a rectangular, red-brick box with shallow slits for windows, each one positioned a few feet below the stark horizontal created by the flat roof. A structure so simplified and bereft of ornamentation as to fill any onlooker not with awe or wonder but instead with a kind of desperate depression; that humanity could waste time, money and energy in constructing anything so dull and mundane. Ambitionless. A piece of architecture either consciously subverting centuries of tradition, churches built to uplift the faithful and glorify God, or dictated by the excessive penny-pinching of a dying faith.

Passing through flimsy, oak-effect doors, they entered a well-lit nave, its white-painted surfaces bedecked with brightly coloured tapestries, each embroidered with a fish, a lamb or a lily, as if depicted by a child. Facing them, behind the altar, a massive stone crucifix was attached to the wall, a relief of the crucified Christ carved on it and the whole sculpture lit by a raft of concealed spotlights. A circlet of barbed wire adorned Christ’s head and his eyes looked upwards seeking deliverance.

As Alice and her companion processed towards the only occupied pews, those next to the altar step, the Inspector whispered, ‘What’s the awful pong, Yogi?’

But he had misjudged how his voice would carry, and his last words echoed around the space – ‘Yogi… Yogi… Yogi…’

‘Stale incense, sir,’ Alice replied, her voice hardly audible, fearful that her words, too, would be magnified as his had been. Arriving at the step, they automatically separated, taking a side each as if they had discussed the matter beforehand. Alice’s gentle tap on the white-haired man’s shoulder made him start with surprise, dropping the rosary he had been fingering to clatter onto the floor below.

‘Very sorry to disturb you, sir,’ Alice began, ‘but you’re not Mr McPhail, I suppose?’

‘No.’ The impropriety of the question, in such a place, was communicated forcefully to her by his stern expression. The next man along, eyes clamped shut in prayer, shook his head impatiently in answer to her query, and the third one in the row did the same, her voice having carried to him. Defeated, she manoeuvred her way back through the empty pew to find the Inspector waiting for her.

‘Any luck?’ he mumbled under his breath.

‘No.’

‘Me neither. The bastard must have gone.’

While they were still engaged in a whispered discussion, an elderly woman joined them and asked in a broad Irish accent, ‘Would it be Father McPhail, now, that you’re after?’

‘It might well be,’ the Inspector replied, smiling politely, and unconsciously adopting her brogue. ‘And where would we find him?’

‘Well, you’ll have to wait your turn like everyone else… he’s taking confessions at the minute. I’m number eight, so you’ll be numbers nine and ten. Keep your eyes skinned, mind, or other bodies after you in the queue will nip in before you and take your place.’

Sitting on the hard bench, Alice watched as Eric Manson, passing the time in between bouts of fidgeting, methodically hunted down any smut available in the Good News Bible , from Susanna and the Elders to Onan and his seed. Each one was discovered in seconds, a testament to the boredom of his own churchgoing years and a retentive memory. She knew them all, of course, and a few more besides; too many masses, benedictions and complines to fill and too little reading material.

After over an hour had limped by, the elderly woman emerged from the side-chapel followed by the priest in his white surplice and purple robe. He beckoned Alice, as if to signal that her turn had arrived, and she rose together with the Inspector.

‘Father McPhail… Father Francis McPhail?’ she asked.

‘Yes.’

The dumpy figure seemed untroubled by their approach, as if used to dealing with pairs, handling inseparable couples. Despite his small stature, he had a magisterial air; they were in Christ’s house perhaps, but he was their earthly host. His strange, deep-set eyes looked out at them with an enquiring expression from beneath arched eyebrows. The eyeballs seemed to have no white, vast brown pupils taking up all the space, more like a chimpanzee’s than a man’s.

‘I am DI Manson of Lothian and Borders Police,’ the inspector began, and then hesitated, grimacing on hearing his last words returning to him, before continuing softly, ‘and I’d be grateful if you would be good enough to help us with our enquiries at the station, at St. Leonards Street.’

Francis McPhail looked astonished at the request, disbelief gradually becoming apparent on his face, but he quickly recovered his composure and said sternly, ‘Of course I’ll help you, officer, but first of all I must finish taking confession. Two of my parishioners have still to be seen, and if it’s all right with you, I’d like to see to them before accompanying you to the police office.’ So, for another forty minutes, the police officers waited in the unheated church, their breaths becoming visible, legs and arms crossed in an attempt to maintain their body heat until, to their relief, the priest emerged from the sacristy, clad now in black jacket and trousers.

The removal of the suspect from his own surroundings had been DCI Elaine Bells - фото 39

The removal of the suspect from his own surroundings had been DCI Elaine Bell’s idea, but he remained ostensibly at ease, comfortable in himself and with the world around him, despite the alien environment. Alice glanced at her watch. Nine p.m. already.

‘Good of you to assist us, sir… er… Reverend, sorry… Father,’ Elaine Bell began, unusually courteous, seemingly thrown by the man’s dog-collar. In reply, he nodded affably, looking straight at her, his dark eyes shining, unashamedly curious to discover why he had been summoned.

‘Well, can you tell me where you were on Tuesday the ninth of January, between the hours of, say, 8.00 p.m. and 11.00 p.m.?’

‘Can I look at my diary?’ he asked, removing a slim leather-bound pocket book from inside his jacket, and holding it unopened in his hands.

‘Yes.’

He flicked the diary open and examined an entry, before meticulously inserting the ribbon marker and closing it once more.

‘I helped Mrs Donnelly clear my study in the early evening and then, as far as I recollect, I went to church.’ He blinked at his interrogator.

‘Mrs Donnelly?’ the DCI enquired.

‘My housekeeper.’

‘And at about what time did you leave to go to the church?’

‘I can’t be exactly sure. It would probably be at about 8.30 p.m. or so.’

‘Was there anyone there with you at the same time?’

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