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Elly Griffiths: The Janus Stone

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Elly Griffiths The Janus Stone

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Ruth Galloway is called in to investigate when builders, demolishing a large old house in Norwich to make way for a housing development, uncover the bones of a child beneath a doorway – minus the skull. Is it some ritual sacrifice or just plain straightforward murder? DCI Harry Nelson would like to find out – and fast. It turns out the house was once a children's home. Nelson traces the Catholic priest who used to run the home. Father Hennessey tells him that two children did go missing from the home forty years before – a boy and a girl. They were never found. When carbon dating proves that the child's bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is trying very hard to put her off the scent by frightening her half to death…

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‘Children’s home,’ says Nelson briefly. ‘Run by the Sisters of the Sacred Heart.’

Clough gives a sharp intake of breath.

‘What?’ Nelson asks irritably.

‘Well, it was run by nuns, wasn’t it?’ says Clough. ‘And you know what they’re like. This could be some poor kiddie they killed.’

‘No I don’t know what they’re like,’ says Nelson, his face darkening, ‘and you, Sergeant, would do well not to jump to conclusions.’

‘We think there was a medieval churchyard on this site,’ cuts in Ted. ‘That’s why we’re excavating here. County archaeologist insisted we do a dig before the new build goes up.’

‘Edward Spens was furious,’ says Derek Andrews, ‘says you’re costing him thousands of pounds a day.’

‘Well, we’re not being paid thousands,’ says Trace sulkily. ‘Every brickie on site gets paid more than we do.’

Nelson ignores this, turning to Ruth. ‘Could the bones be medieval?’

‘It’s possible,’ says Ruth, ‘but the context looks modern. Of course, they could be medieval bones that have been buried relatively recently. But I think it’s unlikely. The skeleton looks intact, as if it was buried fairly soon after death.’

‘Well,’ says Nelson decisively, brushing soil off his trousers, ‘we need to close the site until you’ve finished your investigations.’ He raises his hand. ‘And I don’t want to hear what bloody Edward Spens thinks. This is a police matter now. You did well to call me, Ruth, and not the local boys.’

Nelson, Ruth knows, is in charge of something called the Serious Crimes Unit and resents any interference from ‘uniforms’. She is ashamed of how pleased she feels at the praise. Nelson turns to her now, ignoring Trace who obviously hates being outranked like this.

‘How long will you need, Ruth?’

‘A few days, at least. We’ll have to see if there are any more. Also, the head is missing.’

‘The head?’

‘Yes, it looks as though the skeleton is missing its skull. It could be buried somewhere else on site.’

‘Is it a child?’ asks Nelson. ‘The skeleton?’

‘I think so. We’ll be able to tell more when we examine the bones. Children’s bones have growing ends on them, called epiphyses. As they get older, these fuse with the main part of the bone. Of course,’ she adds, seeing Nelson looking glassy-eyed, ‘examining the skull is the best way of determining age.’

‘You mean because of the teeth?’

‘Yes and the growth patterns.’

‘Will you be able to tell its sex?’

‘It’s very difficult if the skeleton is pre-pubescent. Though there was a case recently in Sussex where archaeologists were able to sex foetal skeletons using DNA analysis. Of course, if it’s older, the skull should give us a clue.’

‘Why?’

‘The brow-ridge is more pronounced in post-pubescent males.’

Nelson smiles faintly. ‘You mean we’re all Neanderthals?’

‘Neanderthal man died out,’ says Ruth, ‘but, yes, something like that.’

‘OK.’ Nelson turns to Clough. ‘We’ll need to get the scene-of-crime boys down here.’

Over the last few minutes, Derek Andrews has been looking ready to explode. ‘What shall I tell Mr Spens?’ he says at last.

‘Tell him this is a suspected murder enquiry,’ says Nelson, climbing out of the trench. Andrews mutters something incomprehensible.

