Robert Wallace - The Dancing Doll Murders

But he feared something else now. A criminal gang such as the one whose activities he was tracing would be likely to protect their hideout with some sort of an alarm system. So Van did not use his pass-keys on the gate Guido had gone through. And he was breathlessly cautious as he reached up to the top of the high brick wall.

His fingers probed stealthily. He felt porcelain insulators directly behind the wall’s coping. His body stiffened. There must be a wire strung along them. Any contact with it would probably ring a bell.

VAN used his body like an acrobat’s, brought into play those powerful muscles that he had trained and sharpened with the series of exercises a Japanese Samurai had taught him. With his fingertips barely touching the top bricks, he raised himself inch by inch on his arms, higher and higher, till his head and shoulders were above the top of the wall.

Then, with arms stiff, his feet came up. He balanced there for a moment, seeming to defy gravitation, not touching that dangerous signal wire. His body appeared to ooze silently over it. In another moment he was sliding down the opposite face of the wall.

He crouched in utter darkness for many seconds. Dimly, against the cloud reflection of the city beyond, he could see the silhouette of the big mansion. But there were no lights in it, no hint as to where Blackie Guido had gone.

Not till he was certain that there was no guard prowling around the grounds did Van move forward. He had the instinct of the hunter who feels that he is getting close to his game. A false step now and they might break cover. He remembered how the gang had left and set fire to the garage. That must not happen again, or he might never be able to solve this sinister riddle and bring the Chief to justice.

For almost fifteen minutes Van skirted the outside of the house. He dared not turn on his flash. There might be eyes watching. Like a blind man he touched the walls he came to, oriented himself with corners, studied the location of steps. He went around three times, before his eyes, grown almost as sharp as a cat’s in the darkness, made out one tiny sliver of light.

It came from a minute chink in a shuttered and curtained basement window. It could not have been seen five feet away. But Van was closer than that, three feet, and he was watching for just some such thing. It told him what he wanted to know. The strange activity behind the closed doors and windows of this mansion was concentrated down stairs. He would not have to risk entering above and moving across sagging, squeaking floors that would betray his presence.

He left the chink where the light showed, stole along the side of the big house till he came to what he felt sure was a furnace room door. For his hands, reaching down to the ground in the darkness, reading signs, came in contact with bits of broken clinkers and angular pieces of coal, And now, for a brief instant, he switched on his slender, fountain pen flash; and he was relieved to see that the door had had an old-fashioned lock and that there were no footprints in the soil around it.

The lock gave him trouble, however, not because jt was elaborate, but because it was rusty. It wouldn’t yield till Van spilled benzine from his cigarette lighter into the oxidized mechanism. He did the same to the hinges, got the door open at last, and stepped into a black, icy room. The cement floor told him he had been correct in his surmise. And in a moment, hands before him, he came in contact with a boiler.

Then once again, across many feet of Stygian darkness, he saw a faint glimmer of light. It was low down this time. It seemed to come from under the crack of a door. Van’s heart sounded a muffled drum-beat of excitement as he moved ahead stealthily in the gloom.

And then he could hear men’s voices! Faint at first, a mere quavering rumble. Louder as he came close to the door. They were in the room beyond, that was certain. But the door seemed thick; and when Van, after several seconds, risked using his flash for an instant again, he saw that it was made of metal. Not only that – whatever lock there was seemed to be on the inside.

But his flash, sweeping across the wall of the room he was in, revealed to Van that age and dampness had taken effect. He glimpsed a spot where plaster had spilled from the intervening partition where the bricks looked loose. He stole to it, worked tensely for a full minute and got one brick out. Instantly light made him squint as it came across six inches of air space from a wide crack in whatever substance formed the partition’s opposite wall.

He couldn’t see the whole room beyond, but putting his eye close, he could see enough to puzzle him and hold his rapt attention. For lights gleamed on water. There was a dank, stagnant swimming pool directly in front of the tiled face of the partition where Dick Van Loan stood.

Gathered at one edge of it was a group of men, many of whom he had seen before. Bowers was there, with his evil, black-browed face. The same pallid hopheads who had accompanied Van from Blackwell’s. The man they called “Doc,” with his glittering glasses and his thinning hair that made his high forehead taper up in devil’s horns. And Blackie Guido, looking out of place with his fine clothes in this motley gathering, except that his face was stamped with criminality like the faces of the rest.

Others moved into Van’s line of vision as he watched, gunmen and human gorillas with the build of riverfront thugs. A man with a depraved face and long spiderlike arms who looked as if he might have been the monster who had strangled Mrs. Tyler.

Van watched lynx-eyed, and sensed that something was about to happen. He had arrived just in time apparently. For Blackie Guido looked at his watch, then said to Bowers in a voice that Van could hear distinctly:

“Get your men out of here and keep ‘em out. Go into the billiard room. I’ll come in when I’m through. I gotta talk to the Chief. And remember – I ain’t saying he won’t raise hell at what happened in the garage.”

BOWERS’S ugly face looked scared suddenly. “I don’t get it, Blackie. How can you talk to the Chief here? The door to the furnace room’s bolted shut. All the windows are nailed. You say you’re gonna lock yourself in. Where does the Chief come from? Is he really comin’ himself, or does he just call you?”

“Beat it!” said Blackie. “Scram! And you better start worryin’ about what’s gonna happen to you.”

Bowers shuffled off toward the door into the next chamber, beckoning the others with him. Van saw them dart half curious, half fearful glances at Blackie Guido, as though he had some sort of supernatural powers. And Guido seemed to take a grim satisfaction in the knowledge that he was being mystifying. He looked at his watch again.

“One forty-five,” he snapped. “The Chief is due in five minutes; scram, all of you.”

He strode after them, locked the door into the billiard room, then Van saw him go to the wall. He reached down behind a piece of loose molding, did something that Van couldn’t quite fathom. After this he came and sat down in a chair directly in front of the pool. Van felt his own scalp grow tight when he saw that Guido was staring fixedly down at the black, oily water. What did it mean?

In five minutes Van got his answer. The pool’s surface grew strangely agitated. Sluggish bubbles came up as though some hellish devil’s brew were being concocted. And then water broke around the black, monste-like dome of a man’s helmeted head. Van saw outlines of a diving suit below the helmet. He knew in that instant of frozen wonder that he was looking at the Chief!

THE CHIEF’S ORDERS

HERE was the unknown being whose crafty brain had already arranged three murders and attempted two others! Here was the killer who prefaced death with music, whose wax manikins with their tinkling tunes led men and women to their graves in a Danse Macabre.