Ruth follows Nelson along the raised path. She is still feeling sick and slightly dizzy. The black and white tiles merge unpleasantly before her eyes. She stops, breathing hard. Nelson looks at her sharply, ‘Are you all right?’

‘Yes,’ she says lightly, forcing herself to straighten up. ‘Why wouldn’t I be?’

‘You tell me.’

There is a slightly awkward pause. Ruth sees Clough looking at them curiously.

‘I’m fine, Nelson,’ says Ruth. ‘This is my job, remember.’

Nelson looks at her for another long minute, frowning.

‘Rather you than me,’ he says at last and heads off back to his car without saying goodbye.

CHAPTER 5

Ruth drives slowly back along the Norwich ring road. She has stopped feeling sick and now feels ravenously hungry, a common pattern over the last few weeks. She stops at a garage and buys a baguette and some mineral water. Plain carbohydrate is what she needs. That and water. She drives along stuffing pieces of bread into her mouth. She’s going to put on several stone with this baby, she can see it now. This has been one of the very best things about being pregnant though; not worrying about her weight. Ruth has been overweight since school. How many years of her life has she spent dieting, worrying about her body-mass index and trying to stand on the scales in a way that makes her four pounds lighter? She has been to WeightWatchers and Slimming World and has had several bloated weeks on the cabbage soup diet. In the last few years she has stopped dieting, which has had no effect on her weight but has made her feel, if not happier, at least resigned. She is never going to be one of those women who boasts that they can eat what they like and not get fat (‘it’s just my metabolism; I’d give anything to have curves’). She’s never going to look good in a bikini or vest top. But, by and large, she doesn’t care. She wears anonymous, baggy clothes and only looks in the mirror to check that she hasn’t got spinach in her teeth. But now, hallelujah, she has an excuse for being fat. She can drink a non-diet Coke without having a chorus of invisible voices berating her: ‘Did you see the size of her? Shouldn’t she be drinking the diet version?’

Has Nelson noticed anything? She doesn’t think so. He was fairly abrupt but that is what Nelson is like when he is on an investigation. And he had deferred to her, asked her how long the excavations would take, much to the annoyance of Trace and the foreman. She wishes she hadn’t been sick though. Irish Ted had been nice but she doesn’t trust Trace not to tell all her field archaeology friends. Had it been the car journey and the exertion of clambering over the site? Or had it been the skeleton, the foetal position, the thought of the head separated from the body? She remembers Max’s talk of head rituals in Celtic mythology. Celts were head hunters. Celtic warriors would cut off their opponents’ heads in battle and hang them from their horses’ necks. After battle, the heads would be displayed at the entrance to the temple. The severed head is a recurring theme in Celtic art.

Is the building-site body Celtic or Roman? Is it medieval, a relic from the long vanished churchyard? Maybe, but Ruth is still convinced that it was buried fairly recently, in the last couple of hundred years. The disturbance of the earth under the door suggests that it was buried when the door was put in place. How old was the children’s home? She will have to ask Nelson to look at the title deeds and planning history.

She is passing the Swaffham road and, on impulse, makes a sharp turn, earning her a furious hoot from the car behind. She will stop off at the Roman dig, have a word with Max. If nothing else it will be good to be out in the open air after a day spent in the car. The earlier rain has stopped; the air will be sharp and pure at the top of the hill.

To her surprise she finds a coach parked awkwardly at the foot of the grass bank. The driver is still inside, eating a sandwich and reading the Sun . As Ruth parks her Renault beside the bus, she notices a group of elderly people approaching. They are dressed in tweeds and waterproofs and some are carrying guidebooks. The slope is steep and some of them are leaning on sticks and breathing heavily, while others sprint along like teenagers. Ruth spots Max bringing up the rear, offering his arm to a large grey-haired woman. Some of the elderly people smile and wave at Ruth and she waves back, although she has no idea who they are. They seem friendly anyway. When everyone is inside the bus, the driver puts down his paper and the wheels churn slowly in the mud. Max waves heartily until they are out of sight.

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